With Qin Xuan's explanation, everyone listened to it in the rain, and He Tian's original disdainful expression gradually became heavy at this time, although Qin Xuan's words, there was one he didn't understand very well, but between the lines, he still knew that some things were indeed very inspiring to them now, so with Qin Xuan's explanation, his face became more and more iron-blue. Pen, fun, pavilion www. biquge。 info

In Qin Xuan's explanation, more and more people began to gather around him, these people were attracted by Qin Xuan's explanation, they listened carefully to Qin Xuan's explanation, and some things made them suddenly enlightened, making them feel that they had a deeper understanding of performance.

These people are all group performances on the set, they didn't expect that they could hear such a vivid lesson at this time, they are all from the wild road, they have not gone through systematic learning at all, and now they have heard Qin Xuan's explanation, so that they have stepped into that threshold, and Ouyang Hai, seeing that more and more people are gathering on Qin Xuan's side, walked over with curiosity, and when he heard that it was Qin Xuan explaining the performance, he began to listen with a serious look, the more he listened, the more surprised his expression became, he didn't expect that Qin Xuan was young, actually has such a deep understanding of performance, no wonder his performance is so vivid and wonderful.

Everyone was immersed in Qin Xuan's explanation, and Chen Yan looked at Qin Xuan with admiration.

Qin Xuan continued: "So what if the large collection of the self does not contain a small collection of characters? The first is to expand the self-collection, that is, to dig out one's own hidden character and liberate one's unliberated nature. The second is that if the self is too far away from the role, then don't play that role, making steak with chicken is a show of skill, not a delicacy. In general, experientialism is the most difficult of the three schools, and it also requires the most talent: the gift of emancipating oneself, the gift of believing in the situation. There are only one actor who can have the talent to meet the requirements of the experiential school, so there are many people who can't go on are unwilling to admit that they are not talented enough, and turn to tamper with or oppose the experiential school. ”

"The aesthetic pursuit of experiential school is truth, and everything is to make the actor's performance achieve a sense of reality close to life and close to the subconscious."

"Methodism is inherited from experientialism, but there is one significant difference, that is, methodism allows actors to replace the person with whom they communicate, while experientialism does not."

"For example, it's still a straight man who plays homosexuality and makes him fall in love with a man. The method school allows the straight male actor to imagine the opponent substitution as a woman, while the experience school does not allow it. Experientialism demands that you must find the part of your love in this same-sex person. The reason for this difference is that the method school changed and developed after the experiential school came to the United States, and in the United States, the film gradually became the biggest stage for performance. In the filming of the movie, the actor can not always have a real communication partner, and the most realistic performance only needs one is enough, and there is no need to repeat it repeatedly. ”

"So in filmmaking, it's sometimes necessary and harmless for actors to change the person you're communicating with. This is different from the requirements of a stage play. "Expressionism" does not emphasize starting from the self, but emphasizes the construction of a "character image" in the heart, emphasizing imitation. At the same time, Expressionism does not advocate subconscious living in situations, but emphasizes grasping and designing. ”

"Some people say that experientialism is Stanley, and expressionism is Brecht. The first half of the sentence is correct, and the second half of the sentence is not. Brecht's "distancing" is a kind of performance effect, which is achieved more through the means of screenwriting and directing than by a means of performance. In his own acting practice, Brecht wanted the audience to be disconnected, but still demanded that the actors be experiential. In order to find a theoretical basis for their performance methods, some performers in China just pulled Brecht to be the banner, and many people were deceived. As for some people who say that experientialism is from the inside out, and expressionism is from the outside in...... Also wrong. The experiential school requires the "subconscious" to be completed organically both internally and externally. Stanley's late "body-mental movement method" is actually a method for directors to lead actors to improvise in order to help them reach their subconscious, not "Stanley's later years changed from the inside to the outside in" as the name suggests. Sometimes I really admire the ability of some people in China to do what the name suggests, as well as their courage to boldly imagine and "innovate" the existing theories of others. ”

"While there is a clear distinction between the pursuits and approaches of the various factions, it is impossible to be 100% pure in the actual performance. It is impossible for an expressionist actor to be completely untouched by true feelings, and it is impossible for an experiential actor to be completely undesigned. Therefore, "actor of a certain school" means that the actor agrees with the aesthetic pursuit of a certain school and mainly uses the methods of a certain school, not that he does not use other methods at all. In addition, due to the lack of systematic performance teaching in China, most actors do not follow a certain faction, but explore their own performance methods in practice. Excellent actors are often more emotional than rational, and they need to use a combination of the methods of various schools, so the actors themselves may not be able to explain their own performance schools clearly and accurately. For example, there are actors who mainly use expressionist methods, but say that they are followers of Stanley. There are many such examples, and they have also caused some misunderstandings among the public. ”

Qin Xuan said so much, he felt a little thirsty, so he was about to stop his explanation, but suddenly, he saw that he was already surrounded by dense figures, and he was a little surprised for a while, and after Qin Xuan finished explaining, everyone looked at Qin Xuan, the explanation just now made them have a lot of new understanding of the performance, so for this Qin Xuan, who was younger than them in front of them, they really admired, and invariably, a burst of applause rang out, Everyone looked at Qin Xuan with reverence.

Hearing everyone's applause, Qin Xuan was a little embarrassed, he didn't expect that it was just an ordinary exchange, and it would attract so many people to come and listen.

"Many places are not very good, I hope everyone understands," Qin Xuan said modestly.

But Qin Xuan's words made everyone's applause even more intense, and at this time, Ouyang Hai stood up and said: "Okay, don't be modest, even I was attracted by your explanation just now, not to mention them, but your explanation is really wonderful, there are many things I haven't heard, and in the process of your explanation, I have understood a lot of things." ”

Hearing Ouyang Hai's pursuit, Qin Xuan was really helpless, he was just picking up people's teeth, it was really not his own comprehension, but unfortunately everyone had already taken this as his understanding, it seemed that this misunderstanding was really deep.

And He Tian, who had been listening to Qin Xuan's explanation, had a shocked and incredulous expression at this time, he looked at Qin Xuan's warm face, and was a little ashamed of himself for a while.