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In today's era of the flood of novels, more and more novels are slowly ignoring creative skills, and there are more and more phenomena such as blind pursuit of pleasure, venting, and indiscriminate filling. Pen, fun, and www.biquge.info

No matter how good the writing is, no matter how gorgeous the sentences are, no matter how exaggerated the plot, it is only superficial, just like a handsome guy and a beautiful woman, this kind of novel may be very attractive at first, but then, whether it can retain that group of readers depends on the author's real ability.

Now let's discuss the techniques for writing novels:

The plot of the novel has a sense of rhythm, it is like a piano music, its melody is light, heavy, urgent, and slow, and the song must be carefully designed when it is gentle and docile, or when it is passionate and high. A piece with a very low melody will sound very comfortable and moving. But if the piece is disorganized and dissonant, it will sound particularly harsh and uncomfortable, and you don't know what it is trying to say. The song has a melody and a frustration, and the structure of the story is the same.

1. The portrayal of the character's personality

1. The elements of character performance are:

A. Unique expressions B. Habitual actions C. Commonly used dialogues D. Thoughts Y, Thoughts and desires F. Weaknesses and flaws G. Characters' likes and dislikes

2. The application of these elements:

The above elements can be used as creative tools, these tools must be good at use, you can list these settings, and then the expressive parts are marked, and the more important personality parts should be repeated to deepen the reader's impression of the character.

Second, the use and foil of supporting roles

There is a joke that handsome guys and beautiful women always like to stay with people who are uglier or shorter than themselves, because they are set off at that time. The same goes for story creation, which also needs this kind of foil, especially the foil of the supporting characters, constantly using the supporting characters to set off the protagonist, and making every effort to shape your protagonist into an idol. Therefore, all the supporting roles are set to set off the protagonist.

1. Types of supporting roles:

Positive - mentor type, admiring type, assisting type

Uncertain - mysterious, competitive, harlequinous

Negative - Frame-up type

2. Assistive: often appear inseparable from the protagonist, have difficulties together, and have a necessary role to share.

Mentor: A supporting role that gives the protagonist the right knowledge and concepts

Affection: The protagonist's favorite object is usually the (male) heroine, which has a great impact on the protagonist's mood and is an important character that affects the changes in the entire plot.

Mystical: has obvious positive or negative effects on the protagonist, will never be named himself, and will usually be deified.

Competitive: The strength must not be the protagonist's first advantage, but the protagonist's hidden strength will be excited or fearful, which will not hinder the protagonist's progress, but will promote the protagonist's growth and become an opponent who can compete with him.

Framed type: Usually in order to get something that the protagonist has, or for different reasons such as the protagonist not pleasing to the eye, he often opposes the protagonist, and is also an indispensable character in the plot.

Harlequin: A character who often pulls people back, does idiotic and ridiculous things, and speaks for the sake of being funny.

3. Each character has his necessary functions, just like online games, you must constantly create balance in your plot, and then break the balance, so the interaction between the characters is correspondingly important, when the positive force is too strong, it means that the sense of crisis is insufficient, and when the negative force is too strong, it means that the protagonist's status will collapse. Constantly creating orgasms under such a stack.

Third, the play and setting of the bridge section

1. Contrasting bridge: In the positioning of the protagonist, arrange another bridge section to make a jealous contrast with the protagonist's setting, which is easy for readers to have a standard of measurement and can highlight the difference of the protagonist.

For example, a desperate loser meets a protagonist who is destitute but full of hope for the future, and the two have a great contrast, which can better set off the protagonist and shape his image.

2. Stacking bridge section: arrange the layout of the bridge section to a height in advance, and then stack the protagonist to this height, so that the protagonist will naturally reach the highest position without much effort.

For example, a legendary swordsman, the swordsmanship is quite exquisite, no one is his opponent, and some of the challenges to him are killed within three moves. But bizarrely, he was defeated by a blow against an inconspicuous middle-aged homeless man, and when the crowd adored him, a seventeen or eighteen-year-old boy appeared, and the homeless man called him a master.

Such an example shows that the boy may be a more powerful character, and there may be a lot of room for imagination behind it, and it seems that we have pulled the level of this teenager's ability and status to an extraordinary high point by using the power of others.

3. Trap method:

Use the bridge to slowly push the protagonist into a desperate situation, so that the reader has been worried about the protagonist's crisis, and then make a big change, so that the protagonist's position is reversed, resulting in a huge gap, in order to highlight the protagonist's ability. The principle is to set up a bridge with a continuous low ebb, so that the transformation process quickly becomes a climax, so that the protagonist's ability is doubled and highlighted.

For example, the protagonist who has been in the predicament of being bullied did not let the reader know until the end that it was the protagonist who had been "wise and foolish", which made the enemy suddenly at a disadvantage in the later stage.

Fourth, make good use of foreshadowing

Foreshadowing is a technique in which the author sets up relevant bridges or hints in order to express an important plot, and then echoes this plot or hint after the story has progressed to a certain extent.

Foreshadowing is a hidden bomb, it makes the plot produce more changes, its expression may only appear once in the picture, or it may be a casual bridge, or it may even be a dialogue; the foreshadowing is buried, do not be separated from the echo of the foreshadowing for too long, so that the reader's memory may disappear, and lose the meaning of the foreshadowing; the description of foreshadowing can also be continuous, a fragment of foreshadowing is buried in a paragraph, and finally all of them are combined, so that the time embodied in the foreshadowing can continue to extend backwards。

1. Foreshadowing is inseparable from the theme

This is an immutable principle, there is only one focus of the story, all factors must be produced by such a principle, and the content of the foreshadowing should not be irrelevant to the theme, otherwise it will not only fail to achieve the effect, but also may weaken the power of the story.

2. Don't use too much foreshadowing

Too many different foreshadowings will make the reader confused about the situation and lose the meaning of the foreshadowing, unless there is a coherent foreshadowing and continuous burial, and excessive foreshadowing will also make the theme of the story blurred.

3. Become the flashpoint of the power and climax of transformation

The design of foreshadowing is intended to surprise the reader, and such a design is also a way to transform the plot. The revelation and echo of foreshadowing, the timing is quite important, which also involves the rhythm of the plot, if we can make good use of foreshadowing and explode at the climax, this is the best way to express it.

4. Remember to wrap up

The burial of the foreshadowing, we must be quite clear, otherwise it will become anticlimactic, and in the end it will suddenly be an hour but there is no clear explanation; there are a few ambushes in front of the restoration, and in the end we must echo each other with a few foreshadowings, if our plot is too complicated, it is recommended that it is best to take notes, and then constantly remind yourself in the screenwriting process, so as not to miss something after the plot is over.

5. The rhythm of the plot

1. The principle of roller coaster

Assuming that the height of the plot is like an undulating curve, we can analyze a principle, that is, the greater the ups and downs of the plot, the more amazing the effect achieved, just like the roller coaster of an amusement park, the greater the height difference, the more miserable the screaming of the passengers, and the higher the stimulating process. We can call such a principle the rollercoaster principle.

2. The beat of the plot

But here we would like to add the rhythm. If the ups and downs are the y-axis of the coordinates, then the x-axis part can be said to be the beat; a bar in music can be a beat, a half-beat, or an eighth-beat; the speed of the rhythm relatively affects people's emotional ups and downs, a slow beat, giving people a stable mood, and the faster the beat, giving people a nervous mood, this principle is also applicable to the structure of the plot.

Here, you should have noticed why art is the same principle, and this rhythm can also be reflected in art works, calligraphy, colors and symbols, etc., are all the same principles.

3. Use the combination of fast and slow to control the reader's emotions

a, a stable plot with a slow pace b, an impact plot with a fast pace

Sixth, to arouse the reader's appetite

The common mistake made by many newcomers is that they go all the way to the end, saying whatever they want, and many good ideas are directly performed before they are brewing. The purpose of the stimulation mentioned above is to increase the number of ways we can perform, and to brew the key points we want to express until the best time to burst out. To put it plainly, a novel is like a battle of wits between a writer and a reader, when the plot we arrange is already known to the reader at the beginning, does the reader still have the desire to read it?

1. Get the reader hooked

In fact, the author is the master of the story, you are the god, you can decide the fate of any character in the play, and in the same way, you can also decide when your most wonderful idea will appear, as long as it is the answer that the reader wants to know the most, you must not let the reader know too early, but each process reveals a little bit of information, so that the reader is anxious to know, but can not know, and then slowly be led by your plot.

2. The best time to solve the mystery is revealed

When the fish is hooked, it is too early to pull the bait, and the bait has not yet entered the mouth of the fish, and the fish will run away; if it is too late, the bait has been eaten, and the fish will run. If you say the answer too early, the reader's need for you will not be formed, and the effect will be reduced, and if the answer is too late, the reader will lose patience and run away. If you don't have confidence, you might as well let a few more friends take a look at it and give some advice as a reference for your correction.

7. Master the theme

The most important principle of fiction should be to grasp the subject matter. When we are creating, no matter how good the idea is, we should always take it as the highest principle to stay on topic.

It is not correct to add what you think is good, and keep assuming other ideas if you don't have ideas. I have seen a lot of novels that deviate from the theme, often because they have a sudden inspiration, maybe they don't have a good idea, and they can't make it up, so they add a lot of things that are irrelevant to the theme, which goes against the theme.

1. How not to deviate from the topic

If it's an inspiration that can add points, it's a must-have, and if there is no possibility of combining it, then please save the idea and maybe it can be used as an idea for the next work. If you really can't come up with an idea, it is recommended that you go back to the original point and look at your previous settings, as long as the previous work has been done, you will definitely find a direction from it, you can also look at the completed plot, whether there is anything that you have forgotten to explain, or can be extended; from the perspective of the reader, repeatedly observing in your work to find a direction that can be continued, is also a way; otherwise, you put down the pen, leave your work, do something else, let yourself relax, because maybe you have been in the horns of the bull and can't extricate yourself。

2. The principle of using multi-line architecture

Sometimes we will also use a difficult multi-line structure, such a screenwriting technique requires more skilled experience, for a large and long-form plot, multi-line structure also becomes necessary, because there are more and more characters, and the story to be explained will not be limited to one story, and the focus of multi-line architecture is roughly as follows:

a. Echo before and after: The main structure of the story is fixed, and there will be branching plots in the plot, but remember that the branching plot must be attributed to the theme in the end, otherwise it will become impossible to end.

b. Clear primary and secondary: that is, after the emergence of the branch architecture, the theme is gradually replaced by the branch architecture, and the branch architecture becomes the main architecture, which is the deviation of the theme, and it is also the taboo that we are most careful about. Therefore, we must distinguish the master-slave system of the architecture, so as not to make up the final anti-customer-oriented.

c. Know how to cut love: Zhiqi has also been mentioned, sometimes we have too many ideas, and we wish we could all squeeze into one work. In fact, when our plot is already quite solid, we should not add more snakes, which will make the reader paralyzed or difficult to read. Too complex plots, usually not easy to be accepted by the public, after all, novels are a popular commodity, and the object we have to meet is also the general reader, therefore, sometimes it is necessary to cut love, retain some good ideas, and do flaws and long themes.

8. Create a climax

The bland plot is not a form of expression, if you can tell the story very bland, but there is a shocking heart, then your skills are extraordinary; the bland technique actually hides the climax, but it is buried very well and is not seen, for the newcomers who create, the climactic ups and downs of the plot will be far easier to deal with than the bland plot, we must first learn how to create the climax, and after being experienced, then slowly learn how to hide the climax in the plot.

When readers read your works, they are always looking forward to the climax you create, your careful planning, and long operation, in order to show the most wonderful parts of the plot profoundly, touch the reader's heart, and make the reader cry and laugh for you. But if it doesn't perform well, the work is actually a failure.

1. Concentrate all your forces for the climax:

When the plot progresses smoothly, we must concentrate all our attention and create a climax in the plot, and we should concentrate all the skills and explode at the key climax point, so that the plot will be deeply rooted in the hearts of the people.

The so-called skills, such as: the flow of time, rhythm, appetite, creativity, main line, characters, scenes, foreshadowing, etc

2. More is better than good:

The climax in the plot should not be placed in an irrelevant place in the structure, in fact, it is equivalent to not deviating from the main line, and it is equivalent to not deviating from the theme in the direction of all previous operations, so that the effect can be presented solidly.

3. Accidents

In addition, the performance of the climax, I hope which is not too formulaic, the various expressions that I have seen in the past can be used as a reference, but it is best that we can use more thought to change, virtual is real, real is virtual, in the process of fighting wits with readers, try to surprise everyone, so that readers will be amazed, in short, think a little more, it will be different.

4. Constant orgasm

If we want to be different, we have to get out of the frame, and sometimes, the use of taboos is also a very means, which can achieve extraordinary results, and if the energy we have accumulated in the early stage is enough to exert the second or even the third orgasm, then we can use the continuous orgasm.

However, when using continuous climaxes, it is necessary to be aware that the irritation to the reader will be paralyzed, so it is necessary to collect it when it is time to collect it, and stop it in moderation.

9. Humanity is the heart of the story

Here we use comics as the theme to tell this truth.

There are many works with super high painting skills, but they are not the most popular works, and some popular works are quite mediocre in painting skills, the reason is actually simple, the picture is just the element that attracts the reader's first impression. It's like when we see a handsome guy on the street, we usually unconsciously glance at him, which can only be said to like it, but to really fall in love with him, even for a lifetime, then you will think about his inside. If he looks like a wooden man, he may be an eyesore for a week. Therefore, in addition to attracting readers at first glance, how to retain readers to read your work in its entirety without feeling bored is the key to victory.

(Writing this, I suddenly thought that a few years ago, when the comic work "Chess Soul" was very popular, the Chinese Go Association, I don't know what it is called, I forgot my name, I only know that he enjoys a high reputation in the Chinese Go community, but in his new Go novels, he plagiarized a lot of "Chess Soul", which resulted in him being scolded by a large number of "Chess Soul" fans during the Shanghai autograph session, and some people even tore up his novel in front of him with tears.) How sad it is! Chinese celebrities have copied Japanese works, and as readers of "Chess Soul" fans (including most of the manga fans), it is unbearable! As a result, more than 10,000 pages of scolded posts have been scolded on the forum of his website, and the number of cursed posts has increased to nearly 1,000 pages per day.

Think about it, when it is a comic work, it needs so many people to support, what kind of charm it needs. I would like to ask, how many novels in China can achieve this effect?

There is also a manga of "One Piece", I think it has been serialized for at least 12 years, and how many fans are crazy about it! His sales book has topped the Japanese manga list several times, why? To put it bluntly, it is because it is an anime work that can make people laugh and cry, the characters have distinct personalities, the story development is incredible, and it is closely related to "human nature" to describe the work. ）

The answer is actually very simple, that is, human nature! We must give the characters in the play a unique character, and use these strong characters to fully express human nature. We must be able to control the emotions of the readers, arouse the humanity of the readers, and make the readers cry when they should cry and laugh when they should laugh, which is the unique charm of drama.

Therefore, when designing the topic, the character is also a very important part, and some good themes are actually successful before the character design.

Remember to set the selection of materials, and also preset the focus of the expression of characters and human nature. What attracts the reader's attention in any work is not simply the painting skills and gorgeous sentences, but the moving stories, and the moving stories are often expressed by human nature.

10. Seek differences in the same

A lot of classic themes or successful works are worth absorbing and referencing, there seem to be very few themes in the world that have not been created, for our creation, we often find a lot of creative themes, may have been done by someone a long time ago, or soon after the same theme appeared on the market, you are very sorry, this kind of crash is often happening. Think about it, when your work is patiently suspected of plagiarism, do you feel innocent?

How can we find our place in an age of information and creativity, or discover new topics in an already successful genre? Even if it is a classic theme, because of the transformation of time and space, and the different environment in which the creator grows up, there are also opportunities for different expressions and new connotations, so it is not difficult to find out the skeleton, spirit and wonderful elements of successful works, add your own new ideas and personal characteristics to repackage, and find out a good direction for your works.

11. Creativity of the pattern

I don't know if you have watched some film and television analysis of the movie, everyone says that Zhang Yimou's films are all big patterns, and there are few people who can achieve a big pattern like Zhang Yi.

1. Point type creativity

This type of creativity is usually only used for a small detail, not suitable for too long extension, and belongs to the role of embellishment in creation.

Point idea is a separate type of creative that can exist on its own or be placed in any part of the story.

Like a funny dialogue or a hilarious action, such a creative idea can also be translated into a character's mantra or habitual action.

In a good script, the idea of dot type is always there, because it is like the decoration of a perfect piece of furniture, so that the reader can feel the author's intentions at any time and at any moment.

This kind of idea is not extensible, we are in the idea stage, if it is a long story, we must record such a creative idea, no need to put it into the story skeleton, because in the idea stage, it is very important to screen out the key points, and it does not matter if you have to give up such ideas.

2. Key ideas

This type of idea is the key to an important plot or turning point in the story, which will affect the extension of the story and echo the foreshadowing ahead, and such ideas may also form a short story

Critical creatives are characterized by their ideas for a single purpose, and unlike typical creatives, they have a framework that is large enough to bring out a simple and complete story.

Key Ideas can be an important part of a long story, and several key ideas are enough to structure a long story.

The focus is on unexpected plot changes, with the aim of compressing the reader's emotions or attracting the reader's attention in a short period of time.

The key ideas at the beginning of a long story are even more important, because the reader's reaction in the first few episodes determines the rest of your work, and if you don't use key ideas to engage the reader at the beginning, the subsequent story may be in vain.

3. Architectural creativity

That is, the main architectural ideas that are enough to support a full-length story or a unitary story, such a structure is what we call a story skeleton, and the quality of the story skeleton depends on whether the structural idea is strong enough.

Regarding creativity, in addition to capturing sudden inspiration in time, the usual accumulation is also very important, and having a certain amount of accumulation will be very helpful for future creation.

When the above mentioned creative inspiration is fully gathered, it is possible to conceive an interesting and moving storyline.

12. Think of creative methods

1. Market analysis method:

Observing the current popular materials in the market, if most of the existing materials have been developed, more than two popular materials can be combined to form a new creative theme, and this kind of technique often appears in the creation of idol dramas. The same goes for novels, fantasy stories can be combined with martial arts, urban stories can be combined with fantasy, and so on!

First of all, we must first pay attention to the popular information, for the subject you are interested in, start to collect relevant information, do basic homework, and it is best to go to the relevant places to actually experience, and interview with relevant characters, which will make the content of the creation closer to reality, of course, it will be better if the subject matter is your personal experience, because many details are more actively described.

2. Trend ideas

The future world has always been the direction of scientists' efforts to study, in the past, such imagination can only be excavated from the imagination of the brain, fortunately now these predictions of the future can also be easily known in various media, and it is very likely to be realized, therefore, in addition to the current environment as the direction of creative thinking, we can also pay more attention to the direction of the future trend, the more distant the future, the greater the space for imagination.

3. Reverse thinking

If the question and answer are on two points in the same circle, and the two points are very similar, if according to experience, you have to go around a circle to get the answer, then the other way around, maybe the answer is close at hand.

In addition, it is exactly the same as the logic of ordinary people's thinking, which is equivalent to no freshness and no stimulation. If you don't think the way people think, you might easily find something new.

4. Desire satisfaction method

In fact, many creations are satisfying people's dissatisfaction with the real environment. People will have a lot of desires, but most of these desires are difficult to achieve in their lives, as small as hoping to know the answer to tomorrow's exam, hoping that the annoying chubby at the same table will stop bullying me: I hope to have a super handsome guy or beautiful woman as your friend of the opposite sex, and so on.

What is unattainable in real life, people want to satisfy themselves with fantasy.

13. The last thing to pay attention to

I always feel inadequate, and I constantly correct it in my creation.

As a creator, you should have the spirit of innovation and change, because readers continue to grow, and the works on the market will continue to innovate, if there is no challenge mentality, the works will become obsolete, and gradually out of the market, you will slowly retreat into the background.

Remember to keep a mentality, that is, you will always feel insufficient, and only if you are insufficient will you want to make progress, and you will continue to absorb and grow, how high do you think, and the end of the universe has been reached? Human beings are always small, and learning will never end. And in the process of creation, do not be complacent, and always check whether your work is still better, because the work is facing all kinds of discerning readers. New writers, in particular, are easily overwhelmed by some rhetorical comments, and they can't think of themselves, and they really think that they write well. No matter whether the comments we face are good or bad, we must work hard in the direction of continuous innovation, continuous learning, and continuous self-transcendence, which should also be the insistence of the creator.

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