After Cheng Xiaoyu posted this whisper, there are countless poisons of good deeds, but poison, a 10,000-year-old diving joker, seems to have disappeared since he posted the irregular update, and there is no response to the majority of "medicine powder" and messages. Pen Fun Pavilion wWw. ｂiquge。 ｉｎfo

This makes the vast number of people who eat melons very disappointed, and every time they have to tear with others to tear the king of the "poison" actually did not make a sound, the original level of the poison tear ratio is not high, this time there is a powerful one, many people are looking forward to a dragon fight, as a result, a person wrote a paper to discuss folk music, nothing dry goods were taken out, and one did not even dare to make a sound.

Cheng Xiaoyu saw countless "medicinal powders" leaving messages under the whispers of "poison": "Poison, Cheng Xiaoyu shouted that you came out and tore it up!" was also a little speechless, and it seemed that it was not good not to respond.

Cheng Xiaoyu was busy writing scores all night, and also called Liao Dongneng and asked the dean to help invite a wind music master to come over. It's just that Cheng Xiaoyu is purely masochistic, and he is happy to slap himself, and he is the only one who has no semicolon.

The next day, not only did more people join the discussion on the Internet, but even the complaint phone number of GG Music Network was blown up, asking where did the "poison" go?

Cheng Xiaoyu has always believed that it is purely a kind of beauty, and integration may not be a kind of beauty.

The next day, Cheng Xiaoyu called Xia Shamo to come to his house, and asked Su Yuxi to ask for leave.

Although Liao Dongneng didn't go to the hospital to see Cheng Xiaoyu, he also sent him a text message, he was very interested in Cheng Xiaoyu, so he directly helped invite the "first blow in the opera" Guo Ya teacher, Guo Ya represents the highest level of Chinese folk music wind music performance, especially suona, he invented the live core of suona, so that suona can be played in transposition and play chromatic scales, is a well-deserved master-level figure.

In fact, even if Liao Dong can personally invite Guo Ya, Guo Ya can refrain if he doesn't give face, but when he heard that he was helping Cheng Xiaoyu, Guo Ya thought about it for a while and agreed. Yesterday's student sent him the article "Where is the future of national music and the popularity of national music in my country?" written by Cheng Xiaoyu, so he was also very curious about Cheng Xiaoyu's opinions.

At nine o'clock in the morning, Cheng Xiaoyu called the driver at home to pick up Liao Dongneng and Guo Ya at the play, and when Liao Dongneng and Guo Ya arrived, Cheng Xiaoyu was pushed by Su Yuxi in a wheelchair to pick up the two teachers at the door.

Liao Dongneng didn't recognize Cheng Xiaoyu for a long time when he saw it at first glance, his eyebrows and eyes were vaguely similar, but the difference in appearance was too big, until Cheng Xiaoyu took the initiative to say out: "Dean Liao is good, Professor Guo is good." He dared to be sure that the handsome boy in front of him now was indeed Cheng Xiaoyu.

After a few words of greeting, Cheng Xiaoyu invited the two to visit his recording studio, the two teachers knew Cheng Xiaoyu's identity, and they were not surprised by the luxury of his home, but they were amazed that there was such a professional recording studio in his home.

After the visit, Cheng Xiaoyu invited two teachers to sit down in his studio, and the maid brought tea and snacks, Cheng Xiaoyu smiled and said: "I invited two teachers to come today, mainly to talk about folk music, and study how to bring folk music into modern music, such as jazz, rock, electronic music, etc., I think modern music combined with folk music is the trend, first of all, I want to talk about the national instrument is not equal to national music, "Yellow River Piano Concerto" should be one of the most convincing examples. We all know that this piece is not what everyone usually thinks of as "a piano concerto composed with the theme of anti-Japanese resistance". Although the song itself does not really use any Chinese folk instruments, if I remember correctly, it is just that there is a little bamboo flute in the introduction of 2ndmovement, but the "Yellow River Piano Concerto" itself shows the charm of Chinese folk music very faithfully and elegantly. Although the Yellow River Piano Concerto also uses many of the characteristics of the piano concertos of the Romantic period, such as the powerful, octave-spanning piano brilliance that is definitely influenced by Rachmaninoff. However, I and many foreign scholars believe that it is the "Yellow River Piano Concerto" that has promoted Chinese folk music in many places. Therefore, it should be said that although there is almost no use of national instruments, this piece of music has definitely brought Chinese folk music to the world. Second, on the use of national musical instruments........... these opinions are all derived from Cheng Xiaoyu's own summary of the future music development trend, which can be said to be a more correct direction.

After Cheng Xiaoyu finished speaking, Guo Ya glanced at Liao Dongneng with a complicated face and said: "I didn't expect Director Cheng's insights on folk music to be so profound, which makes me a little ashamed as a teacher!" Here Guo Ya did not call Cheng Xiaoyu a classmate, which was a recognition of Cheng Xiaoyu's ability.

As a teacher of the play, it is impossible not to pay attention to this student who is about to overshadow the entire play, yesterday Cheng Xiaoyu's "Where is the future of the popularity of national music and my country's national music?", as soon as the article was published, his students sent it to him, asking him to see, what was said in the article, they all knew it as insiders, but what they didn't say was all pierced by Cheng Xiaoyu, but although Guo Ya agreed with Cheng Xiaoyu's remarks, he couldn't jump out to support it, after all, Cheng Xiaoyu dared to say it because he was not a person in the folk music circle.

The development direction of folk music has always been controversial, Cheng Xiaoyu said it is reasonable, but there is no solution to it, Guo Ya paused to refute Cheng Xiaoyu and said: "In fact, there are many more detailed divisions in national music. Guzheng and Guqin belong to a completely different channel. Popular music, one of the characteristics, is fresh, because fresh means exciting, stimulation brings pleasure, but too fresh, it means that the shelf life is unknown. But serious music, or literati music, has been tested by history, and it will pay more attention to spiritual essence and thinking. Therefore, niche music, under the washing of time, does not change much, because the essence of beauty does not become too fast, and the shelf life is very long. As for adding jazz, it's not undesirable, it's just that I like it or not. Time will naturally weed out the bad ones. What can stay is the classic. Guo Ya's point of view here is actually what Cheng Xiaoyu said in his post last night, that folk music does not need to be popularized.

Liao Dongneng also read Cheng Xiaoyu's post, took over the topic and said: "Although I don't have a deep understanding of folk music, I also think that bringing folk music into modern music, such as jazz, rock, and electronic music is definitely not the way out for folk music, but the way out for music such as rock music." Mixing Latin in English and classical Chinese in vernacular is by no means an attempt to keep Latin and classical Chinese up to date, but an attempt to make ourselves look more literate. In fact, in the end, it comes down to an old problem: the impact of globalization on local culture. "Americanization"/"McDonaldization" or "glocalisation"? Our society still retains a strong impulse to modernize. Music cannot exist apart from its social attributes, so how can you ask people who are running around in the steel forest and yearning for the disenchantment every day to spontaneously "Fishing Boat Singing Evening"? For most people, folk music, like the corresponding social ecology that gave birth to folk music, is at most an embellishment that symbolizes "freshness", an "alternative medicine" like traditional Chinese medicine, and a "substitute". The wood is already in the boat, so after the freshness, it has to return to the everyday. ”

Su Yuxi certainly supports Cheng Xiaoyu's view that folk music needs to be innovated, saying, "Music is diverse, and it cannot be bound and framed by tradition, for example, many of the music made by my brother not only reflects the unique beauty of the sound quality of classical instruments, inherits the past, but also highlights the rhythm, which is very in line with the fragmented and fast-paced life of modern times." For example, the use of piano and erhu to express melancholy and sadness is unbeatable, and these attempts are easily accepted by young people and Westerners..........."

............. Several people extended the discussion to the classical and modern ones very fiercely, and they were all professionals, and naturally they were very profound.

Guo Ya didn't expect that not only Cheng Xiaoyu was knowledgeable, but even this idol star sister spoke so eloquently and reasonably, directly hitting the soft underbelly of folk music, the soil is getting thinner and thinner, he said in a deep voice: "Although I don't want to admit it, but it is true that the way out of learning folk music is much narrower than learning Western musical instruments, in addition to choosing to stay in school, only a few people can go to professional orchestras, most of them have changed careers, many of my classmates have chosen to engage in other industries, and folk music can only become a hobby." On the contrary, the proportion of students who study Western music and engage in this major is much higher. ”

At this time, someone knocked on the door, Cheng Xiaoyu turned his head and saw that Xia Shamo had arrived, smiled and said: "It's useless to say more, I invite Mr. Guo to come over today, just to make an interesting attempt, let's try to see if the folk music will be adapted, will there be a wonderful chemical reaction, this is a score I wrote yesterday, mixing and matching Shonan folk songs with a variety of styles, and making up a tune, because it is necessary to use Mr. Guo's strong blowing skills, so I specially invited Mr. Guo to come over today." Then he handed the score to Guo Ya.

Four copies of the score were prepared, one was handed to Su Yuxi, she was in charge of the piano part, one was given to Xia Shamo, she was in charge of singing, and Guo Ya was in charge of suona and pipe, and Cheng Xiaoyu was in charge of the electronic music part.

Liao Dong was able to take Cheng Xiaoyu's score and see what interesting music he wrote, and when he saw the title of the song, he was surprised.

They were all professionals, and the four of them didn't talk nonsense, and they immediately started practicing.

(Thank you for the big red envelope of the old wind) (To be continued.) )