"Lord Yang, according to what you think of Lord Huang, can you enter the realm?" Hu Ying turned his face and asked.

Yang Zheng said: "Ancient and modern people who have become great careers and university inquirers must pass through three realms: "Last night, the west wind withered the green trees. Go up to the tall building alone and look at the end of the world. "This first realm also. "I don't regret the gradual widening of the belt, and I will make people haggard for Yi. "This second realm also. The crowd looked for him thousands of times, and suddenly looked back, and the man was in the dim light. "This third realm also. None of these words are big words, and people can't say them. However, if you interpret the words in this sense, I am afraid that it will not be allowed by the princes of Yan Ou. “

Ignoring everyone's contemplation, he continued: "In the first realm, the west wind withered the green tree last night. Go up to the tall building alone and look at the end of the world. ”

This sentence comes from the Northern Song Dynasty Yanshu's "Butterfly Love Flower• "The West Wind Withered Green Tree" is not only what you can see when you climb the building, but also contains the memories of lying down all night last night to listen to the west wind and falling leaves. The scenery is bleak and lonely, and almost at the end of the sentence, the author unexpectedly shows an infinite and far-reaching realm: "Go up to the tall building alone, and look at the end of the world." Of course, there is a sense of vastness here, and there is also an empty melancholy that is not thought, but this realm of emptiness and unhindered gives the protagonist a kind of spiritual satisfaction, which can be tasted from the word "hope". Although these three sentences contain the sad thoughts that cannot be seen, the feelings are tragic and magnificent, and there is no delicate decadence. What does Lord Huang think?"

Huang Huai froze slightly when he heard this, and then sighed: "Why don't I do it?"

Hu Ying also muttered secretly: "This first realm is also chic, Lord Huang's words are more than tactful, but there is less confusion about life, loneliness and doubts about the road ahead, this first realm can't be reached?"

"What about the second realm?" At this time, Yang Pu listened curiously and couldn't help but ask.

Yang Zheng continued: ""The clothes and belts are gradually widening and I will never regret it, and I will make people haggard for Yi. ”

Uttering from the Northern Song Dynasty Liu Yong's "Butterfly Love Flowers•Leaning on the Wind of the Dangerous Building": This realm: the "spring sorrow" that the lyricist worries about is nothing more than the word "acacia". At this point, it can be seen that the reason why he lingers with sorrow is precisely because he not only does not want to get rid of the entanglement of this "spring sorrow", but even willingly tortured by "spring sorrow", even if he gradually describes himself as haggard and skinny, he will never regret it.

Projection to life, the second realm is to have a goal, on the road of chasing, after not wanting to describe emaciation but continue to chase without regrets. “

Yang Pu silently recited Huang Huai's words, and recalled the poems he made today, and asked himself if he had not reached this realm, so he was silent.

"What about the third realm?" This time it was Huang Huai who asked in person, for Yang Zheng's realm, he heard it for the first time, but after listening carefully, he felt that it was not unreasonable, the created realm must be in line with nature", although "the fictional realm, its materials must be sought from nature, and the structure must be from the law of nature, it is indeed a bit unique?

Yang Zheng continued: "In the third realm, everyone is looking for him thousands of times. Suddenly looking back, the man was in the dim light. ”

Speaking out of the Southern Song Dynasty Xin Qiji's "Qingyu Case•Yuan Xi", this realm: searched thousands of times, but found the person in the cold light. People are partying and reveling in the excitement, but she is outside the excitement. The more lively the light is written, the more the "man" is lofty, and the more forgetful the person writes, the more he sees the different situations of "that person" in the world, and even more so in the different situations in the poet's heart.

This realm indicates that those who are determined to chase have become qualitative changes after sufficient accumulation, and have inadvertently chased them. These three realms are not the realm created by the great poet must be in line with nature, and the realm written must also be adjacent to the ideal. "Nature and ideals are fused into one furnace, and "scenery" and "love" are blended into one. Xia Guan believes that this is a high-class artistic realm, and only a great poet can create this realm of "consciousness and context".

If Tuntian's "Eight Voices of Ganzhou" and Dongpo's "Water Tune Song Head" are the works of Lingxing, which are high through the ages, and cannot be discussed in regular tunes. And quoting words such as Niu Qiao, he is called "a person who specializes in love words and is wonderful". He believes that a work of excitement, writing love words, and writing scenes, as long as they are true and have a realm, is a good word. Lord Huang's words, although they do not meet the above third-class realm, but to write love words, write scenes, and really reveal them, such as telling family life, it is a rare good word?"

Huang Huaiben has very high hopes for his own words, but after listening to the three realms proposed by Yang Zheng, it is not a person who can write real scenes and true feelings, which is said to have a realm, and his own words are indeed as Yang Zheng said, although the artistic conception is there, but it is a big realm, although it can be regarded as a good word, but it must be in line with the realm created by the great poet, and the realm written must be adjacent to the realm of the ideal.

Huang Huai was originally an open-minded and open-minded person, and after savoring it carefully, he felt more and more that Yang Zheng's realm was not simple, and that the requirements of the "realm" were in line with the artistic laws of reflecting reality with images; it was necessary to enter and exit from it; it was necessary to despise external objects and attach importance to external objects, which was consistent with the creative requirements that writers must go deep into life and go beyond life. Yang Zheng's theory of "realm" concretely and clearly reveals the special contradictions inherent in the artistic realm and illustrates the essential characteristics of literature and art. This is a new contribution compared to its predecessors.

In the history of literary criticism, the argument that only focuses on "words" and "lyricism" is paranoid on one end, and the argument that only focuses on images and pictures is paranoid on the other end. Although there is some truth, but it is inevitably the same, but Yang Zheng's view is infinite, and the "realm" of love is indescribable, giving people a sense of freshness that has never been felt before, his appreciation of Yang Zheng, mostly from the fact that he wrote two champion articles, when the Beijing crisis, he frustrated the 10,000 cavalry of the Tartars, and now when I hear his remarks elsewhere, I can't help but sigh lightly: "Sure enough, the hero is out of the youth, it seems that we are old?" The tone did not have the taste of the twilight of the hero, but a little more joy.

Yang Zheng hurriedly said modestly: "Lord Huang said that he was laughing, this is just the nonsense of the lower officials, can it be true?"

Huang Huai waved his hand and said: "Lord Yang's words are wrong, the poem is related to the world's religion, and its origin is still in place! Confucius deleted 300 articles, as well as the Taishi's collection, from the temple court's elegant songs, down to the ballads of the alleys, so support the Gangchang, Shuzheng people's hearts, benefit the Tao, and its cause one.

To go to ancient times is far away, the customs are flourishing, poetry is teaching, more and more down, and even to it is used as a tool for talking and laughing, and lingering in the scene. Occasionally, there are masterpieces that come out, and they strive to follow the old Tao as a thing, although the syllables are different from time to time, and they have nothing to do with the world,...... (Huang Zizhen) is born in poetry, the words are taken to convey the meaning, and the rules are not in the algae. The syllables are chong and elegant, not for wow, and the things contained in them are all common in daily use and ethical integrity.

Chiseled and chiseled, such as the hunger of the chestnut, like the warmth of the cloth, and the irony, all of them rise up with feelings, is it not about the world's religion and has the will of the ancient poets?"

Yang Zheng listened to the mouth full of people, when the head is big, can be carefully read a few times, even estimated with guesses, but also understand a rough idea, Huang Huai seems to like the great poet Du Fu, in this preface that as the world's religion, the poetry of the pursuit of the Tao, should be meaningful, the syllables are chong and elegant, and the things contained are limited to daily tools. It is indeed a bit clever to advocate that poetry is about the world's religion, the main and elegant style!"

Everyone applauded, and Yang Zheng also sincerely admired it, nodding in agreement, but Yang Shiqi's face was a little ugly.

In fact, it is not difficult to understand that these are three theoretical opinions on poetry, according to the preface, Jiangyin Zhu Shanji and Zhu Shanqing brothers because of Yang Shiqi's entrustment, published a Ming single complex annotated book of Du poems, and obtained the Yu Ji annotated version, Yang Shiqi because of the preface. At that time, Wen Bing and Yang Shiqi highly respected Du Fu's poetry, thus establishing the lofty status of Du Fu's poetry in the poetry circle after Yongle in the Ming Dynasty.

The intention of this preface is to refute the so-called Yu Ji Note Du Lu for the sake of the original and seek the end of the view, denying that the creation of ancient poetry is the only way to retro, so as to raise Du Fu's poetry to the status of a model of poetics, therefore, it can also reflect the basic idea of the Ming Dynasty poetry retro, the poetry is getting worse and lower, and the retro should be based on writing ancient poems and pursuing ancient meanings, which can be said to be a big step, but Yang Shiqi is now a cabinet scholar, and he is an official of the first grade, because of his identity, no one dares to say these words, Huang Huai said it so bluntly, so that Yang Shiqi's face was hot, he glanced at Huang Huai, and bowed his head and said nothing。

The atmosphere on the table immediately became a little embarrassing, everyone look at me, I look at you, no one spoke, Huang Huai looked calm, which made Yang Shiqi a little annoyed, but after all, he was a person with a bearing, after thinking about it, Huang Huai's words also made some sense, but he didn't feel that he was wrong, he accidentally got the Yuan Dynasty annotation of Du Fu's poems, in order to give Jiangyin Zhu Shanqing brothers to engrave them, and spread Du poems among friends. The main reason why Du Fu's poetry is admired is that his poems are "loyal to the monarch and patriotic, often fists in sighing." ”

And this is the so-called "the right person of the husband's temperament", moreover, Du Shi is good at all bodies, no body and no work, the law is profound, depressed and frustrated, and is respected as the "poet saint", for the poet, it is indeed of great help, but Huang Huai's words are not unreasonable, so he just glanced at Huang Huai, and there was no taste of dissatisfaction.

Seeing that the atmosphere on the table was a little depressing, Hu Ying wanted to adjust the atmosphere, her eyes rolled, and she suddenly smiled and said: "I'm here to drink today, what are you talking about, whether the poems are well written or not, future generations will have their own evaluations!

Yang Zheng didn't know Wang Ying's thoughts, and hurriedly said: "What Master Hu said is extremely true, whether the poetry is good or not, we don't have the right to comment, time is the only criterion for testing the truth, whether it is a good poem or not, future generations have their own opinions!"

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The third update is a little late, please forgive me!