As soon as the connoisseur makes a move, he will know if there is one.

Although Li Xuan is young, he has been involved in the martial arts action actor industry for a long time, and his master has been immersed in it all his life, of course, he can barely be regarded as an action expert.

So, when he was relaxed in the filming scene, revealing his super personal action ability and appropriate sense of action cameras, it would naturally shock and recognize everyone.

And the level of action revealed in this way is actually the source of Li Xuan's confidence. He has been practicing martial arts since he was a child, and he has always worked hard to learn to show the best movement posture in front of the camera, which is his biggest personal advantage in terms of interpretation quality.

In the next filming of the crew, he will naturally not interrupt the normal filming of the crew because of his own problems. His martial arts are indeed many times stronger than his literary drama level as he himself said.

In the movie "Once Upon a Time", in fact, a main character such as Ghost Foot Seven can be easily distinguished from the name of the character, that is, this person's footwork is first-class, and the most important kung fu will be manifested in his strong footwork.

From the very beginning of this opening action scene, Li Xuan completed a beautiful action like three consecutive kicks in the air, which firmly grasped the theme of such a character.

After that, he still needs to fully follow the arrangement of director Hong Baojin and the specific requirements of the role, and continue to mainly use his leg skills to play the role and play against other action actors who play villains.

In addition, unlike ordinary action actors, Li Xuan does not need more detailed guidance from martial arts directors, and he will always easily come up with extremely suitable ways to attack and kick people.

Often in the follow-up filming process, he will unconsciously use some foot movements that are better than those designed by the martial arts instructor, but it will not affect the normal shooting of this film at all.

Basically, in the fight action scenes after this opening, Li Xuan took the initiative to use a variety of completely different kicking methods, and continuously completed wonderful scenes with the action actors, but there was no sign of repetition or aesthetic fatigue.

Therefore, some of his unauthorized changes in the filming of action scenes were not criticized by Hong Baojin, the director and martial arts instructor, but acquiesced in all the general recognition and praise.

"Xiao Li, how about you transfer to my 'Hong Family Class', I will try my best to make you popular!" Just after the completion of the many ghost foot seven scenes in the front, director Zeng Hongbaojin jokingly pulled Li Xuan, hoping that he could join the team of the Hong family class.

Of course, this is Hong Baojin's joke, but it once again proves that he doesn't have much to criticize for Li Xuan's super level in action scenes, but likes and appreciates it very much.

In fact, due to the strong expressiveness of Li Xuan and Li Jiete, as well as the hard work of many supporting action tricks, the scene was quickly filmed without too much trouble.

What the crew faced next was the chase carriage and the cliff falling scene in the second half. And these later scenes are not as easy to shoot as before.

And the first person to appear in front of the camera is still the thirteenth aunt Guan Lingzhi who has no choice but to hide in the carriage. According to the script, she was nervous as the carriage continued to run wildly, and she had to do it herself, using simple kung fu to deal with the attack of two natives who suddenly jumped on the carriage.

But this action scene is really very difficult for a weak woman.

Guan Lingzhi does not have any martial arts action foundation, and the effect naturally completed in the filming is very average, which causes the crew to keep appearing NG.

Some of the actions designed by director Hong Baojin are too complicated for Guan Lingzhi. Even if she could show it, she was extremely incoherent. finally managed to make all the actions in front of the camera at one time, but there was clearly no strength in general, and it looked like he knew that he couldn't beat the bad guys!

Such a performance effect is not enough for the requirements of the crew's shooting.

In this situation, director Hong Baojin seemed very troubled. He had the intention not to let Guan Lingzhi act in that little action scene, but he didn't feel that it was quite in line with the plot, so he had to think hard about how to use the simplest moves, so that Guan Lingzhi could fully grasp and interpret it.

In a moment of confusion, the great director forcibly pulled Li Xuan, who was waiting for the supporting role, over and asked him to help think about it together.

Because Hong Baojin remembered it, Fang Long told him that Li Xuan had put forward constructive suggestions many times during the filming of the action scenes in "Who Am I", and he also worked as a martial arts instructor.

Faced with Hong Baojin's temporary choice, Li Xuan didn't have too much nervousness and retreat.

After carefully analyzing Guan Lingzhi's several failed performances, he quickly thought of a way.

Immediately, he took the initiative to tell director Hong Baojin and many supporting actors that he had designed two simple but effective action scenes.

First of all, in the first scene, he asked the supporting actor to take the initiative to jump on the door of the carriage and grab the door of the carriage with his hand. Then Guan Lingzhi kicked on the man's hand with his foot, causing the other party to suffer unbearable pain, and let go of the car door and fell down!

Then, just as Guan Lingzhi's body was half lying in the carriage and before he could get up, another native jumped in with an axe and attacked. She turned her head away, dodged the axe, turned her body and changed her posture, and then took the opportunity to shine on the opponent's ribs, and kicked out three consecutive kicks again, directly kicking the second aboriginal out of the carriage!

This kind of action design, in fact, is already a very simple routine for Guan Lingzhi, she only needs to kick a few movements, and there will not be too many difficulties.

Of course, in order to allow Guan Lingzhi to fully grasp the key points of the action when kicking, Li Xuan also deliberately pulled her aside face-to-face, conducted a separate and detailed analysis and teaching, and tried to simply teach Guan Lingzhi to kick a very powerful action in the shortest possible time.

As long as Guan Lingzhi can play beautifully, those action tricks will naturally play well.

At this time, Li Xuan can finally be regarded as using the level of martial arts to redeem the difficulties he encountered in literature and opera, and in turn, he can guide Guan Lingzhi, who has taught him some things. This feeling made him more confident and proud of enjoyment.

Facts have proved that Li Xuan can indeed be qualified for the position of martial arts instructor, just when director Hong Baojin filmed Guan Lingzhi's scene in the carriage again according to the scene he arranged.

After just one NG, Guan Lingzhi completed those action scenes quite beautifully. Her kicking action is really good, with her lines, it seems that Huang Feihong has already taught Aunt Thirteen to use Foshan Shadowless Feet!

And after the filming of the scene of Guan Lingzhi is completed, in terms of the script, it should be Li Xuan's turn to show his neat skills and jump into the carriage.

However, Li Xuan's addiction to the action director is really cool, and after seriously considering his next scenes, he took the initiative to ask director Hong Baojin to jump into the carriage with a set of actions designed by himself.

Hong Baojin didn't have too many objections to this, so he simply let Li Xuan arrange and act. He wanted to see what kind of action Li Xuan would take to jump into the carriage.

Soon, he and the crew saw Li Xuan's courage and toughness together!

It turned out that this guy Li Xuan suddenly stood up from the horse he was riding with the native, jumped high into the air with him, and kicked directly on the aborigine's body for the first time. While kicking the opponent over, he used this powerful reaction force to leap into the carriage!

Due to the careful communication and analysis of the action actor who rode a horse in front of him many times in advance, this super thrilling scene of jumping off the horse and using the reaction force to fly into the carriage, Li Xuan actually passed it perfectly at one time, without any flaws, which shocked everyone in the crew again!

Especially the key kick that Li Xuan kicked in the air just now once again became the finishing touch in the whole scene, and continued to fully show the power of the ghost foot seven-legged skill!

"It's really terrible!" this is Guan Lingzhi's shocked whisper.

And the starring Li Jet rarely showed a little admiration for Li Xuan's action performance.

Li Jett is usually in the crew, but he is actually just a powerful protagonist and action actor.

Although he can also play a lot of thrilling scenes, a person like Li Xuan can not only show thrilling scenes, but also be competent as a martial arts instructor, and can design different suitable and beautiful movements for the characteristics of different actors, he will never be able to do it.