Lin Zixuan told his sister about this and asked her to suspend her work and join Zhang Yimou's production team to shoot a TV film for the Olympic bid. Pen, fun, pavilion www. biquge。 info

In addition to making a contribution to the Olympic bid, it is also a rare accumulation of experience.

Zhang Yimou chooses top talents in the domestic film and television industry, who may not be well-known to the outside world, but they are full of weight.

When the audience watches a film, the most concerned is the actors, followed by the director.

As for the behind-the-scenes staff, only insiders will notice, such as cameramen, lighting artists, artists and prop masters, etc., these people are the backbone of the film's production.

When Feng Xiaogang was working as an artist in the crew, no one knew who he was, and he became famous after becoming a director.

In the crowd, everyone always pays attention to the glamorous one and ignores the ordinary one.

The media will exaggerate the role of actors in publicity, and objectively speaking, the successful actors of a film account for only 30% of the credit, and the production team accounts for 30%.

Film and television companies account for 30 percent of the publicity.

The remaining 10 percent is luck, and without luck the film is equally difficult to succeed.

This is a film directed by a big director for a general film, and the director will naturally become the focus.

Those top behind-the-scenes personnel are the targets of major film and television companies, and Lin Xiaoling can play a role in promoting each other by working with such a production team.

The five-minute TV film is short, but some of the ideas and shots in it are no less than a big production.

Technically, this TV film will be shot entirely with high-definition cameras, which can not only capture the picture quickly, but also present the beauty of the picture and give people a visual impact.

High-definition cameras are a new technology that has emerged in recent years, which has developed rapidly and is welcomed by professionals.

Especially in the field of documentaries.

It may not be as subtle as it can be subtle, but it can capture the subtle changes in life, such as the moment when a flower blooms, the micro-expressions of a person's face, and so on.

The use of high-definition cameras for documentaries will be a revolution in the industry.

Lin Zixuan thought of a documentary about food, which was shot with a high-definition camera.

Shanshan Culture has a travel program called "Miramar Country", which mainly looks for beautiful scenery and food in China, as well as local cultural landscapes and customs.

This show is just a general introduction, so that Chinese audiences at home and abroad have a general understanding.

As a result, a team of documentaries has been cultivated.

Lin Zixuan wanted this team to use high-definition cameras to shoot domestic food, called "A Bite of China".

Unlike most food shows that are made in the kitchen, this one travels the country in search of all kinds of food, from the usual to the rare.

The growing environment, production process and cooking techniques of the food are completely recorded.

Focusing on the relationship between food, people, and society, we look at the role of food in life from a new perspective, and show the food culture of China to the world.

Of course, it is not easy to do this.

Lin Zixuan didn't know if the current high-definition camera could achieve the effect he expected.

In this era when mobile phones do not yet have the ability to take pictures, we can't have too high requirements for camera technology.

However, since Zhang Yimou is ready to shoot TV movies with high-definition cameras, it means that he should have tried.

Lin Zixuan plans to ask the company to buy a high-definition camera to shoot a picture to see the effect, and if feasible, prepare for the project.

The price of a high-definition camera is expensive, and a professional-grade machine is hundreds of thousands.

This "A Bite of China" needs to invest about 10 million yuan to purchase equipment and shoot on site.

This is a documentary that can be made into a series, and the machinery and equipment will not be wasted.

Moreover, it takes a lot of time to observe the formation process of a delicacy and not rush it.

As the name suggests, documentaries are a kind of time-related images, and some documentaries take years or even more than ten years to complete.

It's a race against time, it's about endurance.

Speaking of aerial photography over the capital, this kind of opportunity is very rare.

The cost of a city-wide aerial photography in China is about 500,000 yuan, which is the price of a helicopter, it will be cheaper to use a hot air balloon, and the cheapest is to use a remote-controlled plane.

However, the picture taken by the remote-controlled aircraft is not stable enough and is not suitable for this kind of high-quality TV film.

Due to the high cost of aerial photography, major TV stations will use outsourcing to purchase this kind of footage, and use money to buy aerial footage and edit it into the program.

Therefore, the audience will feel familiar when they see the panoramic picture of the city on TV.

Actually, it was the same shot, just repeated in different shows.

The TV film of this Olympic bid will show all aspects of the capital, food, clothing, housing, transportation, folk customs and tourism.

Fast moving subways, planes taking off and landing, bicycle races, and more.

Lin Xiaoling used to direct mostly feature films, mainly indoor scenes, and there were few opportunities to shoot big scenes.

Directing the sequel to "Desire" happened to coincide with the celebration of the new century, not the crew's arrangement, there was no way to arrange it, where to find so many extras.

It was to take pictures of the scene at that time, and it felt very real.

The TV films for the Olympic bid are different, they can't just be real, they have to be shocking, they can only be filmed over and over again until they are the most satisfied.

This is normal, those wonderful pictures in film and television dramas, without saying it once, have to be filmed many times.

The media said that a certain actor had good acting skills and made a film over and over again.

There are two situations, one is that the director is not serious, and the other is that the actor is not serious, and everyone is perfunctory.

Good directors and actors will not be satisfied, and after filming once, they will wonder if they can be better.

Lin Xiaoling participated in the production of this TV film and was able to accumulate experience in shooting big scenes.

Lin Zixuan is preparing to launch the film version of "Little Snow's Big Adventure" next year, and for the sake of box office and promotion in the West, the first two films will be directed by American directors.

Once the film becomes regular and has global influence, he will direct the sequel with a domestic director.

Or let the film be localized, and use this series of movies to cultivate domestic talents.

Lin Xiaoling is the first choice for the director of "Little Snow's Big Adventure".

It's not that after making a sequel, Lin Xiaoling can successfully enter the mainstream film circle in the United States, but by making a sequel, she can master Hollywood's experience in making this kind of film.

and then use this experience to make an oriental-style magic blockbuster, this is Lin Zixuan's plan.

It will take at least five years to realize this plan, which may seem like a long time, but it is very cost-effective for the development of the entire film industry to learn in five years.

After arranging the affairs of the Young Director Support Fund after Lin Xiaoling left, Lin Zixuan set off for Xiangnan.

He took a group of stars, including the leading actors of the "Legend of the White Snake" crew, to participate in the Huaguo Golden Oriole TV Art Festival.