John Galliano was born in Gibraltar on 28 November 1960. Pen × fun × Pavilion www. ｂｉｑｕｇｅ。 Info graduated from Central Saint Martins College of Art and Design in 1984.

"Of course, my dear, it is my pleasure. Adjani was secretly happy in her heart, Lin Jianqi already had the heart to write a script for him, which proved that he cared about himself in his heart.

Lin Jianqi lifted the white cloth in the fitting room, looked at Adjani's expression expectantly and asked, "How?"

"Really...... Oh my God, this is the queen's dress?" Adjani looked at Lin Jianqi with her hands over her mouth, and the graceful and luxurious silver-red dress in front of her was simply exquisite.

"And the crown I designed for you, on which even the rubies are real, and this necklace of deep sea pearls, baby, only they can match your beauty. Lin Jianqi opened the jewelry box and said sweetly.

"Oh dear, they suffocate me. Adjani said excitedly.

Lin Jianqi is definitely generous, no woman can resist gorgeous clothes and expensive jewelry, Adjani is also difficult to avoid vulgarity, a man does not pay for you does not mean that he does not love you, but he pays a lot for you, it definitely means that he loves you.

With the help of Lin Jianqi, Adjani put on a silver-red dress, put on a dazzling crown, and put on high-heeled satin shoes, Adjani looked at herself in the mirror in a beautiful and graceful manner, with gray and blue pure eyes, delicate and angry lips, long hair like algae, a solemn face and a flick of her skirt, exuding a gorgeous empress style all over her body.

"Who am I?" Adjani raised her chin and looked at Lin Jianqi proudly, revealing an awe-inspiring and inviolable noble aura on her body.

She had black hair, shiny skin, sensual eyes, long eyelashes, a ruddy mouth, an elegant neck, a soft and plump body, and a pair of children's feet wrapped tightly in high-heeled satin shoes. The French are proud of the blooming flowers that bloom on their land. Lin Jianqi looked at Adjani with appreciative eyes.

"Alexandre Dumas "Queen Margot?" Adjani was stunned.

Marguerite's story is no stranger to her, as a devout Catholic, Marguerite's political marriage to Henry of Navarre, King of the Huguenots, made her a victim of the French Wars of Religion and court politics.

Queen Margot was born on 14 May 1553 at the Château Royal in Saint-Germain-en-Laye, and on 27 March 1615 in Paris, also known as Marguerite de Valois. She was the queen of France and Navarre, as well as the Duchess of Valois.

Margaret's life became known first through her autobiography, which covers the period from 1565 to 1582, and the rest of her life is largely informed by preserved private letters.

Contemporaries portrayed her as haughty, "generous and magnanimous and even a little profligate." She was also seen as "an intellectually curious, a good speaker, agile and playful, and a very interested woman in science and technology."

Marguerite is a striking portrayal of the extraordinary lifestyle of the era in which she lived in a time full of gossip about the French royal family, and rumors about her spread throughout high society, so that she is often considered a dissolute and depraved queen in later writings.

Modern historians, however, admit that Marguerite was merely exercising a special freedom that was then reserved for the male aristocracy.

"You are Margaret, your breathtakingly beautiful, long black hair that falls down to your waist. Exuding the ghostly attraction of the dark night, your eyes reveal the helplessness and loneliness of a woman being used as a tool, like a vortex that leads people to fall willingly, you are a beautiful woman who cannot be described in words.

All his life, he has been used as a tool. Your mother, for the sake of hypocritical peace, married you to a man you don't love, and your brothers never treated you as a sister, but as a lover. Maybe you're used to living like this, hovering between your brother and your lover, living a rotten life.

You don't care about chastity, love, becoming a lewd and innocent woman, and I am your husband who doesn't dare to disobey you......" Lin Jianqi's words seemed to have magical power, making Adjani fall into it instantly, as if she was Margaret, and the eyes looking at Lin Jianqi also became provocative and ambiguous.

Lin Jianqi roughly pushed Adjani to the dressing table, let her face the floor mirror, lifted Adjani's silver-red skirt, revealing the round snow white inside, the latter's backhand hooked Lin Jianqi's neck with a blurred eye, and twisted his upturned buttocks to meet the recklessness.

Adjani looked at her sexy and charming self in the mirror intoxicated, the slender fingers of her right hand rubbed Lin Jianqi's face, time passed slowly, Adjani was still immersed in the character's **, her chest kept rising and falling, and she moaned drunk.

……

"Bear me a son to inherit our glory. Lin Jianqi leaned on Adjani's body and said faintly.

"Uh-huh......" Adjani groaned weakly.

On the third day, after Sophie Marceau took a nap, Lin Jianqi, dressed as a 15th-century homeless man, once again asked Adjani to change into a sexy and revealing blue evening dress.

"On your wedding night, because there was no one to accompany you, you put on a mask and went out on the street looking for a strange man, and that night you met Lamour, a strange man from me, and we had fun in the dark alley on the corner ......"

Lin Jianqi was talking about the plot, while parting Adjani's legs and pushing her against the wall, shrugging her waist hard, Ajani, who was immersed in the plot, moaned sexily, grabbed Lin Jianqi's buttocks with both hands, and helped him to be reckless, Lin Jianqi tried to kiss Adjani, and the latter exclaimed when he entered the play: "Don't touch my mouth!"

Adjani's refusal made Lin Jianqi feel indescribable pleasure, and he shrugged his waist harder, and at some point, in Adjani's coquettish panting, Lin Jianqi tried his best to inject the essence into her body.

Lin Jianqi told Adjani bit by bit about the entire plot of "Queen Margot": "...... The strange man, they separated after the rejoicing, and the two strange souls sparked a little because of a collision, and they separated, completely unaware of each other's identities.

On the night of the massacre, Lamor was mortally wounded, perhaps by providence, and fled to Margot's room, where he collapsed on top of her, covered in blood. Margo recognized him and tried her best to protect him and heal him. Ramour later said, 'When I woke up, I saw you, I recognized you, and I knew that it was you.'" ’

After being rescued and escaping capture, Ramour said to God: 'People say she is the devil, but she saved my life, and I am going back to her, and now it is time for me to save her.' He was the only one who could understand and save Margot, and he awakened Margot's soul and brought her true love.

Lovers in the context of the big era can only be victims in the end, not to mention that the love between Ramour and Margo is built on such an identity background. But I think Margot is happy and Ramour taught her to love someone.

She was given a permanent love. Although they start with **, they end with steadfastness. At the end of the film, Margo sits in a carriage with the severed head of her lover Lamour, and the young king reminds her: 'Blood is on your dress.' Margot smiled: 'What does it matter, as long as I still have a smile on my lips.' ’

In the end, Ramour was betrayed by his allegiance to Henry IV Navarre, accompanied by the fatalized bearded man, both of whom lay quietly in front of Margot's eyes. And it was the executioner who had repeatedly rescued the two of them and watched all this silently.

There is also the book left by Ramour's father at the beginning of the film, the hunting book that brought Margot and Ramel together, but it became a tool for Queen Catherine to poison her own son Charles IX, and also became an excuse for Ramour's guillotine.

At the end of the film, Margo's ears ring: 'If your lover dies, he will always be by your side.' Margo silently sheds tears, and in the sad music, the film ends......"

The French press has once again been sensational, and the French goddess Isabella Adjani is back to star in the epic masterpiece "Queen Margot", one of the masterpieces of the famous French writer Alexandre Dumas, based on an important period in French history - the Wars of Religion.

It can be said that it is a wonderful epic written by Alexandre Dumas for the St. Bartomew's Day tragedy, and the famous Chinese-American screenwriter Lin Jianqi adapted this masterpiece of Alexandre Dumas into a film script.

And this "Queen Margot" will be produced by France's Gaumont Film Company, Hollywood's Twentieth Century Fox Film Company and Hong Kong's DreamWorks Film Company, to jointly create this magnificent French historical blockbuster, starring the French national treasure actress Isabelle Adjani at the same time, it will also be filmed by the new well-known female director Sophie Marceau, and will also bring together many leading stars in the French film industry.

Just for the scenery, various shooting equipment, and costumes, Lin Jianqi chartered three planes to transport them. Lin Jianqi also recruited more than 20 Hong Kong directors from Hong Kong, such as Er Dongsheng, Du Qifeng, Wong Kar-wai, Xu Ke, Pang Haoxiang, Liu Zhenwei, and Kwan Jinpeng, to study and work for free, and selected elites from various martial arts classes in Hong Kong to come to Paris to help.

Lin Jianqi seconded and invited more than 10 Hong Kong musicians from Hong Kong, including Dai Sicong, Wu Qingxin, Fei Mingyi, Zhuo Mingli, Huang Zhan and Gu Jiahui, to participate in the sound production. More than a dozen top Hong Kong art directors such as Ma Panchao, Zhang Shuping, Yip Kam Tim, Lui Chuxiong, Xi Zhongwen and other top art directors were summoned to design the set of "Queen Margot".