After the turmoil in Schumacher's heart subsided a little, he began to wonder why he didn't record Theorod's adaptation in the first place, and at the same time he was still a little crying and laughing in his heart - why did he and Weber decide to record the song first and then shoot it? Not only because it would speed up the process, but also because after recording the entire song of "The Phantom of the Opera", which uses singing as a line, it is unlikely that someone will "have a flash of inspiration" or "forget the words".

What was the result? Can this be stopped? Theorod had a flash of inspiration, and even ten cows could not pull back his "selfless adaptation," and Weber's painstaking efforts were in vain.

"Stop, stop, stop. Schumacher waved his hand to interrupt the two, he looked at Anne, who was easily brought into the play by Theorod and had not yet fully woken up, and then looked at Theorod, who was lightly tidying up the corners of his clothes, the other party's expression was too reasonable, and for a while Schumacher suddenly didn't know what to say.

His silence made the rest of the set look at each other, everyone could hear Theorod's change of words just now, what he sang was completely different from what the player broadcast, there was no way not to hear it, but his change was not unreasonable, at least if it weren't for the recording and line list prompts on the side, most people at the scene would have mistakenly thought that Theorod sang the original words.

Theolod's occasional flash of inspiration and free play is an open secret in the industry, and many famous directors sigh because of his petty fetish. "The Phantom of the Opera" is a musical adaptation of a film that is different from the previous Theorod films, its lines and tunes are strictly controlled and fixed, if it is changed by a minute, Lord Weber is the first to jump out to disagree, and the weight of his words is even more important on the set of "The Phantom of the Opera" than director Schumacher.

Everyone watched their director staring at the actor with a strong donkey temper like this, and they were about to stare out of a hole, thinking that the director must be brewing a storm in his heart at the moment, and how proud and arrogant the actor who is calm on the surface can also make up for it, maybe the conflict between the director and the big-name star for the first time on the set is about to break out, and they had better stay away from them so as not to harm the pond fish.

Who knows, Schumacher, who was "looking forward to seeing" Theorod, didn't say anything, but waved his hand and calmly ordered the field staff beside him: "Temporarily remove the player, it's noisy." ”

“…… Ahh

"Where's the radio? Remember to put on the microphone, let's do it all over again, sing and record. Phantom, Christine, you go back to where you were, what about the field notes? Don't be stunned, watch me gesture to the board. Schumacher said calmly, even with some pleasantness.

As a director, he still shoots how well he treats the movie first, and let Weber come over at night to see how he rolls up his sleeves and scares people, anyway, he can't hold it when the two of them are scolding the donkey.

Schumacher spread his hands in his heart and realized that he was really witty.

The scene returns to the dark and damp dungeon, and the phantom sings a few words before stepping into the most important solo of the section, "themusic of the night". The Phantom's solo and line numbers are handful in the entire work, but each song is not a small difficulty, and this song is the Phantom's joyful invitation to the hugely successful Christine to be the musical angel who accompanies him, even if it is not an exaggeration to see it as a courtship or even a marriage proposal.

The girl who has been in love for nearly ten years, countless times hiding in the shadows and peeping, countless times communicating through the cold walls, the moment she paved the way for her to become famous, she finally came to his side, in front of him, she was so real, so vivid, the candlelight of the underground palace could not hide her angelic soft white light. He will use the most solemn ceremony and the most beautiful singing voice to welcome the only light in his life.

Standing on the high stage of composition, the deep and possessive love in the phantom's eyes, which could barely be controlled, gradually retreated into the shadows. There was a trace of bitterness on his face, and it seemed to be a gentle smile, obviously condescending, and his humble and loving gaze seemed to be crawling at Christine's feet.

That kind of gaze made Anne's heart suddenly skip a beat, and the phantom of Theolod pushed her to the supreme throne almost in a few gestures, however, in Christine's mind, it should be her mentor, her musical angel, who really sits in that position.

It's just that she hasn't had time to think about it yet, that humble look is like her hallucination, it has never appeared, the phantom is still the phantom that Christine worships, and at the moment when she closes and opens her eyes, a light seems to appear in Theorod's eyes, a kind of light that burns herself between the burst of talent, so passionate, so noble, so arrogant.

He looked at her with his eyes down, and Anne had no idea what she should do. She raised her head and looked up at the black shadow that stood tall above, as if there was no one else in the world but him, the phantom was the whole world, and he gently hooked the corners of his mouth when he felt the response in her eyes that was similar to adoration and joy, and this chuckle seemed to make the whole world light up.

This is her teacher, her musical angel, the mysterious but important person in her life.

Without singing, Theolod had taken control of the rhythm in a few breaths, and his phantom had completely controlled Christine's soul. Schumacher stared at the subtle look on Theorod's face, for fear of missing any small but great changes, and he busily looked at the camera facing Anne, the look on Anne's face was what he wanted, what the work needed, but Schumacher also knew that it was guided by Theorod.

In the past, Annie's works were all small-screen TV series, but now she is filming a movie for the first time, in front of Theorod, a "tyrant" who performs, she is too jerky and immature, as weak as a dandelion in the wind, and she runs there when the wind blows. She does have a lot of talent, but this talent and spirituality are completely insufficient under Theorod's control.

It's not so much a play between Christine and the Phantom as it is a one-man show for the Phantom, and Christine is just a marionette in his hands. Most of the people who played against Theorod before were some acting schools or old actors, and they didn't have much experience when they watched the movie, but this time the close range intuitively made Schumacher suddenly realize that if a "carnivore" like Theorod is put together with a herbivorous white rabbit who has just entered the industry......

This picture is really miserable, and Anne is running completely to the rhythm of Theolod at this moment.

The shooting continued, and the Phantom had slowly walked down from the composition stage, and with a carefully measured pace, he came to Christine, bent down slightly, and stretched out his hand to her, so that Christine would give herself completely to him, and give him the singing-

"The night stimulates keen perception, the darkness sweeps over the imaginary space, and quietly, the senses give up resistance......" he whispered in Christine's ear, a sigh-like tone, silently echoing in the empty dungeon, like a warm tongue across Christine's ear, curling her earlobe, making her senses abandon all resistance, abandon all reason, and leave only the soft body, to the phantom's domination.

His pronunciation and singing, with a vague voice, hoarse and lingering, made Christine tremble as soon as she opened her mouth, and she raised her head to look into his eyes, which were as deep as the vast universe, like blue but not blue, like green and not green, and I don't know what magic was cast on her, so that she forgot for a moment how to perform.

But she has the Phantom, she can give herself completely to him, he will lead her, seduce her, make her irresistible, this is the magic of the Phantom, the magic of her musical angel.

It's not so much that the Phantom is leading Christine on a tour of his dungeon at the moment, but that he's dancing with her. He took her hand, and almost every step he took was on the spot, and even added a bit of elegance and romance to his overly thin body, and his singing, his tormented heart-tickling singing, was so beautiful, and the light of his talent was so dazzling that it was almost impossible to take your eyes off it.

At least Christine, who danced with her, couldn't take her eyes off it, and she looked at him obsessively, as if she had lost her soul, as if she had lost her soul, as the phantom sang, abandoning the glory she had gained on the stage during the day, abandoning the lights shining on her and the applause that bathed her, surrendering to the mysterious music that she loved and feared, the music of her angels, the music of her nightmares, letting her spread her wings and soar in it, in his arms, in his singing, in—

“…… In the endless darkness of this irresistible, night music......"

Yes, in the darkness that she couldn't resist......

“…… Soaring, Fallen, you sweet poison/drug......" The Phantom hugged Christine from behind, her head bowed and whispered in her ear. The gentle and intoxicating singing voice accompanied by ambiguous heat hooked her whole body, and every trill of his made her heart tremble, compared to Christine, the phantom was more like that sweet poison/medicine, his singing made her want to stop, even lying in his bony embrace, her heart was still beating wildly, and she couldn't help but want to moan/moan.

His left hand on her shoulder slowly slipped down, skimming over her chest at an almost erotic speed, and as she breathed rapidly, he took her left hand and lovingly pressed it against his unmasked left cheek.

"Touch me, feel me, surrender your consciousness to me......" Christine turned, caressing the Phantom's pale cheeks almost obsessively, and raised her eyes, only to fall directly into his obscure eyes, and there was only one thought left in her mind-

Praise Him, surrender Him, she is a slave to His music......

“cut！！！”

A loud cry woke Anne from her trance, she blinked at Theorod who seemed to be smiling helplessly in front of her, suddenly realized something, looked at the window with a doll, and immediately turned her head to apologize to Schumacher: "I'm sorry! I just looked and fainted, I just ...... Theo's singing is so engaging......"

When the Phantom showed Christine her "Christine" doll, Christine should have fainted in fright, but Anne, who had already been led away by Theorod, completely forgot about it, and when the Phantom opened the curtain, she still stared at the other person's side face stupidly.

Schumacher probably could relate to Anne's feelings, because even he himself was so involved that he almost didn't notice that Theorod had changed the lyrics of a song he had heard so many times. So he didn't blame Anne for anything, just asked her to sort out her mood, rest for a while, and then start filming.

Who made the phantom at that time, no, Theorod, look and sound, too sexy and erotic?

Of course, a day later, Anne knew how wrong she had been in her thinking today. 166 Reading Network