Because of the brilliant achievements of those years, Qin Xuan received the invitation of the golden horse in the bend, and in the face of the other party's warm invitation, Qin Xuan replied, I still remember that the last time I was in the Golden Horse, it was still like the next day, I didn't expect that I would actually board the golden horse again this time, this glory made Qin Xuan still a little excited.

Coming to a familiar place again, looking at the familiar venue as before, Qin Xuan and the crew came together to achieve the venue that the organizer had already prepared, in fact, when Qin Xuan came, everyone's eyes were on Qin Xuan, after all, the results they achieved were really surprising to everyone, and everyone was surprised by the popularity of the box office in those years, especially lamenting Qin Xuan's limelight this time, with Qin Xuan's achievements in a short period of time, everyone has already let everyone know that Qin Xuan's rise is already unstoppable.

They really want to have a good relationship with Qin Xuan and see if Qin Xuan has any scripts to shoot next, after all, since Qin Xuan's debut, almost all of the dramas filmed and invested in have become popular, which is enough to prove that Qin Xuan has an irresistible advantage, and now they admire Qin Xuan very much.

The awards ceremony started soon, and the awards were quickly taken away by the crew, but those big awards still did not appear, and soon, when the host walked up, everyone began to look forward to it.

"I watched this movie twice, and the process was very different from all the previous movies that I had seen more than twice.

I don't know why, but when I came back, I often thought about it, and I had a strong urge to watch it again - the sporadic applause and low crying of the whole film at the end of the movie theater, which surprised me at the time.

From a cinematic point of view, I personally think that it is difficult for this film to be scored 60 points, and like the repeated "childishness" in the lines, its cinematic technique can also be described by this word.

In addition to the traces of professionals that can be seen in the post-editing, the plot jumps, camera techniques, picture layout, tension and fullness of the story, dialogue, tones, props, and a series of details, etc., are not very professional and even "naïve" - including the unanimously praised film score and sound effects - The difference between the plot jump, the camera technique, the picture layout, the tension and fullness of the story, the dialogue is only that the camera equipment is expensive.

Still, I'm going to be steadfast in giving it a full 5.

Because of emotion, memory, and sincerity.

Because each of us is in this way in our youth. We probably wouldn't jerk off in class, probably wouldn't have the guts to be naked in front of our mom, and probably wouldn't have fucked our college roommate's **.

But other than that, we've all been there.

We also sat barefoot side by side under the flagpole by the playground to talk about the future, folded the boat lights and put them in the stinky river pond next to the school, pressed the corridor lights downstairs of her house on the night of heavy rain, and frantically called our mobile phones until they ran out of battery when the earthquake came.

In front of girls, we have changed magic, written love letters, played basketball and played handsome, and borrowed rubber to talk;

We've pulled out the valve core of the girl we like, cut the ponytail of the girl we like, painted her white shirt with a ballpoint pen, and grabbed the snake and put it in her drawer;

We would deliberately stay with her on duty, deliberately walk in front of her with heavy buckets, deliberately argue with her, deliberately ride around a bend - following her on a different path after school;

We weep together when she is sad, laugh together when she is happy, relieve her when she is embarrassed, and silently bless her when she leaves......

We all hugged our guitars and made a fuss about the girls' dorm on the day before graduation, but in fact, everyone just wanted to sing to one person;

We've all gotten together to see Ai Iijima, Madoka Ozawa, and Anna Oura, but neither of us knows what it's really like to be pistol-free;

We've all handed love letters to good brothers, and the girl herself has been in love for three years;

We all slumped when we fell out of love, but in fact, those wonderful girls have always helped us grow;

We all have our hearts beating faster when we confess, and our hearts are snickering when we face confessions;

We are all looking forward to growing up quickly at the moment of youth, and moving our youth at the moment of growing up......

There is a dialogue in the movie that I remember very deeply, five boys who have all liked the heroine, and at the girl's wedding, say: "If you really like a girl, it is absolutely impossible to sincerely wish them eternal happiness." Those like us who put arrows in the back are true love. ”

However, when the girl took her husband's shoulders and walked down the red carpet, smiling and sweetly satisfied, the boy said to himself: "I was wrong - it turns out that when you really like a girl very, very much, when she is hurt and loved, you will sincerely wish her happiness and joy forever." ”

I believe this is probably true love. Even in this materialistic and false and filthy world, such love must exist.

At the very least, we are willing to envision its existence.

I believe that for those who have seen this movie, there are naturally many people who are moved, and there will also be those who are disdainful.

Frankly, this is not a mature film, and the writer and director Nine Knife lacks the editing skills and the ability to make a good story into a script, and he is unable to carry the values and thoughts about youth in a youth film - which is actually important. In a way, he only has the ability to try his best to fully present the memories that he can't get back, but he is reluctant to throw away.

Compared with Christopher Nolan, who shot memory fragments at the age of 30, Tim Burton who shot Edward Scissorhands at the age of 31, Luc Besson who shot the killer Leon at the age of 34, David Fincher who shot the Seven Deadly Sins at the age of 33, and Guy Ritchie and Kubrick, who also shot two big smoking guns and the road to glory at the age of 29, Nine Knives at the age of 32 must be a director with no future. It is also obviously inappropriate to blow "those years" into the sky.

But his sincerity, his nostalgia, reverence and even a little fearful attitude towards the lost youth are enough to make every audience who sees this movie pay respect.

"Those Years" is a mixture of many elements - the unique way of thinking and outlook on life of this generation in the late 70s, and at the same time, it makes a completely different interpretation from the previous ones at the level of love understanding.

From my personal point of view, on the one hand, the Nine Knives exudes a strong sense of narcissism, both in the original book and in the film, and this sense of superiority of "feeling good" makes the overall tone of the film rather weird; on the other hand, his delicate narration of the ambiguous emotions of his youthful and strong student days is directed at the hearts of the people, which is simply a true restoration of our past years.

The pure and fiery memories of youth, the rich imagination that is very good at telling stories, the not so rich life experience, and the relatively pale film skills, the combination of the four contradictions is a bit strange. But I think that's why so many people love to watch it and are fascinated by it. ”

That's why this kind of movie will have its personal charm, and it can attract people to be more willing to go in and watch it, okay, and then I know that it's an exciting time.