Cangshuhong is very bold, in a work that is not musical, she does not put only a wonderful climax as in ordinary works, but presents those performances in their entirety. Pen, fun, pavilion www. biquge。 info

Music is the score, people are like words, and playing is life.

In "April Is Your Lies", music is no longer a BGM that sets off the atmosphere, but an integral part of the story.

A song is a little shorter for five or six minutes, a little longer for ten minutes, and that's why "April is Your Lies" will be three hours long.

The whole story starts with music, everything starts because of music, music is used as a clue to connect all the characters with music, music is used as a line, and all emotions and words are expressed with music.

As the saying goes, there is no harm if there is no comparison, in the first violin competition in which Kaoru Miyazono appeared, Cangshuhong also specially arranged a complete performance of a dragon set.

Like the player's place in the film, the piece is a foil. However, from a professional point of view, the music is decent, there is nothing particularly brilliant, a little mistake, but on the whole, it is a good performance, at least as a performer in some mid-to-high-end restaurants.

But not everyone appreciates music, after all, they come to pay to watch movies, not to pay to listen to music. If you want to listen to music, why don't you go to those concerts and listen to the masters, and then go to the cinema?

However, when Tsukasa Nishino came to power later, the effect of this foreshadowing came out.

The audience's eyes widened in surprise, and they listened intently, and their hearts were as shocked as the audience in the movie: This TM is the same tune?

The specific repertoire used in concert competitions is completely different from the previous one. It's like although they are all cars, one is Wuling Hongguang and the other is Maserati.

The impactful music woke the audience from their drowsiness.

Qu is beautiful, and people are more beautiful.

The male protagonist is Bai Xue Jia, and the female protagonist is Tsukasa Nishino, although Tsukasa Nishino only appeared after Nanami Aoyama, but people can't get this wrong. Because when "April is Your Lies" was promoted, it used the selling points of Bai Xue Jia and Tsukasa Nishino. So, when Tsukasa Nishino appeared on the stage, people knew that the heroine was coming.

But this is a romance film, but why did the heroine Kaoru Miyazono ask Tsubaki Sawabe to help introduce another person, instead of Gongsheng?

Is it a love triangle?

However, the next scene immediately overturned this speculation: after the Kaoru Miyazono match, he first greeted Ryota Watari (played by Miko Chai), and then greeted Gongsheng.

The order is right, and the wrong is the attitude.

In the face of the so-called "like" person she asked Tsubaki Sawabe to help introduce, she had a natural and generous attitude and greeted happily. And in the face of a "friend A" who just accompanied Tsubaki Sawabe to eat dog food, her attitude was a little cautious, and there was expectation in her eyes.

When Gongsheng hesitated slightly, Kaoru Miyazono's hands trembled slightly from nervousness and uneasiness.

Is it because Gongsheng is a former "genius", so he attaches more importance to the evaluation of Gongsheng?

Kasumigaoka Shiyu shook his head in his heart, if Kaoru Miyazono cared about the evaluation of professional eyes, he would not be so ignorant of the rules of the game and play unscrupulously in the competition.

If it is not a professional evaluation, then there is only one left: it is the person in front of her who makes her attitude change.

Eyes, expressions, words, and movements all show that compared with Ryota Watari, Kaoru Miyazono attaches more importance to public life.

Such a contrasting attitude also raised a trace of doubt in Kasumigaoka Shiyu's heart: Gongsheng didn't know Kaoru Miyazono, and Kaoru Miyazono also asked Tsubaki Sawabe to introduce her to Ryota, so why did Kaoru Miyazono pay so much attention to Gongsheng?

A plot after that,Firm Kasumigaoka Shiyu's idea:Kaoru Miyazono is here for the public life.。

In the afternoon, school is dismissed.

Kaoru Miyazono waited on the road at the school gate, and when she saw the public student, she asked the public student why she didn't come, and she claimed that she wanted to surprise Du Liangtai, so she stayed here.

seems to be a scene full of girlish feelings, but it made Kasumigaoka Shiyu find out that she was lying.

The reason for this judgment is because Kaoru Miyazono claimed to have admired Ryota Watari very much, but she didn't know that Ryota Wataru was training for the school football team today - although Ryota Miyazono himself was cut off, Kaoru Miyazono didn't know.

Since I admire it very much, there is no reason not to know about this public matter that is not private. Obviously, her "careless" attitude does not correspond to her own admiration.

This thought flashed through her mind, Kasumigaoka Shiyu frowned, thinking about it from another angle, if Kaoru Miyazono didn't mean to be Wataru Ryota, but to be a teacher, then maybe she deliberately chose this time to come - because Wataru Ryota is training, then she has a reasonable amount of time to be alone with Gongsheng.

But...... If she has a crush on Gongsheng, why doesn't she just ask Tsubaki Sawabe to introduce her to Gongsheng?

Kasumigaoka Shiyu couldn't figure it out, but the curiosity in her heart was hooked.

Cangshuhong is very similar to Makoto Shinkai's style, the pictures are all beautiful, they all like cherry blossoms, they all like sunsets, and they all like long shots.

If you say something different, it is that Xinhai Cheng is long-term and important, while Cangshuhong is delicate and affectionate.

Whether it is the delicacy of the picture, or the delicate requirements for the actors in the details of the performance. Under the delicate foreshadowing, all the ups and downs of emotions are natural and natural, so that people unconsciously follow the ups and downs, savor them, and have endless aftertaste.

The film finally ushered in the first climax: in the crying prayer of Kaoru Miyazono, Gongsheng, who had been avoiding music and piano, finally agreed to her request to be her accompanist.

Gongsheng can't play anymore, as long as his attention is focused, then he can't hear the piano.

The performance struck the hearts of the audience from the very beginning.

As feared at the beginning, as the performance progressed, the public could no longer hear the sound.

The vast majority of the audience has never heard this kind of classical music, and they have no understanding of melody and rhythm at all, so they have no way to refer to it, but if you ask the audience to describe it, it is chaotic and unmixed.

The rhythm was out of order, but it wasn't the kind of tiresome and uncomfortable noise, as if he was trying his best to catch up, but the notes flowed from his fingers one by one, and he could only watch them away in despair, his body being swirled towards the dark bottom of the sea.

The oppressive force of eagerness, pain, chasing, and despair can be felt even by people who don't understand music.

In the theater, the couples involuntarily clenched each other's hands, it was just a quiet concert, there was no urgency of life and death, no explosive chase, and no choice between wife and mother, but it was such a concert that made them feel a sense of urgency that was not weaker than the above situations.

What will he do?

Gongsheng, he didn't do anything, he stopped. (To be continued.) )