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Ye Yu jumped down and immediately closed the slate. www.biquge.info If you don't close it, you will be found to have a whirlpool on the surface of the river, and you will be a big deal.

It was pitch black in the corridor, but for Ye Yu, who had become a cultivator, night vision was not a difficult task. Just in case, Ye Yu stopped advancing, and a powerful divine sense came out of his body. "What!?" Ye Yu was stunned for a moment, according to the feedback of the divine sense, this is a "swastika"-shaped tomb, so what is buried in it is not a person, but a divine sword!

The "swastika" shaped tomb is actually a kind of formation that specializes in gathering the aura of heaven and earth, and some people believe that the aura of heaven and earth can bring people back from the dead, so this kind of tomb is built. After Ye Yu knew that there was no danger, he immediately broke into the center of the "swastika"-shaped tomb.

Ye Yu's pupils contracted sharply, and even his breathing was not calm: "Wrong, it can't be wrong, this is a divine sword!" On the bronze altar in the center, a divine sword that exuded the breath of the sun, floated quietly, and it constantly emitted a soft white light, illuminating the entire tomb.

This is a silver-white sword, with a total length of 135cm, a hilt of 25cm, and two words written on the front and back of the gauntlet in ancient seal script------ Baili. Ye Yu slowly walked up to the altar and grasped the hilt of the sword. The white light disappeared, but the silver sword body and the snow-bright blade could not be ignored. The front and back sides of the sword body are each engraved with 7 lilac ancient seal inscriptions, Ye Yu looked at it carefully for a while, stretched out his fingers, and the divine sword made a "zheng" sound.

The history of the burial chamber is around 1700 years, which means that the aura of the burial chamber has been gathered for 1700 years. This is definitely a holy place for cultivation. Ye Yu immediately sat cross-legged, and a pale green tangible light band formed by the rich and huge aura entered Ye Yu's dantian.

Soon, Ye Yu broke through the Qi refining period and reached the early stage of Lingyuan, and he did not stop. At this time, Ye Yu recalled everything about the Baili Sword in his mind while cultivating: "Jin? Cui Bao's "Ancient and Modern Notes": "Sun Quan, the Emperor of Wu of the Three Kingdoms, has six swords, one is called Baihong, the second is called Purple Lightning, the third is called Evil Spirit, the fourth is called Meteor, the fifth is called Qingming, and the sixth is Baili. ”

There are seven rainbows in the white rainbow sword ---, white rainbow is one of them, the sword body should also be as smooth as the white rainbow, shining cold light, people dare not force the look, there is a move in the Huashan swordsmanship called "white rainbow through the sun", extremely lethal.

Wang Bo, the --- of the Purple Electric Sword, wrote in his "Preface to the Pavilion of King Teng": "Purple Electric Green Frost, General Wang's Amber Library." This sword has been passed down to the Tang Dynasty and was sung by the people of the time. The evil sword --- I don't know what kind of evil it is, which reminds people of the Lin family's "Sword Spectrum of Evil Spirit", which makes the rivers and lakes a bloody storm, if there is one more evil sword, it will not turn the world over.

Yang Jiong, who was one of the "Four Masters of the Early Tang Dynasty" and Wang Bo in his poem "Sending Liu Xiaoshu to the Army", wrote: "The terracotta meteor sword, the bird number bright moon bow.--- "Gu Long has a novel called "Shooting Star? Butterfly? Sword", the protagonist Meng Xingsoul, the sword is like a meteor, fast as lightning, as long as the person he wants to assassinate can not be spared.

The people of the Green Shadow Sword --- "Crouching Tiger, Hidden Dragon", for this sword, they all fought for their heads and bloodshed, this is an ominous sword. Among them, "green underworld" does not refer to the cyan underworld, but to the sky.

A hundred miles of sword--- sword is not a hundred miles of sword, people are not a hundred miles of talent, can become the master of this sword, is by no means a person who does nothing, people choose the sword, the sword also chooses people, only when it coincides with its owner, the sword will play the greatest effect.

The names of these six swords are very distinctive, poetic, imaginative, and shocking, giving people infinite aftertaste space. But the years are merciless, and these six swords have disappeared in the long river of history.

Liang Tao Hongjing described in the "Sword Record" that Sun Quan made ten swords and ten thousand swords in the fifth year of Huangwu, from which it can be seen that these six swords have become royal weapons at this time, and the knife is the weapon of the soldiers, so one is calculated in ten thousand.

This time it's really profitable. Ye Yu couldn't help but smile, but he soon couldn't laugh. There was a throbbing sound from the ground of the bronze altar, and Ye Yu was startled, and he confused his divine sense to the ground. This time was not trivial, Ye Yu was even more shocked than when he saw Excalibur. Excalibur, it turned out to be to suppress that monster underground!

"I see!" Ye Yu muttered to himself, "The 'swastika'-shaped tomb here is to gather the aura of heaven and earth and cooperate with the divine sword to suppress the monsters underground. But I took off the Excalibur, and I absorbed a lot of aura, but why can't the monster come up? Could it be that there is another mystery in this place? ”

Ye Yu thought about this, and immediately understood---- this place is a military camp, suppressed by the army's evil energy, and there are so many students, the yang energy is huge and pure, plus there is the pressure of national fortune, no wonder that thing can't come out." It has been sealed for nearly 2,000 years, and its power has long been consumed, and it can't set off any big waves.

Ye Yu chuckled: "It's okay, it's me who is too worried." No matter what, let's cultivate in peace, time is running out. ”

Here, Ye Yu was happily cultivating, but the students on the ground were in a mess. There's no way, there's a guy named Ye Yu who still hasn't come to gather! The instructors scolded them for squirting blood, why didn't this guy come yet!

Only Xu Lei knows that the boss is looking for treasures, how can these people know the whereabouts of the boss, anyway, he is often a dragon who sees the head but not the tail, I may not be able to see it every day, you are a ball.

The bottom of the river. Ye Yu looked at the kiln again, obediently, this is a treasure of hundreds of millions, but you have to take a good look at it.

(Jun kiln, that is, Juntai kiln, is a unique style synthesized on the basis of the style of firewood kiln and Lushan flower porcelain, deeply influenced by Taoist thought, reached its peak in the Song Huizong period, and its technology was exerted to the extreme.) Whether it is the expression of color and various textures, the performance technology that can be controlled and controlled by the kiln has been imitated by no one in later generations. The influence of the Song Dynasty is reflected in the regular symmetry of porcelain, which follows this principle in terms of shape and texture, especially the official porcelain of the Northern Song Dynasty, which strictly abides by this principle regardless of room utensils or large sacrificial vessels. Regular symmetry, elegant atmosphere, court momentum, meticulous. It is heavy and quaint, bright and deep. Jianyao, Yizhou kiln, and Jun kiln are authentic as traditional Chinese porcelain culture, and the style with a long history has been inherited to this day. Observed with a magnifying glass, the earthworms walk in the mud pattern, and the bubbles are connected one by one in a three-dimensional crawling shape, and the frog egg pattern wraps the egg nucleus, and a stack of stacks is about to hatch. There are also ox blood lines, the blood color is dark and murderous, solemn and majestic, etc., it is difficult to describe them one by one. The color and texture size and distribution of Jun porcelain in the official kiln of the Northern Song Dynasty are difficult to be controlled by man and are just right, which is the embodiment of the highest level of craftsmanship in the Northern Song Dynasty porcelain. This batch of Jun porcelain craftsmanship has long been lost, and the kiln site has also sunk with frozen water. "Even if you have a lot of money, it is better to have a piece of Jun porcelain." It can be seen that Jun porcelain produced a sensational effect at that time. So all the places imitated each other, and the kilns were lined up, but they still don't know the essentials. So far, the research articles are full of sweat, and there are countless archaeological kilns, because they have never seen this batch of official Jun porcelain made by the Northern Song Dynasty, and they can only be a leopard in the tube. In 1955, Yuxian (now Yuzhou) Ceramics Factory began to develop and explore the basic formula and firing technology of Jun porcelain glaze that had been lost for a long time, not only firing the traditional color glaze such as rose purple, begonia red, azure, moon white, etc., but also developed more than ten kinds of flower glaze, and added new varieties such as modern daily utensils and art display porcelain. ）

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