On the stage, Tiangong Jing played Chopin's "Etude in C minor". Pen × fun × Pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

"Etudes" were originally composed by composers for students to practice certain playing techniques. It is often written on the basis of a single musical motive, with a clear pedagogical purpose.

But Chopin's etudes are different from those written by his predecessors, and they do not have the shortcomings of being simple and mechanical exercises and boring and mediocre. Not only do they have pertinent and difficult technical exercises, but some of them also have more profound ideological connotations, like short tone poems.

"Etude in C minor" Op. 10-12, which is the most popular and famous of Chopin's 27 etudes, also known as the "Revolutionary Etude".

After Chopin had to leave his homeland due to the uprising in his homeland Poland, he was very concerned about the development of the revolution in his homeland Poland. He cherished the memory of the motherland and the people, and wrote many works that cherished and cared for the fate of the motherland. When Chopin left for Paris, passing through Stuttgart, Germany, after performing at WYN, he was shocked to hear the news of the failure of the "Warsaw Uprising". and aroused him great grief and indignation. With the support of this feeling, he composed the etude "Revolution in C minor".

The whole piece is full of enthusiasm and brilliance, written in the form of a complex trilogy, with the left hand expressing disappointment and anger on the ascending and descending scales, and the right hand playing a magnificent octave. Deep and intense emotions are infused into the sound of the piano, making the listener feel as if they have arrived in Poland, and the grief and depression contain the indomitable fighting spirit and perseverance: solemn protests, powerful calls, the courageous spirit of the Polish people, and his belief that the uprising will eventually succeed.

Yue Senlian enjoyed this performance seriously, and he said to Bai He Hotaru: "Very full. ”

Hotaru Shirakawa smiled and nodded, agreeing with his comment.

The original track was not this one, because Tiangong Jing was not good at this emotionally charged style. If it weren't for that, the teacher wouldn't have commented on him like that.

However, after watching the performances of Shirakuka and Tsukasa Nishino, he wanted to change the repertoire to this one. As a pianist, even if he is not good at these songs, it is not that he cannot be played, Bai Heying felt the transformation of Tiangong Jing, and also wanted to see how he transformed, so after discussing with Cang Shuhong, he changed the repertoire.

There are only two songs in total for the samurai played by Tiangong Jing, from "Torrent" to "Revolution", Shirakawa Hotaru clearly saw Tiangong Jing breaking through the cocoon and turning into a butterfly.

For him, there is no better compliment than the word "full."

In the past, he was like a delicate, gorgeous empty box, but now he is filled with the most precious treasures in that gorgeous box.

……

"Yadou Miho, get ready. Shizuka Sakaki is in charge of the director's microphone as a part-time field manager, and when she came to give a notice, she went to work.

Towards the end, the last part of the scene began, and Yadou Miho joined the crew two days ago.

She took off her coat and wore a red dress skirt underneath, which made her temperament more elegant, like a finely carved fragrant shoulder like wax, revealing white and silky. The small half of her back, unwrapped in clothes, was hidden under her long waterfall hair.

"Don't be nervous, come on. Bai Xue Jia encouraged Yadou Miho.

Yadou Miho looked back and smiled and nodded, and said a soft "um". Before coming, she was very nervous, this is not the kind of small fight they shoot micro-movies, this is a serious movie that will be released in the cinema, it is her debut, it is impossible not to be nervous.

But when she saw the scene between Bai Xue Jia and Tsukasa Nishino yesterday, she was not nervous.

Bai Xuejia helped her hold her coat and filmed for a month, and now it is the end of April, it is still raining for the past two days, the temperature is very low, and she is only wearing this dress skirt with only a thin layer of silky smooth cloth, which is in response to an idiom - Chu Chu "frozen" people.

Yadou Miho walked to the backstage with her head held high, her long hair swinging, and the half of her back hidden inside appeared and disappeared, which was extraordinarily sultry.

Stand still in the backstage of the stage, the group performance is in place, the camera is in place, and the lights are in place.

“action！”

Facing the piano in the middle of the stage, like a proud swan, Miho Yadou walked unhurriedly without distractions, but with firm steps, he stepped onto the stage and into the lens of the camera.

It's because I saw the amazing and tacit performance, so I feel that it doesn't matter how I act, anyway, she's just a supporting role, and no one will notice her, so don't you be nervous?

No, it's not.

Yadou Miho told herself for sure.

His hands touched the keys, and the melody, which had almost turned into an instinctive body, floated out naturally with his fingers. Worried about playing wrong? No, absolutely not, in the past 20 days, in addition to class, eating, sleeping, she spent all the rest of her time practicing this piece, boring, boring practice of the same piece, hundreds of times of practice, so that her fingers memorized almost every movement.

So, you can't go wrong.

But...... That's not enough!

The performer plays the music, and the actor plays the character.

What about Emi?

Emi's life is like her music, she is an extremely emotionally rich person, cold on the outside and hot on the inside, extreme to even dozens of subtle emotions will be reflected in music.

So what kind of emotion does she have for Gongsheng?

She embarked on the life of a pianist because of her work, she was moved and wept by Gongsheng's performance, and she admired Gongsheng. However, Gongsheng can play such emotional, impactful music, but she always plays boring sheet music - yes, just sheet music, she doesn't admit that Gongsheng's kind of thing is music, so she worships and is extremely angry at Gongsheng.

She is different from the samurai, she wants to use her own music - and the very emotional music that moved her to defeat the public life like a humanoid metronome, in order to deny the public life - in essence, she wants to find the original public student who moved her, she can understand the public life's music, she can see the most real public life, she wants to tear through the prison and disguise of the public life, and show the most real public life.

Miho Adou has very few scenes, and the only scene that belongs to her is this performance...... But at least in this performance, she is the absolute protagonist, and in this performance she shows Emi.

Bai Xuejia looked at her.

Gongsheng looked at Emi.

What is the voice of the heart in the music?

It's power!

Every time the accent is made, Yadou Miho is very hard, injecting all his emotions into his fingers and pressing it, and the unusually solid and thick accent is like the beating of the heart.

Chopin's Etude in A minor, the winter wind - the winter wind is coming.

Did you hear that?

This is my heart!

Tacit understanding, I also have, this is the fetters of ten years of precipitation.

If I say that I can only perform with you at this level, then I can do it too.

Miho Adou stood up and waved to the audience, her eyes glancing at Bai Xue Jia outside the camera, and when she swept to Tsukasa Nishino, she paused slightly and turned away.

The moment they touched, there seemed to be sparks flying. (To be continued.) )