At the filming site of "My Sassy Girlfriend", Lin Xiaoling was talking to Gao Yuanyuan. Pen | fun | pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

The plot of this movie is not complicated, mainly because Gao Yuanyuan's performance is not in place.

Her previous roles were all the image of a good girl, and she suddenly made a 180-degree turn, and she didn't know how to adjust, and her performance was slightly exaggerated and not natural enough.

This is the difference between a professional class and a non-professional class.

Professional actors have a set of methods to adjust their state, and non-professional actors can only rely on themselves to slowly explore.

In the final analysis, it is still a matter of experience, as long as you play more, practice makes perfect.

Besides, Lin Xiaoling is strict with actors, and she hopes that Gao Yuanyuan can hone her acting skills.

The two worked together in the sequel to "Desire".

It was Lin Xiaoling who chose Gao Yuanyuan at the beginning, which was her Bole and had a sense of support.

"Yuan Yuan, you have to let go of your baggage, forget all the roles you have played and the experience you have gained, don't think about how to act before, think about how to act now, and substitute yourself into the role." Lin Xiaoling explained, "This is a breakthrough for you, and your future acting path will be wider." ”

This is the truth, Gao Yuanyuan played this role brilliantly, proving that he is malleable.

can not only play a pure student, but also transform into an urban beauty.

The stronger the plasticity of the actors, the wider the acting path, and the better the future development prospects.

Lin Xiaoling can't tell her how to act, the actor's psychological state needs to be adjusted by herself, she can only tell her how to adjust, that is, let go of her previous self.

It sounds a bit mysterious, depending on each person's comprehension ability.

Gao Yuanyuan listened carefully, she knew that this role was a challenge for her.

The relationship between a director and an actor is quite complicated, with one actor acting badly in one director's movie and another director's movie having a blast of acting.

Is this a problem with the director or with the actors?

It can only be said that both sides have problems, why does the director like to use familiar actors, because he knows where the limits of this actor are and to what extent.

When you meet an unfamiliar actor, it will be a run-in process.

The run-in is not good, the two parties are not adaptable, the actors do not understand the director's intentions, the director miscalculates the actor's ability, and it is not difficult to imagine making a bad movie.

The big director is good at training actors, and this training refers to discovering the shining points of the actors and then dialing them.

Lin Xiaoling's status in the domestic entertainment industry has gradually improved, and there is still a certain distance between her and the big directors, but she has become a representative of young directors.

If we continue to make two films that have won international awards, our position will be even more secure.

For rookie actors, Lin Xiaoling's suggestion is naturally worth taking seriously.

"Director Lin, I wonder if letting go of the burden means acting how you want?" Huang Bo accosted.

Huang Bo's character is similar to his experience and personality, without Gao Yuanyuan's troubles, and it is easy to control.

He didn't say this as a joke, he really wanted to figure out the relationship between the two.

The difference between performing in true colors and performing through methods.

Taking Ge You as an example, the audience thinks that Ge You has the same personality in life as in the Chinese New Year film, with a little cleverness, often self-deprecation, and humorous speech.

They think that Ge You is performing in his true colors, but he is not.

Ge You is an introvert in life, it's okay to party with friends, and he hides when there are many people, he just created the role in the Chinese New Year film, not his true colors.

That's the show.

can make the audience confuse the character he created with himself, which shows Ge You's acting skills.

"There is some truth in your statement, but acting is not so simple, I don't study acting, I should consult Teacher Feng about this question." Lin Xiaoling responded.

Lin Xiaoling is talking about Feng Yuanzheng.

Feng Yuanzheng is an actor of the Beijing Drama Theater, and his reputation in the film and television industry is not obvious, but he is quite famous in the drama industry, and he is recognized as an acting school in the circle, mainly active on the drama stage.

Due to the gradual decline of drama into a niche art in China, drama actors are not well known to the public.

However, most of the good domestic film and television actors started from drama actors.

In 1984, Feng Yuanzheng applied for the Beijing Film Academy, but was not admitted because of his bad image.

Later, he was admitted to the Beijing Drama Theater, and went abroad to study drama performance, and had his own set of methods in performance.

"To put it simply, if your personality and role match, you can play freely, that is, you can act as you want, and there may be wonderful interpretations. If your personality and role are very different, you need to pay attention to the performance method. Feng Yuan explained.

"For example, a murderer, you can't play freely, you have to do research and figure out what the murderer's psychological activities are, what his motives are for killing, his family situation, his relationship with friends, what kind of person he is." Feng Yuanzheng continued, "When you think it through, and then imagine yourself as such a person, and use his thinking to think about the problem, then you are not yourself, but the murderer." ”

Feng Yuanzheng's main focus is on the Grotowski school of acting.

This school of thought advocates performance through the flexible use of sound, body movements, rhythm, and a sense of space.

They believe that the lighting, costumes, sets and makeup on stage are not important, but the face-to-face contact between the actors and the audience, and the performance to impress the audience, not those auxiliary props.

Many things are easier said than done.

A low-cost commercial film like this will not give the actor much time to ponder the role, and the actor needs to do his homework and study the characters himself.

Moreover, the general environment of the domestic film and television industry is becoming more and more impetuous, and there are very few actors who really settle down.

Taking money to film and leaving after filming is the norm in the circle, far less than the input of drama actors.

The drama has to go through countless rehearsals before it can be put on stage, and the actors spend a lot of energy on the role.

Feng Yuanzheng doesn't have many scenes in "My Sassy Girlfriend", he is not the kind of sissy character, but he expresses the comedic effect through exaggerated body language.

I must have made thorough preparations in advance.

Hearing these words, Huang Bo strengthened his determination to enter the film academy.

Lin Zixuan came to the crew of "My Sassy Girlfriend" to visit the class and saw Feng Yuanzheng, he was not familiar with Feng Yuanzheng, and he was able to invite him because of the relationship with the theater.

"Mr. Feng, are you interested in taking on a TV series, the subject matter is a bit sensitive, involving domestic violence, and the role is not very flattering." Lin Zixuan invited.

"Mr. Lin is polite, I'll read the script first, it doesn't matter if the character is flattering or not, it depends on whether there is space." Feng Yuanzheng did not refuse.

He takes on the role to watch, and only if he is interested, will he take it.

Lin Zixuan personally invited, and the average actor agreed to see his face, Feng Yuanzheng had to read the script to decide, this is responsible for his performance.

"Mr. Feng is relieved that he has a lot of room to play and is a challenging role." Lin Zixuan assured.