"My day, Lao Tzu, the fake prince, has been doing it for almost two months, and I haven't seen the court give me some money, it seems that there is nothing wrong with accepting this picture scroll, it looks very valuable?" Yang Zheng fought a battle, and finally lost to Bai Huahua's silver: "This, this, you will accept it first, and when you meet someone who really understands Danqing, you will let the picture scroll out, okay?"

"Let it out, I'm afraid that no one will dare to accept it if His Highness lets him out?" Liao Qing muttered in his heart, but said on his face: "A qiē is decided by His Highness?" After speaking, he respectfully sent the scroll over with both hands.

Since he was going to accept it, Yang Zheng didn't make a twist, he generously stretched out his hand to accept the scroll, curious, and slowly opened it, just glanced at Deng Shi and said in a lost voice: "Spring Palace Map?"

Liao Qing didn't expect Yang Zheng to have such a big reaction, and felt slightly surprised, this Spring Palace picture was originally produced in the emperor's palace, describing the Spring Festival Palace, so it is called the Spring Palace. According to some historical records, in the Han Dynasty, the spring palace has appeared, the son of the king of Guangchuan when the Han Dynasty Xiaojing Emperor Haiyang is like his father, so that people are full of filthy pictures in the four murals, and they carnival here; Emperor Cheng of the Han Dynasty also asked people to paint it on the screen for people to enjoy, since the Han Dynasty, the spring palace map has been handed down, after the development of the Tang and Song dynasties, after the Ming Dynasty, the spring palace map has made greater progress than the previous dynasty, and it is widely popular in the Ming Dynasty, Yang Zheng as the prince saw a spring palace picture, and actually gave birth to such a reaction, it really shouldn't。

Yang Zheng shouted, but also felt that his expression was too exaggerated, after more than a year of life, in fact, he could see that this spring palace picture is not only very popular in the palace, but also very common among the ordinary people of the Ming Dynasty. Mingren Xu Shu also wrote "Zhixiaolu" to record the clouds: Yushan is a forest, and the official is the chief secretary. The son married a woman in the county town, the woman was beautiful and talented, and he was a young man. When the matter is revealed, Si Cheng will put the young man to death, and his son will be left and right. Si Cheng became a habitual disease. His sons and wives can paint, the characters are excellent, and the six palaces of spring are exquisite.

At present, the folk art in the Yangliuqing area of Tianjin is very rich, and there has been a thriving scene of "every family will dye it, and every household is good at danqing". At that time, some women from poor families, in order to earn money, painted some "Spring Palace Paintings" at home and sold them on the street during the Chinese New Year, but they were quite popular. This is the famous "Daughter Spring". As the current crown prince, he was shocked by a picture of the Spring Palace, and his complexion changed greatly, which was really a little unreasonable, but fortunately, he was extremely quick to adapt, and immediately said with a happy face after shouting: "Good picture, good picture? Such a good picture is really rare!"

Liao Qing saw him like this, and then he put his mind at ease: "I'll just say, this prince was born in the palace, grew up in the palace, and has seen a lot of living spring palaces, so can you never see this kind of spring palace picture?"

Yang Zheng was afraid that Liao Qing would be suspicious, so he had to pretend to be very obscene and admire the picture scroll in his hand, the whole picture scroll has a total of five blessings, the first painting is a man and woman, all at the beginning of the start, not a good scene. Therefore, the eyebrows are open, and the ordinary face is not far away! The brushwork is obviously to absorb the techniques of the Southern Song Dynasty Ma Hezhi and the Yuan people, the pen is strong and strong, especially good at copying, the powder picture is yellow paper, and the pen is messy. It's a sight to behold.

The second is to teach bees to make honey: Bayun, a woman lying on her back on a brocade mattress, with both hands solid, two strands suspended in the air, to welcome the jade, so that the man knows where the heart of the flower is, and will not throw in vain. At this time, the woman's expression is close to thirst, and the man's face seems to be panicked, which makes the viewer anxious and the evil part of the work. Compared with the previous volume, this volume has many changes in brushwork, and the characters in the painting are lingering, and they are exquisite and exquisite, worthy of the ancients. Yang Zheng looked at it and was moved.

The third is the trend of the lost bird returning to the forest: Bayun, the woman is embroidered on the top of the chuang, with both feet facing the sky, holding the man's two strands with both hands, down straight to the bottom, the good realm has entered, can be afraid of relapsing, two are working when the work, energetic, there is really a pen flying ink dance wonderful.

The fourth is the momentum of a hungry horse running to the trough: Bayun, a woman is sleeping on a couch, her hands wrapping around a man, like a bondage. The man took her feet by shoulder, and the jade deer was all in the yin, and there was no room for the slightest. At this time, the man and the woman are about to lose it, their eyes are half-closed and still open, their tongues are about to swallow and vomit, two faces, the same expression, and the pen of the real industry.

The fifth is the momentum of the double dragon fighting: Bayun, the woman's head, rests on the side of the pillow, her hands are close to each other, and it is as soft as cotton. The man's head rested on the side of the woman's neck, and his whole body was close to him, and it was as soft as cotton, but after it had been lost, the incense was gone, and the good dreams were coming, and the movement was very close to the stillness. However, the woman's feet are not down, and they are still between the man's shoulders and arms, and there is still a line of vivid meaning, otherwise it is like a pair of dead people, so that the viewer can understand its wonderful realm, and have the thought of sharing the same coffin.

Yang Zheng saw the end and had to say that the picture of the Wufu Spring Palace was very good, the posture, demeanor, and psychology of the characters in the picture scroll were mostly depicted in detail and real, and the women in the rare painting were mostly slender, slender, and goose-faced beauties, wearing long and mopping skirts, when they were happy, the depiction was delicate, the spirit was flying, and they were beautiful and gorgeous, so that people's eyes could no longer leave.

Liao Qing saw that Yang Zheng's face was full of excitement, and his eyes were even more shining, so he knew that he had sent these few sentences correctly, and couldn't help but be overjoyed, and bowed down and asked, "Your Highness is happy?"

"Huanxi, you old pervert, isn't this leading me to commit a crime, the crime is not light?" Yang Zheng scolded secretly in his heart, but said with a smile on his face: "Satisfied, very satisfied, Lord Liao has a heart, but this gift is lonely but disrespectful?"

Liao Qing was afraid that Yang Zheng would not accept it, so when he heard this, he was overjoyed and said: "A small gift is nothing, it's rare for His Highness to like it!"

Yang Zheng nodded, put the scroll into his arms without moving, and said in his heart: "I have to let the eldest lady and sister Yan'er accompany me to enjoy it another day?"

The gift has been received, and the two of them stood in the distance again, saying something that was not salty or light, and then they each hugged their fists and left, looking at the figure of Yang Zheng and the two who left with the wine jar, Liao Qing waved to the shopkeeper Qiu who was standing aside.

Shopkeeper Qiu immediately walked over respectfully and called in a low voice: "My lord?"

Liao Qing glanced at Yang Zheng and the others who were gradually walking away, and said in a low voice: "This medicinal wine will be sent to the official's mansion tonight?"

Liao Qing nodded, took one last look, and then left with his hands behind his back, and the shopkeeper Qiu immediately followed, and after a while, the figures of the two disappeared into the bamboo forest.

Yang Zheng originally planned to live in the courtyard arranged by Liao Qing, or live in the palace next to the canal, but he had to give up because of his identity, and finally obeyed Yang Shiqi's construction, and everyone lived in the post house, Yang Zheng was not the real prince, and he didn't have much requirements for food, clothing, housing and transportation.

The place of the post house has existed since the pre-Qin period, and the "ten miles and one pavilion" set up by Qin Shi Huang after the unification of China is the administrative structure of the township to maintain public order as the main body, which is used to realize the administrative management and public security functions of the country, and the "pavilion" on the traffic artery has the function of official document communication, and is called the "post pavilion" by the people of the time. This kind of "post booth" was a communication agency that was delivered on foot in the Qin Dynasty.

At the beginning of the Han Dynasty, "the post was changed to a place", that is, the manpower was changed to foot delivery to horseback express, and "thirty miles and one post" were stipulated, and the transmission interval was expanded from 25 kilometers in the Spring and Autumn Period to 150 kilometers. In order to expand its functions and meet the needs of state management, the Han Dynasty also gradually transformed the "post" that was a single horse to transmit official documents and military information into an institution that also served as an official and a special envoy.

In the open Tang Dynasty, international exchanges were frequent, and the tolerance of envoys and officials from various countries increased greatly, and the imperial court simply changed the post to the pavilion post to highlight the "pavilion" function of the "pavilion" to which it was ushered in. In the prosperous Tang Dynasty, there were 1,643 pavilions and posts in the country, and there were more than 20,000 people engaged in post station work, of which more than 80% were peasants who were conscripted to serve in turns.

In the early Tang Dynasty, the Li Emperor made great efforts, especially the rule of Zhenguan, the prosperous era of the Kaiyuan Dynasty, the huge cost of the post house can also be paid in front of it, after the Anshi Rebellion, the Tang Dynasty began to decline, the imperial court arranged the cost of the post post was limited, and the actual cost was huge, in order to ensure the normal operation, the early Tang Dynasty was generally presided over by the government designated by the local wealthy households, and appointed it as the post general or catch the post ("catch" that is, to master, preside over the meaning), responsible for the management of the post Ding, the repair of the building, the reception and communication work and the submission of its monthly report, and to make up for the loss of the post station. However, some nimble generals take advantage of the social interaction of the museum to engage in commercial activities, which can not only achieve the purpose of "making up for losses with business", but also be profitable. He Mingyuan, a wealthy family in Dingzhou, was in charge of the management of the three pavilions, and within a few years he became a well-known industrial and commercial tycoon.

After Zhu Yuanzhang established the Ming Dynasty, in view of the chaotic lessons of the Yuan Dynasty's post stations, he used strict laws to restrict certain privileged people from the beginning. He clearly stipulated: "No post horses are allowed to be given unless it is a major military matter," which means that it is not allowed to abuse the post horses or use the postal facilities of the post station if it is not a major national or military matter. In the 26th year of Zhu Yuanzhang's reign as emperor, that is, in 1393, he promulgated the "Regulations on the Contribution of Post Posts", stipulating that a total of 12 additional conditions were added, limiting the personnel who met the conditions for using stagecoach and post boats, and others were not allowed to "ride the post boat and horse without authorization", and violators were severely punished.

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