The documents of the General Administration have caused great repercussions in the film industry. Pen ~ fun ~ pavilion www.biquge.info

This is the biggest step in the reform of the domestic film industry, although it has not completely liberalized the control of the market, but it has loosened the restrictions on private film and television enterprises.

The General Administration began its investigation half a year ago and listened to the opinions of experts and entrepreneurs in the industry.

When questioned, Lin Zixuan put forward two points, one is that private film and television companies should have the right to distribute, and the second is to participate in the management and operation of theaters.

This is the key to whether private film and television companies can obtain development opportunities.

In the past, private enterprises could only produce films, and after the production was completed, they were handed over to Huaying Group, and there was no dominance in how to arrange the distribution and release of the film, and it depended on the faces of others.

With the distribution right, Lin Zixuan can bypass Huaying Group and negotiate directly with the theater chain.

With the cinema chain, Haomeng Company has achieved a one-stop production, distribution and release, and is qualified to compete directly with Huaying Group, otherwise it will be difficult to develop and grow.

This document has given impetus to many private film and television enterprises.

The General Administration will approve a number of powerful and credible private film and television companies to obtain the distribution rights of films, and Good Dream Company is in the first batch of lists, and it will be able to get the approval by the end of the year.

In addition, film distribution and projection companies with the right conditions are encouraged to carry out cinema construction and technological transformation.

For the General Administration, this decentralization is a helpless move.

After China's accession to the WTO, it opened up to the global market, and the influx of foreign capital into China could not be stopped, and the marketization of the film industry became an inevitable trend.

In the document, the General Administration mentioned that foreign investment is allowed to be introduced to renovate film infrastructure and technical equipment.

Foreign investors are allowed to renovate cinemas in the form of joint ventures and cooperatives, but the cinema chain must be controlled and operated by the Chinese side.

Even foreign capital is allowed to participate in the construction of the cinema chain, can it still not delegate power to its own people?

In the final analysis, it was marketization that gave birth to the reform of the film industry and gave opportunities to private film and television companies.

The document also makes adjustments to many policies, such as supporting film production enterprises to co-produce programs and columns with television stations at or above the provincial capital.

Just like "The Voice of China", it has accelerated the integration of resources in the film and television industry.

There is also an adjustment to the film supply policy, encouraging the distribution of domestic films, stipulating that the annual screening time of domestic films by screening units shall not be less than two-thirds of the total annual screening time.

During major political events and major holidays, excellent domestic films will be distributed and screened nationwide.

This is a protection measure for domestic films, so as not to be helpless in the face of Hollywood blockbusters.

In general, this document has brought vitality and vitality to domestic films, so that everyone is no longer as constrained as before, but can make great strides forward.

Chen Changle from Huacheng called Lin Zixuan to increase investment in the theater chain.

He took out 10 million shares in Haomeng Cinema Line, responsible for the establishment of the cinema chain in Guangdong Province, and was ready to do a big job.

This is the influence of national policies on the industry, after the policy is introduced, some people are still waiting, and some people can't wait to act.

Not only insiders, but also capital predators from outside the circle.

In the past, many large domestic enterprises were involved in the film and television industry, but the direction of investment was limited, that is, the production of film and television dramas or the construction of film and television cities.

For them, this investment doesn't mean much.

With the existence of Huaying Group, they have no way to control the entire film industry, they can only make small fights.

Now it's different, the capital predators can intervene in the construction of the cinema chain, and their interest in the film industry has increased greatly, which is an emerging market with great development potential.

However, they don't know much about this circle, so they have to spend time looking for agents, or directly acquiring and investing in private film and television companies to save time.

Lin Zixuan felt deeply about this.

These days, he has received calls from many CEOs of large enterprises, asking him about new trends in the film industry, and some people even directly asked if Dream Company needs financing.

Those who can be CEOs are shrewd people, have keen insight into the market, pay attention to the country's policy trends at any time, and judge the direction of investment.

Lin Zixuan knew in his heart that the rules of the game in this circle were going to change, and capital would gradually become dominant.

If the entry of capital into the showbiz in 93 is just to test the waters, then this time it is true.

From the perspective of the film industry as a whole, this is a good thing.

With the injection of capital, in terms of film investment and theater construction, the domestic film industry will be rapidly upgraded and upgraded, and the industrialization of the film industry will be realized.

For example, it was unimaginable to invest 100 million yuan in a domestic film in the past, and after the capital came in, 100 million may be just the minimum standard for large-scale films.

If you don't invest 100 million, you're embarrassed to say that you're making a blockbuster.

With the intervention of capital, luxury theaters will spring up in China.

At the same time, capital will also disrupt the normal order of the film and television industry, capital seeks profits, and investment is to make money, not for the artistry of the film.

On the one hand, commercial films will gain development opportunities, and on the other hand, the living space of literary films will be squeezed out.

Under the impact of capital, the domestic film industry is likely to enter an era of bad films.

Lin Zixuan has no ability to change this general trend, and the result of marketization is this, he can only do his own thing and maintain a balance between business and art as much as possible.

In June, another batch of students from art academies in Beijing is about to graduate.

Haomeng signed several young directors and actors, including Huang Xiaoming, Xia Yu, Liu Ye and Yuan Quan.

Lin Zixuan set up a young director support fund with 10 million yuan, ready to invest in five small-budget films to train those young directors.

As long as you have a good script and shooting plan, you can get the shooting funds after passing the review of Good Dream Company.

Good Dreams will also provide crew members and actors for young directors, including the release and distribution of subsequent films.

In this way, we will discover potential young directors and actors, and make a good talent reserve for Good Dream Company.

There will be a young director support fund every year, and the amount is 10% of the income of the company in the previous year, and the more the company earns, the more the fund will be.

Lin Zixuan attended the press conference of the Young Directors Support Fund.

"The sustainable development of the film industry is inseparable from young directors, they are the future of the industry, and we are willing to provide such a development platform for young directors to help them take the first step, hoping that they can go further in the future and go to the world. Lin Zixuan said.

Looking at the reporters who applauded and took pictures in the audience, Lin Zixuan was in a trance for a moment.

Once upon a time, he was still a newcomer in this circle, riding a bicycle and taking the script to the Beijing Film Studio to look for an opportunity to make the script into a movie.

Now that he is sitting on the stage, he has the ability to provide filming opportunities for newcomers who have just entered the circle.

He thought it should be like this.

The old man brings the newcomer into the industry, this is the inheritance in the circle, and only with the inheritance will it not be broken, and there is hope.