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The system information panel quickly gave the main information of this Jun kiln: "Ding, the information of Jun kiln is as follows: natural, peerless----- brilliant and wonderful colors of Jun porcelain are naturally formed in firing. Pen & Fun & Pavilion www.biquge.info or such as beautiful jade, the so-called jade is not like jade Teng like jade, or such as the blue sky, purple in navy blue, blue in white, white red. That is, "one color into the kiln, ten thousand colors out of the kiln." Especially magical, the kiln changes especially like, the wonderful scene is born, or such as the mountains stacked green, the shadow of the secluded pond, or such as the snow accumulation of the South Ridge, the jade warm glacier, or such as the stars in the sky, the jackdaw returns to the forest, or such as the fairy mountain pavilion, flying clouds and flowing water; are all vivid, such as splashing ink freehand and soaring, its wonder is by no means the world's Danqing wonderful hand mind can reach, because its color and its shape are all natural, the so-called Taoist nature also. The ancients once had a poem to praise and say: Green is like the first birthday of spring, and red is like the morning glow. The sky is full of smoke and stars, and the sunset is purple and green. "Jun porcelain color blending and flowing place, or like the rainbow after the rain in the sky, or like a deep gorge valley waterfall; its hazy and faint, such as the heaven and earth, leading people to reverie endlessly, looking at its changes without cliffs, all think that they have a unique realm of understanding the mind, intrude and enjoy themselves, pleasant and pleasant, Si is to watch the unique fun of Jun porcelain. Watching the kiln change its charm, listen to the sound of Jun porcelain opening, Jun porcelain, its color can be appreciated, and its sound can be heard. The sound of cracking the piece of Jun porcelain, such as a bell like a spring, is delicate and cold, such as a piano like a stream, and hears it in the quiet night, which makes people forget themselves. Its cracked lines resemble crab claws, spider webs, ice cracks, the glaze is crystal clear, and the texture is fine and considerable. The glaze is a little like a pearl, Xingxi Milky Way, luster and moist eyes, which is the color of Jun porcelain house, and has another charm.

There are five colors in the world, and there are ever-changing, not to mention the natural color of Jun porcelain, it is endlessly changing, so there is no same two pieces of Jun porcelain in the world, the so-called "Jun Wushuang" also. In addition, it is extremely difficult to fire Jun porcelain, and there is a saying that "ten kilns and nine are not successful". The emperors of all dynasties have been designated as royal treasures, exclusive to the court and strictly forbidden to the people, but also "the king is unique". China's five famous porcelain, Jun, Ru, Guan, Ge, Ding, led by Jun porcelain, is also the king of porcelain. Other porcelain can be used in the high hall of the noble eunuch, and can be used in the cloth room, only Jun porcelain from the emperor's room, the folk are rare, and they don't know their auspiciousness. Therefore, it has the reputation of "gold is priceless and priceless", "even if there is a lot of wealth, it is not as good as a piece of Jun porcelain".

This Shenjun porcelain can only be fired in Henan Yuzhou (Junzhou) Shenyuan Town, and it must be related to the local water and soil.

Nowadays, Jun porcelain has gradually been cherished by the world, and the wonder and magnificence of Jun porcelain are more and more appreciated by people. In the Kunming World Horticultural Expo Park in China, the hall of the China Pavilion has set up a large bottle of extremely valuable Jun porcelain products "Jade Dragon Tengfei" (produced by the Miao Jiajun kiln of the Queen of God), and the inscription says: "The world's treasure, the eternal World Expo". It has attracted the attention and appreciation of people at home and abroad.

Things arise because of people, and things exist by people. Miao Changqiang, the descendant of the Jun kiln of the Miao family, in order to carry forward the Jun porcelain culture, is quite dedicated, has many ingenuity, in order to protect the circulation of Jun porcelain treasures, the special Jun porcelain collection certificate, the works are divided into two kinds of treasure grade, the best grade, as a collection. It shows the rarity of the treasure and makes it pass on to the world, and also shows that the collector can appreciate the truth, and there is a good elegance.

Yuyun: "The creatures of heaven and earth, the talent is refined, and the earth is subject to the form, the things are all wonderful, and the form is outward, and the people who can understand the magic in the appearance of the changes in the heavens and the earth, the treasures of the world." Jun porcelain, real treasure porcelain also. ”

The site of the Jun kiln is in Yuzhou City, Henan Province, and the firing age is different. Yuzhou was the capital of Han and Yang Zhai during the Warring States Period, and it was named Junzhou in the Northern Song Dynasty and Jinzeng, hence the name. In Yuzhou City, Henan Province, more than 100 Jun kiln sites have been found in the Song and Jin eras, and have expanded to Linru, Xiaxian, Xin'an, Hebi, Anyang, Linxian, Jun County, Cixian County in Hebei in the north, Hunyuan in Shanxi and Hohhot City in Inner Mongolia, forming a huge Jun kiln system throughout North China. Jun kiln has the following characteristics: Song Jun has seen two kinds of unearthed artifacts: one is turbid glaze, called dark glaze. One is bright glaze, called glass glaze. The former is an early-stage product and the latter is a late-stage product. It is a mistake to think that the bright glazed Jun ware is a later imitation. The tire soil of the Northern Song Dynasty Jun kiln is finely washed, the tire color is light gray, the glaze juice is thick, the crystal is even, and the sky blue glaze is more common. Through the kiln transformation, it produces gorgeous and colorful moon white, rose eggplant purple, lilac purple and other hues, of which red and sky blue glaze are integrated into one Jun red.

For this type of ware, the outer wall is glazed red, and the inside is glazed sky blue or moon white. Most of the products with red glaze inside and outside are imitations of later generations. The glaze of Jun red often presents fine granular black defect spots, with earthworm mud lines and small brown eyes, and the glaze is beige on the edge of the mouth and edge of the utensil. The earthworm mud pattern is a major feature of the Northern Song Dynasty Jun glaze. Jin Yuanjun porcelain has basically disappeared earthworm mud pattern. Imitations of the Qing Dynasty and modern times often use open pieces to express the earthworm walking mud pattern. The Northern Song Dynasty Jun kiln is generally full of glaze, and the bottom of the circle foot is brushed with a layer of sauce brown glaze, commonly known as sesame sauce glaze. This sesame paste glaze is no different from the milky sky blue glaze of the body, only because the glaze is thin at the foot of the ring, and the underglaze tire color and thin glaze are blended to present a light sauce color. The thickness of the three-legged local glaze of the washer is still sky blue, and the glaze layer is thin, but the color is bright. The bottom of the imitation in later generations is dry and uneven.

"Ding, the inscriptions of the Northern Song Dynasty Jun ware are rare, and the inscriptions are all porcelain used in the court in the late Northern Song Dynasty. The inscriptions are mainly engraved with numbers from one to ten, that is, Shi Jun red glaze with odd numbers of one, three, five, seven and nine at the bottom of the vessel, and Shi Tianlan with two or four even numbers of six, eight and ten, and moon white glaze. However, the real intention of the number at the bottom of the vessel is to indicate the size and specification of the artifact, and the larger the artifact, the smaller the number, which represents the largest artifact. The inscriptions of Jun kilns are generally at the moment when the utensils are formed, and then the sesame paste glaze is applied to the inscriptions. Later imitations often had inscriptions on glazed tires, thus revealing the horse's feet. There are also engraved with the name of the court buildings of the Northern Song Dynasty, such as Fenghua Palace, Yangxin Palace, Chonghua Palace, Jingyang Palace, etc., and the strokes of the inscription font are slender. Judging from the physical object of Jun kiln, Song Jun and Jin Jun have reached the peak of Jun porcelain firing. Today's people value Song and light gold is just a matter of aesthetic perspective. The tire of the Jun kiln of the Jin Dynasty is delicate and compact, and it is mostly light gray or beige after firing. The glaze is more moist, the glass light is stronger than that of the Northern Song Dynasty, and the red glaze is not like the Northern Song Dynasty with a single color of rose red or eggplant purple, but is decorated with red spots on the glaze of sky blue or moon white, and the edges of the red spots are not clear, and there is a feeling of gradual fading. The utensils are generally full of glaze, there is no glaze at the end of the circle, the junction of the tire glaze is not neat, and the glaze is very thick, commonly known as snot glaze.

There is no sesame glaze at the bottom, and the same color glaze is applied to the body, and there are no earthworms walking mud lines, and there are many open pieces. The firing process adopts a mat cake mat that is larger than the ring foot, and three nails are used to burn on the plate edge plate. Because the nails are adhered to the utensils together, they are mostly knocked out after firing, so the nail marks are large and uneven. The output of Jun kilns in the Yuan Dynasty continued to increase, but the quality declined. The level of craftsmanship in individual boutiques is comparable to that of Song Jun, but there are only a few. Jun porcelain began in the Tang Dynasty, the Northern Song Dynasty reached its peak, and the production of imitation Jun products in the Jin and Yuan dynasties has reached the level of Song Jun. Most of the tire is obviously coarse and loose, the tire wall is thicker, the outer wall glaze is often not in the end, the edge of the tire glaze is not neat, and the glaze has eye bubbles, which are mostly seen in colors such as sky blue and moon white. The boundary line of the plaques of blue glaze erythema is clear, which is obviously different from the patches of the Jin Dynasty. And popular large-scale. The bottom foot end of the bowl and plate is trimmed to an inclined plane, and the center of the bottom is convex, and in addition to winning with glaze, there are often appliqué decorations. The tire and glaze of Jun kiln belong to the porcelain fetus, most of them are mainly gray tires, and the gray is divided into two kinds of light and dark, and there are gray-white and light yellow, the former (gray tire) is fine and solid, and the knock is metallic, which is an early product. The off-white and pale yellow tires are coarse and loose, and the sound is almost tile when you listen to them, which are mostly late products. Jun porcelain has two types of glaze, dark glaze and light glaze. The glaze of the bright glaze is rough, the glaze layer is thin, the size of the grain is open, and there are many brown eyes on the glaze, more caviar patterns inside, the outer glaze is less than the feet, and the center of the circle is brushed with glaze or no glaze at all. After the Southern Song Dynasty to the Yuan Dynasty, this kind of Jun ware was more common. The characteristics of Song Jun kiln change are due to the active formula in the glaze, and it is closely related to the kiln structure, and it also affects the yield of Jun porcelain, which is the fuel used, the sparseness of the kiln equipment, and the external factors of cold and heat, rain and rain, and wind direction, all of which require the kiln workers to have the ability to adapt and cooperate. Otherwise, there will be the ending of ten kilns and nine failures as the ancients said. ”

Very good, Ye Yu is very satisfied. "Forget it, the gang up there can't find me, but it's 6. ”

"Report, Ye Yu is here to report!" The instructor glanced at Ye Yu: "Are you going to run 50 laps by yourself, or am I going to run with you?"

Ye Yu said calmly: "Report, I found a thousand-year-old tomb. "Hahaha......" The students all couldn't stand up with a smile, and the instructor glanced at Ye Yu: "You have read too many tomb robbery notes, right, okay, what about the tomb?" Ye Yu replied confidently: "Follow me." ”

Walking to the river, Ye Yu stopped. "Instructor Fang, there it is. Fang Yu followed Ye Yu's fingers, and sure enough, a stone slab was stranded in a place that was not easy to detect. Ye Yu made a gesture: "Please!"

…………

"A thousand-year-old tomb was found in the river of Hangzhou National Defense Park, three bodies were dug up, and identification ...... is now underway"

Xu Lei smiled flatteringly: "Boss, you are famous now!" "If you have something to say, let it go." Ye Yu was a little helpless, it was okay not to report it, but as soon as he reported it, this trouble simply came one after another, and it was endless.

"Boss, have you found the official kiln?" Xu Lei didn't ink, and said it in one mouthful. "Guan Yao?" Ye Yu glanced at Xu Lei a little strangely, "I found Jun Yao!" Xu Lei's legs were weak and he almost fell to his knees: "Mom, boss, are you a person, you can actually find Jun Yao!"

"What, the official kiln is worthless?" Ye Yu looked at him with some amusement. "Ahem," Xu Lei cleared his throat, and his voice gradually became a little proud, "Boss, do you want to hear the information from the official kiln?"

"Don't sell it, say it. Hearing the word "official kiln", Ye Yu finally became interested. Xu Lei pursed his lips and said: "Hehe, you don't know this, the official kiln is the porcelain fired by some kilns for the court during the Gaozong period of the Southern Song Dynasty and Song Dynasty, for the royal to pick up and retreat, and it was commonly known as the "official kiln" at that time. Guanyao, the first Maogongdong (now Yangzhou, Jiangsu). The porcelain of the official kiln of the Southern Song Dynasty follows the style of the Northern Song Dynasty, which is regular and symmetrical, the palace is imposing, elegant and elegant, and meticulous. Because the iron content of the fetal soil is extremely high, the feel is heavy, and the fetal soil is dark black and brown, which is later called "purple iron foot". The glaze is heavy and bright, the glaze is thick like a pile of grease, and warm and moist like jade. The glaze is repeatedly scraped in multiple layers, the glaze sinks without dazzling, the texture layout is regular, and the shape is solemn and generous. In addition, the "flesh rot and bones" (the exposed fetus resembles the bones of a dead man, commonly known as "Gu Dong") was also created at that time. What we call the official kiln today generally refers to the porcelain fired by the government of the previous dynasties, in fact, the history only refers to the porcelain fired in the Song Dynasty, and there is no such name in later generations. ”

Ye Yu waved his hand: "Yes, I know this, let's talk about it." "Okay. Strictly speaking, official kilns are divided into two categories. 1--- imperial kiln porcelain, 2--- official kiln porcelain. Since the two kinds of porcelain are supervised and procured by the "official family", they are collectively called official kiln porcelain for the people. But in terms of management, there is a big difference. Let's take the imperial kiln porcelain as an example.

The so-called imperial kiln porcelain, refers to the porcelain exclusively for the use of the royal family, in the shape, ornamentation have strict etiquette regulations, strict hierarchy, and the "car uniform system" strictly corresponds, misuse or unauthorized use is a felony.

Imperial kiln porcelain is a special porcelain for the royal family under strict grade specifications, and its subdivisions are as follows:

1---. Royal porcelain: For example, the "Zhenghuang porcelain" of Qing Yongzheng is a special color for the royal family, which can only be used by the emperor and the prince.

In terms of patterns, the emperor used a five-clawed golden dragon, and the prince could only use a four-clawed dragon, and was called a python (in the Qing Dynasty, only Prince Gong, who had "one edict and two seals", enjoyed the treatment of giving Zhenghuang and five-clawed golden dragon), all of which have been systematically handed down to this day, and the first "Tongzhi Emperor's wedding porcelain";

2--- Wangfu porcelain: The model is specially burned according to the rules for other royal family members, including the prince. The famous "Le Dao Tang porcelain" in the cultural relics is a model work in the palace porcelain.

3--- Yipin palace porcelain: under the whole world, it is not the king's land, the shore of the land, and the king's ministers. It is used as a reward for the emperor. The early palace porcelain themes were mostly taken from the supplementary elements on the official uniforms, such as the unicorn of Wu Yipin, the crane of Wen Yipin, etc.

It is worth mentioning that the folk kiln porcelain uses dragons to hide their claws in the clouds and water, which can be said to be a mutual compromise between the royal ritual system and folk customs. “

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