Cang Shuhong once asked Shirakawa Hotaru for advice on the repertoire in the play, and when Shirakawa Hotaru read the script, the only occasion for Gongsheng and Kaoru Miyazono sounded, and the melody of a piece immediately echoed in his mind - Saint-Saëns's "Prelude and Rotation Caprice". Pen "Fun" Pavilion www.biquge.info

Saint-Saëns was a French pianist and organist of the Romantic period, as well as a prolific composer whose works had a profound impact on the French music scene and later generations. His life can be summed up simply, a kryptonite player with European blood, compared to him, even the public life in the Cangshuhong script has been reduced to mortals.

"Prelude and Wheel Caprice" is one of Saint-Saëns' masterpieces.

There are many works of Romanticism, and the passionate and emotional works are not the only ones, "Prelude and Caprice". However, there was one reason why Hotaru Shirakawa had to choose it: it was composed especially for Saint-Saëns after listening to the concert of the famous violin master Sarasati at the time, and it combined the gorgeous technique of the violin with the beautiful melodic lines to achieve a perfect combination.

Aren't Gongsheng and Kaoru Miyazono the embodiment of "Prelude and Rotational Caprice"?

Overture - Kaoru Miyazono gave up the piano and chose the violin because he listened to Gongsheng's performance, which is the beginning of the intertwined fates of the two; Wheel Twist - Kaoru Miyazono saves Gongsheng with music and pulls him out of the shadows, and Gongsheng also uses music to inspire Kaoru Miyazono and make her reinvigorate; and finally, the fusion of the spirit and heart of Gongsheng and Kaoru Miyazono is a caprice towards hope and happiness.

The melancholy melancholy of the overture is yet beautiful and gorgeous.

Gongsheng, who was supposed to be a performer on stage, has been away from the stage for a long time, and he hasn't played the piano for a long time. How do you show the rustiness of a public student and at the same time show his genius-like talent?

Bai Xuejia followed the rhythm, why do you say "follow"? Follow - it is like a person being dragged to forcibly follow the pace of another person. Gongsheng didn't come on his own initiative, but was forced by Kaoru Miyazono, so everything he did was passive - including playing.

The rhythm of the piano matches the violin, the piano is not brilliant, but there are no mistakes, mediocre.

Bai Xuejia's expression was tense, his expression was as panicked as if he had not studied for a semester and suddenly faced a naked exam, his eyes kept moving back and forth on the sheet music and keys, just like a beginner who was afraid that he would press the wrong key.

Every movement of his fingers was stiff and reluctant, as if he was being chased by a voice.

Close your eyes, just listen to music, and feel nothing special. But as soon as he opened his eyes and glanced at Bai Xuejia, a feeling immediately rose in his heart: he was very rusty.

Only unfamiliar movements can be so stiff, and only strong strength will be able to keep up with the rhythm in a very rusty situation.

If it's just such a mediocre performance according to the score, then it's not Kaoru Miyazono.

Kaoru Miyazono will not be bound by the score, she plays according to the rules, just to let the public students who have not touched the piano for a long time find a familiar feeling.

It's like the sea before a storm, calm and fierce.

It's a wayward improvisation, and this is true for Kaoru Miyazono and Kosei, as well as for Hakusuka and Tsukasa Nishino.

Bai Xue Jia and Nishino Tsukasa had never communicated, and he knew that Nishino Tsukasa would tear up the shackles on his hands and feet from the score, and wildly show the rhythm that belonged to Kaoru Miyazono.

However, where exactly will Tsukasa Nishino start his variations?

Touching the piano keys again, with the overture Bai Xuejia's movements gradually began to be soft and smooth, Gongsheng, who was brutally dragged to the stage by Kaoru Miyazono, began to regain the feeling he once felt little by little.

When the melody seemed to fall asleep, sinking to the bottom little by little, Bai Xuejia's heart suddenly moved, and he looked sideways at Nishino Division, who also opened his eyes at the same time and squinted at Bai Xuejia.

The moment the two made eye contact, Bai Xuejia seemed to hear thunder.

Storm, coming!

The sound of Nishino's violin suddenly changed, and it was obviously still the same melody, but Bai Xuejia felt completely different from the "Prelude and Wheel Caprice" he had heard...... This piece has been given her soul, and it is Kaoru Miyazono's "Prelude and Rotational Caprice".

Gongsheng loves the piano, but he is afraid of the piano. His fear came from his mother's severity, but more from the fact that when he wanted to make his mother happy and played one of his best piano songs for his mother, he was beaten by his mother who didn't understand, he was aggrieved and hated and said to his mother, "People like you should die quickly", but he didn't want his mother to really get sick and die, and he didn't have time to apologize to his mother in the end.

Guilt, pain, tormented him deeply. Regret and let him start to run away.

As soon as he plays the piano, he will sound his mother, and when he thinks of his mother, he will have an escape mentality, run away from his mother, escape from the piano, and the sound of the piano disappears from his world.

The piano is his inner demon.

The demon is not a physical illness, it should be counted as a mental symptom. Under normal circumstances, there is nothing wrong with public life, but the more focused and emotionally invested, the demons will follow.

Bai Xuejia's piano sound is messed up, it's not a random play, it's not difficult to play a deaf person, it's not difficult to play a pianist, but how to play a pianist who can't hear the sound?

He once tried to plug his ears to play, tried to put on headphones and let the messy noise completely cover the sound of the piano to play, recorded his playing, and then listened to it himself several times, feeling the difference.

Even ordinary people, with headphones with songs in them, and chatting with others, will involuntarily become louder. Because people's judgment of the sound is based on the sound they hear, rather than how much effort they use, the subtle strength of people themselves may not be aware at all, when the sound heard is relatively small, it will unnaturally increase the strength of speaking, which is why the people behind the ears are mostly loud.

Although Beethoven, the demon, composed several famous songs even though he was deaf, if such a person was common, there would not be only one Beethoven.

However, the situation of public students is completely different.

Bai Xuejia's dilated pupils were filled with panic, and he gritted his teeth and twisted his expression, as if a spring had been compressed to the limit. The strength of his fingers grew heavier and heavier, and each stroke seemed to exhaust all the strength of his body. And the rhythm is suddenly a step faster than the sound of the violin, one step faster everywhere.

chaos, but in this chaos, people also feel a kind of emotion, which is anxiety, restlessness, and pain. It was like a child suddenly falling into the water, he struggled and fluttered with all his might, and the churning water muddied the clear stream, but no one could save him, his body sank into the water little by little, the light went away little by little, the darkness wrapped him, and the suffocating water pressure squeezed fiercely from all directions.

Despair, giving up.

The sound of the piano stopped suddenly, and Bai Xuejia lowered his head and closed his eyes, his hands propped on his legs, supporting his heavy body.

Tsukasa Nishino continued to play solo, and without the accompaniment of the piano, the sound of the violin was covered with a layer of loneliness and sadness.

She's waiting.

Bai Xuejia gritted his teeth, clenched his fists, exerted force, trembled, and couldn't respond after all.

Tsukasa Nishino stopped, and if the performance stopped halfway, it would be counted as elimination.

Bai Xuejia opened his eyes suddenly, looked up, and looked at her in amazement.

Tsukasa Nishino was silent, took a deep breath, looked up, turned around, looked back, smiled, and stared at Bai Xue Jia's pupils with encouragement.

The lights of the concert hall cast a golden glow on her.

Giving up the struggle, sinking into the water of despair in front of the child suddenly a hand came to his face.

Her eyes tell him: Look at me, catch me!

Just as she savagely dragged Gongsheng onto the stage, she savagely pulled Gongsheng up from the bottom of the water. (To be continued.) )