At this moment, all the audience in the audience, including the other twenty-three female guests, thought that Pei Yanchen would turn off the lights, because the Xue Bao in front of him showed from his "self-introduction" and interaction with the female guests that he was definitely not a successful person, let alone a person worthy of liking. Pen % fun % Pavilion www.biquge.info

Even the vast majority of people think that maybe No. 7 is right, the man hiding in the snow treasure puppet costume is a LOSER in life, fat, homely, poor, not to mention, and very inferior. (BGM - "I'm Not Worthy" Jay Chou)

Look at Pei Yanchen again, not to mention the perfect appearance, noble temperament, and academic qualifications, none of them can be picky, even the female guests who hate her think that such a woman is far from being worthy of Xue Bao.

And for Pei Yanchen at the moment, everything described by Xue Bao is a little plausible with everything Cheng Xiaoyu, and what is in front of her is an extremely difficult multiple-choice question, maybe for others, just give it a fight, and wait until the end to see who is in the puppet.

But Pei Yanchen, an extremely responsible person, would not do this, this is disrespectful to the other party, in her opinion, if the other party is not Cheng Xiaoyu, it is also a cruel act to do so.

Doing so would be contrary to her code of conduct.

In terms of experience, what Xue Bao said is basically consistent with Cheng Xiaoyu's life experience, but this is like a multiple-choice question that there is always an ambiguous other option that does not go up or down, which makes us mistakenly think that we have chosen one of the ABCDs correctly, and we can never expect that it is just an answer close to the right.

And the more you are faced with major choices, the more people will have to worry about it, and the more uncertain it will be, and it is often those options that bother you, not the topic itself.

But fortunately, for Pei Yanchen, she still has time to make a judgment.

She asked softly and solemnly, "Ciel, can you answer me a few questions?"

Cheng Xiaoyu in the Xuebao puppet was silent for a moment and said, "Yes, but I don't guarantee that my answer must be correct." ”

Cheng Xiaoyu's answer made the audience and guests at the scene in an uproar, even if the female guests didn't like Pei Yanchen, but the Xue Bao in front of him was even more unbearable, he simply came on stage to play with the female guests and the audience, wearing a puppet costume doesn't count, and answering questions does not guarantee that his answer must be correct, it is simply too deceitful.

At this time, several female guests raised their hands and signaled to the host Huang He that he had something to say, but Huang He didn't pay attention to it, and just asked Pei Yanchen: "Then do you still want to ask?"

When Pei Yanchen heard Xue Bao answer like this, the possibility of knowing that it was Cheng Xiaoyu inside greatly increased, and he said this maybe just to keep the audience from knowing that he was Cheng Xiaoyu, that is, to hide the fact that he was Cheng Xiaoyu.

But what he said was "no guarantee that the answer is correct", not true, maybe not confident in himself, this kind of chewing on words seems to be a bit deliberate, but maybe it's just a coincidence?

Pei Yanchen still can't be 100% sure that this is Cheng Xiaoyu, even though the answer seems to be very clear.

When she recalled this scene, after so many years, when her mind was still hesitating, her heartbeat had already recognized Cheng Xiaoyu.

For the first time, Pei Yanchen felt the thrill of his heartbeat and sudden arrest, like a string that kept vibrating.

After thinking for a while, Pei Yanchen spoke, she didn't plan to ask questions that obviously let people know that he was Cheng Xiaoyu, but instead asked some professional questions that only people of Cheng Xiaoyu's level could answer, she asked: "How many white keys and how many black keys are there in a piano with eighty-eight keys, and what is their frequency range?"

Cheng Xiaoyu replied quickly: "There are 52 white keys and 36 black keys, and their frequency ranges from 27.5 Hz for group 0 A0 keys to 4186 Hz for group 8 C8 keys. ”

This question is too simple for Cheng Xiaoyu.

Immediately, Pei Yanchen asked again: "In order to obtain enough bass in the limited length of the piano, what kind of structure is used inside the piano?"

This question is very difficult, even professional steel watch students may not understand, but Pei Yanchen knows that Cheng Xiaoyu must understand.

Cheng Xiaoyu replied without thinking: "In order to enhance the bass, the strings of the piano use winding and double winding strings in addition to the bare strings, and the strings are crossed and hung to obtain more resonance and harmony. ”

Pei Yanchen hurriedly asked, "What is the name of the first permanent indoor orchestra based on strings in the West, and who founded it?"

Cheng Xiaoyu replied without hesitation: "It was Louis XIII of France who organized the famous "The King's 24 Violins" in 1626 in order to hold an open-air ball at the Palace of Versailles and select the best instruments and musicians, including five voices and six instruments for bass. ”

This conversation happened very quickly, so fast that Huang He didn't even have a chance to interject at all, Pei Yanchen asked quickly, and Cheng Xiaoyu answered quickly, as if the two of them were participating in a knowledge contest where you ask me and I answer.

Pei Yanchen continued to ask: "Tell me about the role of the double bass." ”

This kind of problem cannot stump Cheng Xiaoyu, who can write a symphony.

Cheng Xiaoyu replied very quickly: "In sacred music, the double bass is naturally used for decoration, and in the chorus it is very important, and when it comes to the accompaniment of arias in Italian opera, it presents one of the most perfect effects, which greatly complements the dramatic music of the singers. Today, it is not only the bass mainstay of classical symphony orchestras, but also a variety of folk music, jazz, blues and pop music. Obviously, its concept has also been introduced to many national modern orchestras, including the modern Huaxia orchestra's double bass Gehu, environmental double bass Gehu or double bass Laruan. Due to the special effects of plucking and the need for a low register, it is also the only stringed instrument in a Western wind band. But now it has been replaced by the development of the 1950s bass electric guitar, the electric bass, in many genres. ”

Although few of today's audiences can understand it, they look confused, but they have a very grasping, very professional, and great feeling, simply put: I don't know how to feel it.

Then Pei Yanchen changed direction and asked, "Your favorite poetry collection?"

Cheng Xiaoyu said: "Charles Baudelaire's "The Flower of Evil" and William Butler Yeats's "The Wind Among the Reeds". ”

"Do you write poetry with staves?"

"Not necessarily. ”

"What do you think is the most important thing in the creation of poetry?"

"I think that the beauty of poetry is mostly half rhyme and half emotion, and the difference between ancient poetry and modern poetry is that modern poets have multiple rhymes but not heavy rhythms, which seems to be mixed. Writing poetry is not like writing, the text can be a story, a narrative, and a memory, while poetry can only send feelings. The point is that the poems can be sung and sung, but the text can only be read, so if the poems have nothing to do with the beauty of rhyme, the feelings expressed are not beautiful, I personally think that fine, rhyme, elegant, affectionate, deep, these five words are really the foundation of poetry. ”

Pei Yanchen suddenly slowed down and asked, "Classmate, I want to ask how the word Lebenslangerschicksalschatz should be translated?"

At this point in the conversation between the two, Pei Yanchen said a lengthy German word that 99% of the audience didn't know, and at this time everyone was already holding their breath, staring intently at Xue Bao standing on the stage to see if he could answer.

Cheng Xiaoyu clearly remembered this conversation, and when she asked herself in the library, there was only one word missing, the word "Cheng", such an obvious hint, he could only avoid it, he sighed in his heart, and said softly: "I'm sorry, I can't answer this question." ”

For Pei Yanchen at this moment, this is a difficult problem given to her by fate, at this time she has an illusion, as if there are many choices in front of her, and she seems to be able to do whatever she wants.

She can turn off the lights, extinguish this should be Cheng Xiaoyu's person, but refuse to admit that she is Cheng Xiaoyu, she can leave the lights and wait until the final answer is revealed, she can directly ask the other party if it is Cheng Xiaoyu, so that the other party can't avoid it, and he makes the choice.

In fact, Pei Yanchen at this time was more lonely and difficult than ever, she didn't know when the fog would dissipate, she didn't know which road was full of thorns, and which road was hidden in the swamp.

The only thing she can rely on is her intuition, and the only thing she can follow is her heart.

She not only has to fight with herself, but also with Cheng Xiaoyu, who is worried.

Past emotions and years are shepherding a flock, and they are unscrupulously gnawing at the pride and inferiority in her heart, this time she doesn't want to face Xu Qinning like the last time, even if the future she may have to face may be much more difficult than she imagined.

But since Cheng Xiaoyu has the courage to come, what is she afraid of?

Although, the old marks on the wounds have not yet been fully reunited, and the souls that have been eaten have not yet been able to be reborn. But any emotional and years of frustration, there is always a need to muster up courage, let go of pride and inferiority, and face it fearlessly, right?

So in the unbelievable gaze around her, Pei Yanchen chose to be loyal to her heart, and she directly pressed the light in an uproar.

When the sound effect that shocked the audience sounded, the blazing spotlight sprinkled on her jade-like face, her eyebrows were like a spring mountain, her eyes were like autumn water, and her pale red lips left a little brilliant color on her cool and cold cheeks outlined like ink.

It is just like the red plum blossoming in the vast snowy day, and it is like a lotus flower blooming on the day of the sunset on the rippling blue wave lake.

She didn't have much expression on her face, but there was a faint flash of light in her eyes, brighter than Jinsha and brighter than Pinghu.

She looked at the white puppet on the stage solemnly, and thought: I never regret what I have experienced, painful, sour, because I can't become who I am today without deleting any moment in my life.

I used to hate myself, but I like myself now and like you even more.

(I completed a 10,000-word update today, all the officials and gentlemen, count me as four more!