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Thinking of the past, Mu Shanshan couldn't help but smile.

There are always good memories in their youth, when they were not rich in life, but they were very satisfied spiritually.

Riding a bicycle can go all over the capital, see the maple leaves in Xiangshan, skate in Shichahai, taste cheap snacks on the street, as long as the two of them are together, they feel happy in whatever they do.

"How long has it been since this happened, why is Uncle Zhou still here?" Mu Shanshan said curiously.

"Uncle Zhou guessed that it was your handwriting, and originally wanted to keep the joke for our father, but this one has been kept until now. Lin Zixuan explained, "This time, the people of the Writers' Association invited him to participate in the seminar, and he remembered this, so he rummaged through the study, and it turned out that he really found it." ”

"That's a coincidence, I'll go to Uncle Zhou's house another day. Mu Shanshan decided.

"I guessed that you wanted to come back, I just brought it by the way when I sent Uncle Zhou home. Lin Zixuan raised the leather bag in his hand, revealing a little smugness.

He pulled out a hard-shell plastic bag from his leather bag and opened it, revealing a stack of yellowed manuscript paper.

The manuscript paper is well preserved, there is no sign of damage, and the handwriting on it is neat and tidy.

The two looked at the stack of manuscript paper and sighed with emotion.

The past time flashed in Lin Zixuan's mind like a fleeting light, maybe it was because of the long time, those memories were no longer alive, but they were hidden in the depths of his heart and never forgotten.

He looked up at his wife in front of him, fortunately, you have been by my side all these years.

In the hometown of bamboo forests in Zhejiang Province, the crew of "Crouching Tiger, Hidden Dragon" is filming one of the most important martial arts scenes in the play.

The location was chosen by Li Yu himself, who had been here when he was filming last year.

The mountains here are verdant, the rivers are vast, people are on the mountainside, but they look at the white clouds and Shu roll, such as being in a piece of white and green gentleness and reeling, the scenery comes and goes, just like the mountains are between the ethereal.

Li Yu feels that this artistic conception is in line with his imagination of the martial arts world.

It is a pride to gallop on the desert, and the bamboo forest represents the nature and ethereal nature of Taoism.

In the past, martial arts films also had bamboo forest scenes, but they were all played in the bamboo forest, and Li Yu wanted the actors to fight on the bamboo.

Moreover, the light and shadow of the bamboo forest are swaying and varied, which not only provides a dazzling visual dynamic effect of foreground and background, but also produces a romantic and poetic feeling.

Li Yu thinks that bamboo is very soft, so it is very sexy.

The bamboo forest can play with light and shadow, and the bamboo is elastic, making it an excellent venue for shooting martial arts films.

You can do difficult actions such as cross transposition, splitting, and upside down onions on the bamboo forest, up and down, forming visual changes.

The cut bamboo can poke people to death, and it can also be staked, and it can play a lot of tricks. 【】

But the bamboo forest scene is difficult to film, this is a purely visual gameplay, there is no beginning, and it is not exciting enough.

In the past, the confrontation of martial arts films was hard-hitting, with impact and explosiveness, which made the audience very excited.

This kind of fighting style of flying around on the bamboo, the audience will feel tired of watching it for a long time, and there is no sense of excitement, besides, the bamboo is very soft, and elastic things are difficult to shoot and difficult to control.

Yuan Heping has a lot of opinions on this, and he feels that this is just Li Yu's imagination and is difficult to realize.

His strength is the ground fight of hard bridges and hard horses, paying attention to the strength of legs and feet, waist and horse, and the upper body can play good-looking, and the tricks are his characteristics, he is not good at and does not like to hang wires.

Since the martial arts drama was directed by Yuan Heping, he was quite helpless about Li Huan's request.

"Do you want to fight or artistic conception?" he asked Li Yu.

"Can we create an artistic conception?" Li responded.

This is basically difficult, generally in martial arts films, the actor's body is tilted when he hangs the tightrope and flies.

It's not that the flying posture is handsome, but it's not easy for the actor to straighten up when he doesn't focus in the air.

Li Yu asked the actor to stand on the bamboo, not only to stand upright, but also to be able to feel the shaking of the bamboo under his feet, and the actor had to imitate the light flying movements of the bamboo.

This is a world where gravity exists, and if you want to meet Li Yu's requirements, you must keep trying.

Know that a wire is not a stick, it will bounce back and forth.

Especially for the long wires, the reverberating force is very weird, and it is difficult to control the direction.

Sometimes a rubber band is added to the tail of the wire to make it stretched, and the force is more difficult to grasp, and the actor doesn't know where it will be bounced, so it needs to be pulled by the underground martial arts for manual control.

There is also that kind of thick steel wire that does not shake, and Hollywood has it, and it costs $10,000 per section, and Xiangjiang's martial arts can't afford it.

With martial arts to control below, actresses need at least eight martial artists, and about twenty if there are more male actors.

As long as the actor has a little movement, it will require many people to pull the tightrope underneath and adjust the bearing.

filmed the scene where the actors were flying and fighting on the tip of the bamboo, and the crew found a large crane used in the project to lift the wire, because manpower could no longer do it.

Using a crane to save effort is labor-saving, but the actor is five or six stories above the ground, and every shot has to be hung on it.

Not only is it hard, but it's also very dangerous.

The crew can only film from 9 am to 3 pm every day, and only this time there is sunshine in the ravine.

There are only five or six hours of filming in a day, and the actors have to hang in the air for an hour, and the rest of the time is spent unraveling the wire, tying the wire and auditioning, and there are not many shots.

Not only does this make it more difficult for the actors, but it is also a challenge for the photographer.

When filming the bamboo forest scene, the camera and the actor's movements and height should be kept horizontal, and the lens should be elegant, not shaking, so as to appear poetic.

But the actor himself is at the height of five or six stories, and the camera has to be hoisted that high.

The camera can only be fixed on a platform, hoisted up with a crane, and the camera follows the height of the actor, swaying with the wind.

In this way, the camera is not controlled by people, and can only shoot long shots, not close-ups of actors' faces.

For this purpose, the crew specially built a lime platform, made many holes on the platform, and inserted bamboo to arrange it into a bamboo forest, so that the actors did not have to be hung so high.

However, in this way, it is necessary to overcome the problem of bamboo preservation.

Once the bamboo is cut from the bamboo forest, the leaves quickly dry out and become a thin line, and it takes half an hour's drive to transport the bamboo from the forest farm to the filming site.

When shooting close-ups, the bamboo should look green, so you can only wait for rainy days to shoot close-ups.

Because the bamboo cut down on a rainy day can be green for half an hour and stay fresh.

The crew filmed a bamboo forest scene for a total of 12 days, which made the actors and staff miserable, and in this way, Li Yu was not completely satisfied, and always felt that better results could be achieved.

Yuan Heping felt that he had tried his best, Li Yu was a "literati who said big things", and those ideas would not work. (To be continued.) )

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