Lin Xiaoling promised to transfer the script to Ge You, but the outcome cannot be guaranteed. Pen | fun | pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

Besides, if Ge You is to act, it will not be an investment of two million, in order to ensure the quality of the film, it must be added to at least five million.

It's not that two million can't make a good movie, but we have to keep improving.

Since the end of the promotion of "The Funeral of the Big Names" in March, in addition to attending necessary activities, Ge You has been resting at home, and he is not in a hurry to film.

The first is that he didn't find a script that moved him, and the second is that he felt that he needed to calm down and settle down.

At his point, filming is more about quality than quantity.

An actor makes ten plays a year, and the money is earned, but where does he have time to seriously ponder the script, and the roles he performs are superficial and lack depth.

The accumulation is not enough, the precipitation is not enough, and it can't break out if you want to.

The difference between a star and an actor lies in this, a star depends on popularity, and an actor relies on acting skills.

Many domestic directors want to cooperate with Ge You, but they are worried about cooperating with Ge You.

Ge You is not Jiang Wen, he is a professional actor who cooperates with the director, he is not thinking about how to act himself, but how to act to meet the requirements of the director.

The director was worried that it would be difficult to change Ge You's image in the minds of the audience, especially after making several Chinese New Year films.

The audience will feel that Ge You plays everything is Ge You, in other words, the star is too full and covers up the role.

It is difficult for ordinary directors to control, and it is easy to be self-defeating to find Ge You to play, only those experienced directors know how to shape Ge You and stimulate Ge You's potential.

Only when a good actor meets a good director can a dazzling spark be sparked.

For those third-rate directors, even if they are given a dozen stars, they can still make bad movies.

The story of "Carla is a Dog" is set in 1995, which is a critical period for dog fighting in Beijing, as long as the dog does not have a dog license, it will be arrested, which makes the dog owner panic.

Five thousand yuan is nothing for a rich person, but it is a lot of money for an ordinary family.

Few people are willing to spend 5,000 yuan to get a dog license.

Citizens keep their dogs in the house during the day and wait until night to go out to walk their dogs, for fear of being discovered by the police.

The police at the police station patrol the various communities every day, and when they hear the barking of dogs, they will knock on the door, and the more cheerful the barking dogs, the more likely they are to suffer, but those dogs that do not bark can escape.

Once there is a knock on the door, it is a sign that the family's dog is dead.

Seeing the police, some children ran away with their dogs, found a secluded place to hide, and dared to go home after dark.

The story between the police, the townspeople, and the dogs has been repeated over and over for a long time.

The screams and pools of bright red in the alleys of the capital have become memories that are difficult for many people to erase.

"Carla is a Dog" tells the story of that time.

An ordinary family's dog was arrested by the police, the man in the family received a salary of several hundred yuan a month, the wife was laid off, the child was going to high school, and the family was in dire straits.

In a situation like this, you don't want a dog, and it's not like you can't live without a dog.

But the protagonist in the script, the man named Er, is bent on getting the dog back.

According to him, it is only in the presence of dogs that he feels like a person.

In the family, the wife is in a strong position, the son does not obey discipline and looks down on him, in society, he has no status, and only in front of the dog can he find some dignity as a master.

This was the main reason why he wanted to get the dog back.

This kind of person is very common in life, that is, ordinary little people, living in depression and predicament, in the dual predicament of material and spiritual, they need to find spiritual sustenance.

Some people like to drink, some people love to play mahjong, and the second child wants to raise a dog.

The wife was unwilling to take money to get a dog license for the dog, so the second child had to go around looking for someone to trust the relationship and think of various ways, which involved all kinds of people in society.

Around a dog, it shows the living conditions and complex social relations of ordinary people in Chinese society.

It's a very civilian and marketable story.

Lin Xiaoling gave the script to Lin Zixuan, she didn't have the ability to move Ge You, and she had to ask Lin Zixuan to come forward.

Lin Zixuan flipped through it, returned the book to the director, and asked the director to continue to polish the script and make a detailed shooting plan according to the investment scale of five million to eight million.

There is a problem with the sixth generation of directors, most of them do not have a complete script, only a general storyline.

I don't have any shooting plans, and I like to do temporary creations, thinking that this way of creating is more inspiring.

Some people even said that I didn't know what I wanted to shoot until I was on set, which sounded very personal.

Lin Zixuan will not invest in this kind of director, and he does not deny that there is such a genius.

But as the owner of a film and television company, he regards the film as an investment project, and in order to ensure the success rate of the film, he must make full preparations.

Whether the director is attentive or not can be seen from the script.

In Hollywood, a script has to be revised dozens of times from the beginning of creation to filming, considering the storyline, logical loopholes, market demand, and so on.

Good Dream Company has a creative team of dozens of people, and its daily work is to conceive the plot and revise the script.

They read newspapers and TV news for inspiration, and then several people come together in small groups to talk about their ideas.

Some may only have one or two episodes, some are just a synopsis, or a fleeting thought.

Even if these ideas are not adopted, they will be preserved and may be used one day.

At the end of July, the children's drama "The Legend of the White Snake" started filming, located at the film and television base in Huairou.

There was neither a grand opening ceremony, nor did it attract the attention of reporters, and it was quite bland.

Xiao Ye followed the whole process and took care of the child actors, all the actors in the play, including the ones who played tricks, were children.

The first time she saw the little princess of the Good Dream Company, the children in the crew were all about ten years old, and Xiaoxue, who was less than six years old, was crowded into the pile of children like a little bit.

Zhao Liying stood beside Xiaoxue, and the two were in the initial stage of establishing friendship.

There are many children in the family who are lively, and after the initial restraint, Zhao Liying showed a lively temperament, feeling that this family is not so terrible.

Zheng Xiulian and Lin Boqing are ordinary retired old people, and Lin Zixuan and Mu Shanshan are very kind to her.

It's just that she is a little afraid of Mu Shanshan, one is that she has seen Mu Shanshan on TV shows, with the aura of a celebrity, and the other is that Mu Shanshan is strict with Xiaoxue.

Zhao Liying still doesn't know Lin Zixuan's status in the film and television industry, and she lives with the family in a daze.

It is precisely because of ignorance that I don't have too much scheming and can face it honestly.

Unlike the lack of interest in children's dramas, "The Legend of the White Snake", which invested 15 million, has caused a lot of repercussions.