Chapter 608: The Broken "Hot Girl"
"Are you okay? Are you already hanging?"
"The honey sounds good, I think the poison and Teacher Cheng have an adulterous relationship?"
"Worship the two gods, I haven't heard other songs since I listened to "Hot Girls" yesterday, and the three songs made a separate "Hot Girls" collection, and I want to sing loudly on the street "Hot Girls", is it swollen?"
"You're not alone upstairs! I, who never eat spicy noodles, actually added two extra spoonfuls of chili peppers. Pen Γ fun Γ Pavilion www. ο½ο½ο½ο½ο½ο½ γ ο½ο½ο½ο½β
"Damn, "Hot Girl" is going to be played bad by the two gods!!"
"I miss Jiang Yingying so much, and ask her which version of "Hot Girl" she will like more as the original singer, haha! β
"I feel that there is no way for earthlings to stop the 'hot girls'. β
"It's so exciting! The poison front foot generated the sound "Hot Girl", and Mr. Cheng used the "Compendium of Materia Medica" x "Hot Girl" with the color on the back foot, I couldn't hide the excitement in my heart, this is much more exciting than what kind of mouth cannon tearing! I seem to be able to see two peerless masters standing on the top of the Forbidden City, brandishing a peerless weapon called "Hot Girl" in their hands to compete, sword light and sword shadow, blood dripping, fists to flesh, knives and knives to see red, everyone don't stop me, I have to sing a song "Hot Girl" to express my surging feelings. β
"I just want to ask downstairs, what weapon will be called "Hot Girl"?" (manual funny)
"Who said that Mr. Cheng doesn't have a big brain? "Compendium of Materia Medica" x "Hot Girl" has no sense of disobedience, I also think what will happen if Poison and Teacher Cheng cooperate that day, but as a result, Teacher Jiang Yingying, the master of folk songs, was forced to cooperate with Poison first, I can't help but say that Teacher Cheng is really six!"
"Kneel, both of you are great gods! Please take my ten years of knees, and suddenly I have an urge to learn music, is it better to learn Western musical instruments or national musical instruments?"
"Praise me, no matter what the level of the adaptation is, this is the attitude that music exchange should have, not letting go of words, purely meeting friends with music, it's very interesting, and I want to work with two outstanding musicians when I have the opportunity. ββWhen Jiang Yingying's message appeared in the discussion area, the comment area exploded.
See the Folk Song Queen. The message began to swipe.
Before the screen was finished, I saw someone say again: "Cheng Xiaoyu has updated 'whispers' again!!!! hurry up and take a look." β
So Director Cheng brought another wave of rhythm.
.............
Cheng Xiaoyu wrote another long and thin sentence this time: "Talking about the Future of Folk Music".
First of all, it is difficult to say that folk music is not equal to national musical instruments, and the future of folk music cannot be generalized, it is difficult to say, but the demise of a branch seems to be inevitable.
That is the local folk song, and its audience is getting narrower and narrower, which is what almost every university conservatory teacher is lamenting.
Whenever I hear folk songs from various places in the history class, I say that there are fewer and fewer students who have heard them, let alone understand them. There is also very little love for local folk songs.
I have also done experiments in the elective courses open to other colleges, and in the past two years, even the closest folk song to daily life "Little Cabbage" has been at a loss.
In terms of dissemination, local folk songs have always been passed on by word of mouth. In the process of the gradual transformation of the agrarian era, a large number of new people no longer spread the folk songs of their hometowns, and many folk songs were lost in the process. Although many institutions or people who love folk songs go to local places to collect them, they have to admit that this is only a part of the total number of folk songs at the beginning.
Nowadays, young people are no longer interested in local folk songs, and the current situation of local folk songs is much more bleak than the opera under the river.
Do a fun experiment and ask random friends around you to name ten folk songs you know. Let's see the results.
From this point of view, it is almost easy to judge that local folk songs will disappear.
.........
But the national musical instrument will get better and better, the vitality of the national instrument itself can be unlimited, in the current music environment, depending on how many people dare to use, will use, can use well, just in Shanghai, the student folk orchestra alone has 1-2 teams in each district (some large troupes will divide the students into multiple echelons), not including the folk bands of various schools.
If it is said that the inheritance of musical instruments depends on repertoire, then it is true that the current folk music music cannot be said to be popular, and even the masters of folk music and national treasures are difficult to create original classic repertoire.
Although there is still a lot of original folk music, the adapted repertoire can be very strong, with folk music you can play all Western repertoire, the pipa is a good instrument, you can play all the repertoire of Western plucked string instruments, and the guzheng can also be used as a bass! Not to mention the erhu. As long as there is a good repertoire, folk music will not be erased!
So out of the national musical instrument, I will show you a new development direction of folk music, electronicmusic, it seems that the two seem to have nothing to do with each other, but this is indeed one of the new directions of the development of folk music, and even one of the mainstream of music in the future!
But at present, what I am doing in China is not good enough, and I hope that my works can lead to more folk musicians and open up new ideas for folk music.
Cheng Xiaoyu released two Chinese-style electronic music this time, called " (Author: Majorhon, Tribute to Chinese Electronic Music People) and "China-shanghai" (from Xu Mengyuan, who loves music).
However, Cheng Xiaoyu's remarks immediately attracted a large number of professionals to question, "Are electronic music and folk music the same thing?
This is at most a drop in the ocean of contemporary music phenomena, not representative, and far from being able to draw conclusions about the development direction from these music, of course, this music is very good. β
"I thought I could come up with something good! Director Cheng generalized it all, and the comparison of national music should be with classical music, neoclassical, newage, etc., and it has nothing to do with electronic music. β
In China, DJ's mixes and remixes are consumed as dance music by the big gold chains in the night club, and they drink blended Chivas Regal, with Unified Iced Tea, popcorn and small tomatoes, and follow the rhythm to the pinnacle of life. The upper-class girls sit beside the golden chain, smoke orange and iced tea, popcorn and small tomatoes, and follow the rhythm to the peak of life. Non-mainstream boys and girls sit next to the gold chain, smoke orange-flavored fake foreign cigarettes, play dice, and use beauty software to post on Moments. If you're a night DJ, you'll also be asked by the night boss to 'be more dynamic'. In the subway station, at the entrance of the music festival, there are often stalls with a "Wuling Hongguang". On the back of an expired poster, take a marker and write 'DJ Golden Song, 15 two'. Isn't it a Chinese electronic sound that comes out of the 'subwoofer' in rhythmic Japanese, "the front wheel does not turn and the back wheel turns" or something?...... Do you think I won't recognize what it is when I say electronicmusic? I can't imagine that Director Cheng is still a non-mainstream DJ!
"The music theory requirements of electronic music are not high, many people don't understand music theory at all, and they come up directly to engage in electronic music, and they also claim to be musicians, and melodic writing relies on the keyboard. A lot of things sound casual, and the voices are rarely simple. You tell me this is the future? Kid me? I'm still honestly learning musical instruments. β
This time, the ordinary people who eat melons are also a little confused, because many of the people who spray Cheng Xiaoyu are well-known musicians, and many ordinary listeners find it quite interesting, but this kind of professional tearing is difficult to interject, at most, "I think it's not bad!" As for something as profound as the future development direction of music, they can't say anything.
When there was a lot of noise on the Internet, when Cheng Xiaoyu was in a state of isolation, the result was that the enemy of fate, 'Poison', spoke out first, and what was surprising was that Poison did not mock Cheng Xiaoyu as everyone estimated, and he also posted a "whisper" and said: "As a big country, what is popular in China is something that is small and childish. In other words, "small" ballads and "small" love songs occupy an absolute dominance, squeezing the living space of other types of music, which can be regarded as a reflection of what a sad reality. In addition to commenting on the minor tune of the Chinese 5,000 years, there is also the Qin dialect of Peking Opera, but now many people have forgotten the charm of the latter. Many people always look down on the United States, Europe, and Japan, but at the same time they lament, 'Why can't we export our 5,000-year-old culture?'" Seriously, this kind of petty fight is not only uninnovative, but also doomed that Chinese music will hardly be able to go abroad, and it will not have such a strong international influence as the United States. The pop music of Europe and the United States is rich in variety, vast in pattern, and grand in momentum, and our Chinese people are really completely incomparable for the time being. A lot of times there are similarities between art and science, and some avant-garde things that you might think are 'not very good', and then after a decade or so, they become something that you take for granted or even can't live without. Chinese pop music currently does not have this kind of soil, and now it is seriously suppressed by the West, so it can almost only be moved, which is also sad. In fact, Chinese traditional music should have a lot of room for development, but unfortunately it has almost broken its roots now. β
"Finally, I also posted two Chinese electronic music that I made, and the status of noise music cannot be shaken, which is one of the future directions of music. Electronic music is the inevitable result of the further development of noise music, and the future of music is to think from a broad perspective, and the music resources that we are not used to listening to and never used in the past are the future of music. With regard to the legacy of music, apart from some principles of formal structure, all that remains is the human capacity to think. "" and "" to everyone. (The first song is also from Majorhon, and the second song is from Da Xi Ji)
Music and love are the main lines of this article, and I hope Qingshan can take you into a broader world of music!) )