The preparation for "Spring in a Small Town" is not complicated. Pen @ fun @ pavilion wWw. ｂｉｑUｇE。 ｉｎｆｏ

There were only five actors in the whole film, and everyone got together and talked about what they thought of the characters.

Tian Zhuangzhuang used to use non-professional actors when making films, and he felt that it was real, but there was no way to use non-professional actors in this play, not only actors, but also excellent actors.

Because there's a lot of inner drama in it.

The state of the characters in "Spring in a Small Town" is tight inside and loose outside, where is the relationship between the three people, and whoever they put on them has to be tight, and they can't make a mistake and be discovered by other people.

It's not okay to be nervous, but you have to relax on the surface and pretend that it's okay.

This relaxation includes the relaxation of the body and the relaxation of the expression, and the inner tension is expressed through external relaxation, and the audience can feel that tension, which is not something that ordinary actors can grasp.

Take, for example, one of the episodes in the play.

Zhou Yuwen and Zhang Zhichen went out on a date and chatted, and when they came back, they were afraid that they would be discovered by Dai Liyan, so Zhang Zhichen went to Dai Liyan's room to borrow sleeping pills, which was to show his innocence, and I didn't go out.

Unexpectedly, Zhou Yuwen also came to Dai Liyan's room and borrowed sleeping pills on the grounds that he couldn't sleep, with the same purpose as Zhang Zhichen.

At this time, the three of them were very nervous in their hearts, and they were still casually gossiping a few words on the surface.

This is the tension of the plot, which seems to be calm, but in fact, there is an undercurrent.

Actors need to achieve this high level of performance, and each of them only expresses their inner emotions through a trill in a sentence or a swinging body movement.

Another point is that women in that era had to wear cheongsams in their lives, unlike now, when they wore cheongsams for catwalks, they would only be worn on specific occasions, not every day.

Actors have to get used to wearing cheongsam, what kind of gait is to wear cheongsam in life, you can't be like a catwalk.

At that time, people's pace of life was slow, they couldn't walk fast, their mood was different, and their walking posture was not the same.

Yu Feihong, in particular, is the real protagonist of this play.

Tian Zhuangzhuang found her a lot of old movies from the 34s from the Beijing Film Studio, and asked her to ponder the lifestyle of the women in the movies and understand the speech and behavior of women in that era.

Make yourself feel as if you were living in that era, rather than a modern person wearing a cheongsam.

Chen Daoming and Wang Zhiwen don't need to worry too much, it is mainly a problem of the sense of the times, and they can't let the audience play when they see them, and directly associate them with other characters.

This requires the adjustment of the actors themselves, as well as the cooperation of the makeup artist.

In a sense, this will not happen when using non-professional actors, the audience does not know it, and it is easy to substitute for it.

Although the two supporting roles of Zhang Guoli and Xu Jinglei do not have many scenes, they also assume their respective roles.

Everyone was quite surprised that Tian Zhuangzhuang came to direct this drama, even within the Beijing Film Studio, he would not let him direct it himself, after all, it is a state-owned enterprise, and it is not good to spread it.

Private film and television companies are more free, and there are not so many rules and regulations.

The crew's statement to the outside world is that the director is Zheng Dongtian, Tian Zhuangzhuang is the producer, and Lin Xiaoling is the assistant director.

In fact, Zheng Dongtian only gives his own opinions, not responsible for specific work, and the main creators of the crew have disagreements in some aspects, such as whether to use black and white film to shoot or color film.

By now, mainstream films are almost always shot on color film, and black and white glue has long been withdrawn from the market.

Only certain films with unique or nostalgic themes will use black and white film.

Black and white film has a unique charm, and in the film "Spring in a Small Town", shooting with black and white film is more contemporary, and it can also set off the depressed mood of the characters in the play.

It is easier to be accepted by the audience with color film, and the light and shadow effects are better.

In the end, Tian decided to use color film, which can show the inner life of the characters with the change of light, and he was not sure about using black and white film to shoot, and he had never tried it before.

At the end of the symposium, Tian Xiangzhi went to the south to see the exterior scene.

Before this, Lin Zixuan asked someone to inquire, there was the old city wall near Sioux City in the south, and the dilapidated mansion was easy to find, but the furniture in the house was not easy to find, and it was all about old objects.

Lin Zixuan found Ma Weidu and wanted to borrow a set of furniture from a big southern family before liberation to make a movie.

Although Ma Weidu said that he was mixed in the antique circle in the capital, he also knew some Tibetan friends in the south, and the furniture styles in the north and south were different.

In the film, the Dai family used to be a scholarly family, and it used to be wide, and the things in the house should be presentable, and they couldn't be nonsense.

Art films should pay attention to details, and the audience may not care much about it when they watch it, but some people can't help but ponder, even if it is a comb for a woman to comb her hair, it must be in the style of that era.

What Lin Zixuan wants to do is to restore the style of the time as much as possible.

After Ma Weidu became famous as a host of programs on Beijing TV, he planned to build a folk museum.

This is a matter of the cultural department, Lin Zixuan helped to lead the line in it, spoke, and his museum was approved, called the Guanfu Museum of Classical Art.

At this time, the craze for folk museums had just begun, and the higher authorities were cautious about it.

Who knows if you get the collection to be genuine, and the cultural department will not send experts to identify them one by one, what if you cheat money under the guise of a museum, or even resell cultural relics.

Inadequate regulation is a major problem.

In this regard, Ma Weidu is quite sincere, he mainly wants to be famous and recognized in the circle, but he has never thought of reselling cultural relics, unlike some places, which charge tickets for some fake antique exhibitions.

With the rise of the collecting boom, the industry is becoming more and more chaotic, and counterfeiting methods are endless.

"Mr. Lin, don't worry, within three months, I will collect a complete set of old objects for you, and find someone to place them for you, and you will definitely not be able to make a mistake. Ma Weidu assured.

In the past, the furniture in the room was also carefully placed, and it was not okay to be in the wrong position.

"That's bothering Brother Ma. Lin Zixuan thanked him.

"What's the trouble with this, it's just a matter of convenience. Ma Weidu didn't care and said, "My museum will open in January next year, and Mr. Lin must come over to enjoy it then." ”

Ma Weidu's Guanfu Museum will be officially opened to the public in January next year, and the inside is his private collection over the years, mainly ceramics, ancient furniture, and jade cultural toys.

Lin Zixuan has seen it, there are thousands of pieces, the value is hard to say now, and it will definitely skyrocket in the future.

Everyone eats according to their ability, and they can't be envious.

Lin Zixuan thought about whether to talk to Ma Weidu, opened a treasure appreciation program, and ran around major cities across the country, which not only saw antique cultural relics from all over the country, but also drove the collection boom.

The most important thing is to increase his fame, which is what Ma Weidu is most happy to do.

However, the scale of this show is relatively large, and if you want to plan it carefully, you can let Mu Shanshan's company plan and operate. (To be continued.) )