Chapter 311: Zhang Junyi is ready to pry the corner of the wall again (2)

As the saying goes, behind any successful man there is a woman who silently supports him! This sentence is not wrong at all, and even in Zhang Junyi's view, Xu Ke's talent is even far inferior to his wife Shi Nansheng. Pen "Fun" Pavilion www.biquge.info

To say that Xu Ke has made such great achievements in the film industry, and even developed quickly when he was at a low point, if it were not for his wife Shi Nansheng to give advice in the back, Zhang Junyi would not believe it at all.

In fact, there are not many directors who can be compared with Xu Ke in Xiangjiang, and there is not a single one who is more talented and capable than him, why Zhang Junyi only has a soft spot for Xu Ke now, in fact, the bigger relationship is because of the woman behind him who silently supports him--- Shi Nansheng!

Therefore, for Zhang Junyi, if he can persuade Xu Ke to successfully devote himself to his command, it is completely a buy-one-get-one-free transaction, and even the value of the gift is greater than the value of the commodity, and this transaction is definitely worth the price.

As a famous filmmaker in the future, a senior manager and producer in Xiangjiang, vice chairman of Xiangjiang Media Asia Film and Television Co., Ltd., and a member of the Central Taiwan Art Association, Shi Nansheng is definitely known as a leader in the media industry, even Zhang Junyi's demand for real talents is quite eager.

Shi Nansheng grew up studying in Xiangjiang, and in 1967, during the Hong Kong riots, his father, who opened a factory, asked a friend to bring his daughter to Ghana in Africa to study. Shi Nansheng was 15 years old at the time, but he already had his own opinions, seeing that there were only 13 students in the school he attended, but they came from 9 countries, he knew that he must not be able to study well, so he went to England to study in a boarding school. In 1971, Shi Nansheng was admitted to the university to study computer science and statistics, and was locked in the computer room every day, not dealing with people, cold and stuffy, and quite uncomfortable.

After returning to Hong Kong after completing his studies, Shi Nansheng originally wanted to be a reporter, but by mistake, he was introduced by a friend and went to work in a public relations company. During the period, TVB held a Miss Universe beauty pageant, and a girl who knew several foreign languages was needed to do the show, but Shi Nansheng was recommended by the editor Chen Yunwen (who later became a famous screenwriter in Xiangjiang, and his representative works include "Crazy Robbery" and "Hit the Right"). That show is called "Miss Universe Conference Diary", and there are two directors, one is Shen Yueming, who is now the wife of director Yu Rentai, and then the two became good friends. After three years in a public relations company, Shi Nansheng admitted that he had learned a lot, and then he was introduced by a friend to the "Jiashi" Propaganda Department, who knew that Jiashi would go out of business soon after, so he had to go to Li's with his friend again, but this time she decided not to do publicity, of course, the time when Shi Nansheng came to Li's work was before Zhang Junyi joined Li, otherwise, Zhang Junyi would not allow this woman to jump ship again even if he spent some price.

In the 70s of the 20th century, he successively worked in TVB, Hong Kong and Taiwan, Jiashi, and Lididang production and administration. In 1978, Xu Ke met Shi Nansheng, and after being matched by colleagues, the two officially filmed the next year. Since then, Shi Nansheng's place of work has also changed continuously with Xu Ke's working environment.

In other words, although Zhang Junyi pried the two main creators of the three giants of the new city in his previous life a few years ago, Mecca and Huang Baiming, even the name of the company of the new city film company has become one of the three major film companies under his own, but the new city in the previous life was still produced according to the trajectory of history in this life, but the name of the company has changed.

And the seven monsters of the new city in the previous life have also become the five monsters of the new city in this life, and the few are Mecca and Huang Baiming. The film company, called Kim Yat Shing, was founded in September 1980 and is also affiliated with Golden Princess Entertainment Co., Ltd., backed by a real estate consortium, Kowloon Development.

What has changed is that the first film produced by the film company is no longer "Funny Times" directed by Wu Yusen in the previous life, and "Best Partner", which set the highest grossing record for Xiangjiang films, does not belong to them anymore, and the "Happy Ghost" series ("Happy Ghost", "Happy Ghost Summer Vacation", "Happy Ghost Hit Ghost") was also plagiarized by Zhang Junyi early and took it for himself.

Speaking of which, the reason why the "New Art City" in the previous life can rise rapidly is that collective creation and brainstorming have made great contributions, and the seven-person creative team composed of Mecca, Shi Tian, Huang Baiming, Xu Ke, Shi Nansheng, Zeng Shorty, and Taidi Robin has collided with a lot of sparks, and almost all the classics in the early stage of the New Art City are the result of their collective efforts. The members of the seven-member group have their own strengths. Mecca majored in electrical engineering in college, and later worked as an engineer before studying filmmaking at New York University, where he worked as an assistant director on three shootout films. In the "Best Buddies" series, he used his strengths in electronic engineering to skillfully incorporate special effects such as high-altitude flying cars and electronic weapons into his film creation. Shi Tian is a comedian who likes to review scripts from an actor's point of view. Huang Baiming used to be an enthusiast of drama, has a lot of experience in drama, is good at screenwriting, and many scripts in Xinyicheng are written by him. Xu Ke is a general who combines directing, writing, acting and other abilities, and is good at grasping a movie as a whole. Zeng Xiaozi likes to play and is well-informed, and he knows the aesthetic taste of the grassroots in Xiangjiang and Taiwan. Robin Tydi comes from the music industry and is a good conductor and actor.

In this life, because of Zhang Junyi's early intervention, the new art city has become Jinyi City, and the new art city has strangely become the five monsters of Jinyi City, although history is still running according to the trajectory of the previous life, but the butterfly's wings are also vibrating, and the result of the shock is that the development of the Jinyicheng Film Company, which lacks Mecca and Huang Baiming, the two main creators, is much worse than the previous life.

However, although the development of Jin Yicheng Film Company is much worse than that of the new art city in the previous life, but with the efforts of Shi Nansheng, Jin Yicheng has a new standard for the company's administration, budget, production and other links.

In her previous life, in the Xiangjiang film industry, Shi Nansheng was a respected eldest sister, the former vice president of Xiangjiang Media Asia Films, a senior consultant of Xiangjiang Oriental Film Group, and the president of Xiangjiang Film Studio, etc., but her favorite title is only: Xu Ke's woman.

Shi Nansheng's Mandarin is very pleasant, when she hosted the political discussion program "The Storm in the Teacup" on the commercial radio, she said with a Beijing accent: Xu Ke is my master, I can't convince him at work, I listen to him!

In Zhang Aijia's eyes, Shi Nansheng is one of the few women who can handle her career, family, friends, and relatives well. In the turbulent film circles of Xiangjiang and Taiwan, Shi Nansheng has maintained close friendships with many stars and producers such as Lin Qingfang. Including Zhang Guorong and Anita Mui's posthumous affairs, she also took care of them, how could Shi Nansheng, who was able to achieve so many achievements in his previous life, not be remembered by Zhang Junyi, or that sentence, what is the most lacking in the 21st century, talents! This sentence is also applicable to Yitian in this era, after all, Zhang Junyi can be said to know his own family affairs, although now his own Yitian Group is one of the famous consortia in Xiangjiang in the outside world, but the time for the rise of his company is too much, so the company is now most lacking is the reserve of talents, even if he has done his best to make up for it, but some things need time to precipitate, and they can not be bought with money.

In fact, in Zhang Junyi's eyes, the woman behind who silently supports Xu Ke is worth more than Xu Ke!

It's just that for Shi Nansheng's character, Zhang Junyi found out from the Internet reports in his previous life or some channels in this life that if he wants to directly cross Xu Ke to dig Shi Nansheng, the hope of success is too low.

In her previous life, Shi Nansheng, in the Xiangjiang film industry, even if she became a highly respected eldest sister by people, and among all the halos, Shi Nansheng's most proud aura was "Xu Ke's woman", and she also liked to call Xu Ke "master" in life.

Therefore, the only hope is to dig these two together.

In fact, at the beginning of the company's establishment, Zhang Junyi didn't think about digging these two directly, but because of the big hole in "Xinshu Mountain", Zhang Junyi still retreated at that time.

Now, the big pit of "Xinshu Mountain" has been stepped on by Jiahe like in the previous life, so at this time, it is also time to pry a small hoe to dig the corner of the wall.

Thinking of this, Zhang Junyi wrote the names of Xu Ke and Shi Nansheng on the white paper on his desk!

In fact, in addition to Xu Ke, there is another person in the Xiangjiang film circle who has achieved great results in his previous life, and Zhang Junyi also values him, and this person is also a screenwriter and director, that is, the famous sunglasses king in his previous life - Wang Jiawei!

Zhang Junyi has long been salivating for this sunglasses king who has been nominated for many international film festivals in his previous life, but when his company was founded, Wang Jiawei did not have a film circle that was inferior to Xiangjiang at that time, so Zhang Junyi could only give up temporarily after looking for some unsuccessful results.

In Zhang Junyi's eyes, Wang Jiawei's film is a unique, or nihilistic, world, although the setting of space is different according to the setting of different eras of the film, but the world he depicts is always the same.

And Wang Jiawei is a very serious filmmaker, he was born for movies, he is making movies with his life, there are few directors like him, in the environment of such rapid development of the domestic film industry in his previous life, his pursuit of movies must be to the extreme, and he will not leave regrets for actors.

Born in Shanghai, Wang Jiawei moved to Xiangjiang with his family when he was 5 years old and graduated from the Department of Art and Design of Xiangjiang Institute of Technology.

If you want to say why Zhang Junyi just doesn't forget this for my sunglasses king, in fact, the reason is because Zhang Junyi watched the movie "The True Story of A Fei" written and directed by the sunglasses king in 1990 in his previous life.

It was also with this "The True Story of A Fei" that the king of sunglasses began to establish his own shooting style, which won him the Best Director Award at the 10th Xiangjiang Film Awards, the Best Director Award at the 28th Golden Horse Awards and the Best Director Award at the 36th Asia-Pacific Film Festival.

Even later in his previous life, Wang Jiawei continued to shoot many movies that made him famous and fortune, but in Zhang Junyi's eyes, "The True Story of A Fei" can definitely be called the pinnacle of the king of sunglasses.

Written and directed by Wang Jiawei and starring Zhang Guorong and Zhang Manyu, this film is set in Xiangjiang in the early 1960s, telling the inner world and emotional entanglements of an arrogant and rebellious young man, and truly reproducing the living environment and social conditions of ordinary young people in Xiangjiang.

The film tells the story of the handsome Xu Tsai Ah Fei, a Shanghai immigrant who has never met his biological mother and was raised by his adoptive mother since he was a child, so when he grows up, he is ruthless to every woman he meets in his life. Bohemian and uninhibited, he lived with Su Lizhen, a ticket seller of the South China Sports Association, and Mimi, a dancer, but later abandoned them one after another. Xu Tsai learned from his adoptive mother that he was an illegitimate son of Spanish and Filipino aristocratic blood and was determined to find his biological mother, so he went to the Philippines alone, but his biological mother refused to see him and left with resentment. Before leaving Hong Kong, Xu Tsai gave the car to Crooked Tsai. Mimi finds out that Xu Tsai is gone and asks Crooked Tsai if he knows where he is, and Crooked Tsai tells her that Tsai went to the Philippines and sells Tsai's car, and gives her the money to go to the Philippines to find Tsai.

Superboy, a policeman who has always had a crush on Su Lizhen, witnessed Su Lizhen's break with Xu Zai, and after his mother's death, decided to change his career to run a boat. Superboy meets Xu Tsai again in Chinatown, Philippines, but he pretends he doesn't know him. Soon after, Woo Tsai was seriously injured in a brawl for buying and selling fake passports, and Chao Tsai asked him if he remembered what he was doing at 3 p.m. on April 16 of a certain year, and Tsui Tsai said that he would always remember what he wanted to remember, but he asked Chao Tsai to tell Su Lizhen that he didn't remember anymore. In the end, he guarded Xu Zai, who died on a foreign train. At the same time, another Ah Fei carefully took care of himself and prepared to go out, continuing to stage the story of the footless bird.

There is no character in "The True Story of A Fei" that is fictitious and useless, each character represents an emotion, and the director can handle the emotions of each character just right, in other words, there is a degree of relaxation, and the exaggerated ones can be interpreted to the fullest, and there may only be a few short shots that should be subtle, and one or two sentences of dialogue that seem dispensable, but let the expression of the hidden emotions be incisive.

Xu Tsai is a rebellious young man who longs to fly high, but only works as a wanderer. The charm of Ah Fei is that he will never be worldly, he is mysterious and uninhibited. But Ah Fei made an excuse for himself - in order to find his so-called "biological mother".

Su Lizhen is a typical oriental woman, she is reserved, soft, and decisive, but she is also weak and timid, and all this looks very light and cold. She met Ah Fei, and Ah Fei's refusal was almost decisive.