Li Hong's retirement did not cause much shock in the outside world, and only a few articles in the official media briefly reviewed Li Hong's life. Pen × fun × Pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

She is in charge of administrative work, not a big director and a big star, and the entertainment media doesn't pay much attention.

But there is a lot of repercussions in the circle of the TV industry, Li Hong is a popular figure in the TV circle in the 90s, which can be seen from her resume.

The TV series launched by her is a memory of an era, and she won the award softly.

A farewell party leads to so many celebrities, who can do it.

It is no exaggeration to say that in the heyday of the Beijing Television Art Center, it could influence most of the Beijing entertainment industry.

Moreover, Li Hong is also the vice chairman of the Huaguo Television Association, which is an honor.

Lin Zixuan and Mu Shanshan discussed, if Li Hong is willing to enjoy leisure at home, he will be idle at home, and if he wants to give full play to his spare heat, he can attend some activities.

For example, participating in ***** and award ceremonies is mainly for guidance work, not practical operation.

Li Hong has rich experience in film and television drama production, but his thinking cannot keep up with the development of the times and is slightly conservative.

In the 90s, she was the pioneer of TV reform, and now she is not used to watching those idol dramas that love love, and does not advocate excessive entertainment in TV dramas, thus losing the educational significance.

This is inconsistent with the current market trend, or even contrary to the current market trend.

Viewers are increasingly preferring to watch highly entertaining TV programs and do not like to be educated while watching shows, especially young viewers.

They think that being educated in school is enough, and watching TV and being educated is really unbearable.

This has led to the fascination of young audiences with idol dramas, comedy and romance dramas are popular, variety shows tend to be younger, and ratings affect the investment market.

Li Hong's generation is no longer suitable for the TV drama market.

Some people in the circle sighed that Li Hong's retirement represents the farewell of the TV industry to the 90s.

Lin Zixuan is deeply touched by this, and he has been thinking about what caused the current situation and whether there is any possibility of changing the status quo of the entire industry.

Whether it is the country's policy, or the profit-seeking of film and television companies, or the influence of the market, and the role that the audience inadvertently plays in fueling the fire.

The state's policy on film and television has always been relatively strict, and restrictions have been imposed while opening up.

The development of society has improved the living standards of the people, and there is a higher demand for entertainment, which is converted into a market that affects the decision-making of film and television companies.

For example, if teenagers don't like to watch idol dramas, film and television companies will definitely not shoot if they lose money.

Of course, the choice goes both ways.

Film and television companies have filmed idol dramas under the influence of national policies, which are popular with teenagers, and everyone knows that this kind of drama makes money, so they will keep filming.

It can be seen from this that the current situation is the result of the combined action of various factors.

Not to mention the bad movies that the audience has been complaining about, and this is also the case with the production of bad movies.

After the national policy was liberalized, the film and television industry made money, and a large number of investors came in with money, pulled a vote of stars to start making films, and bad movies were born.

But if there is no audience to contribute to the box office of bad movies, investors will not make any more films.

In the final analysis, it is a combination of factors that cause an abnormal state.

The domestic film market is not mature enough, film and television companies are chasing profits, the creative staff is not sincere enough, and the audience's viewing tastes are different, which are all reasons for the production of bad movies.

Even if you know this, it is difficult to change the whole environment, which requires the joint efforts of all parties, takes a long time, and cannot be changed by one person or one company.

In other words, this is the general trend of the current stage and the inevitable result of social development.

With the rapid development of society, rampant materialism, and impetuousness, the entertainment industry is even more so as a vanity fair, and it is difficult to create excellent works in this environment.

In mid-May, the prequel to "Infernal Affairs" was released in the mainland and in Hong Kong at the same time.

With the good reputation of "Infernal Affairs" and the halo of the Academy Awards, this sequel has a strong box office momentum, and the box office of its premiere in Hong Kong is as high as 3.5 million Hong Kong dollars, breaking the premiere record of Hong Kong films.

Although the box office in the mainland is not so impressive, it has also performed well.

Most of the Xiangjiang media gave it a good review, believing that this is an epic of the Xiangjiang gang.

Some media feel that the overall quality of the film is far inferior to the first one, and the director seems to want to tell the history of the decline and fall of a gang, but the pattern is insufficient.

In other words, the ambition is too great, the skill is not enough, and the traces of imitation are too heavy.

In Hollywood, there is a famous gang film called "The Godfather", and it can be seen that some of the scenes in the prequel to "The Godfather" are paying tribute to "The Godfather".

Of course, for gang film lovers, this is undoubtedly a rare masterpiece.

Overall, the sequel, while not as amazing as its predecessor, is above par.

What many people didn't expect was that the box office of this film was high and low, and the follow-up was weak.

At the beginning, the audience entered the theater for "Infernal Affairs", and the actors' performances in the sequel were equally exciting, but there was no box office appeal of Liu Dehua and Liang Chaowei, which led to a significant decline in the box office in the later period.

Film and television companies are willing to find big stars to make films because of their appeal among the audience.

The young actors in Xiangjiang are not able to provoke the big beams, and Wu Zhenyu and Zeng Zhiwei have enough qualifications and good acting skills, but they are not box office guarantees.

Therefore, in the third part, not only Liu Dehua and Liang Chaowei were invited, but also Li Ming, one of the four heavenly kings, was invited.

Besides, during this time, several films with similar themes were released in Xiangjiang, and the audience had aesthetic fatigue.

It is the tradition of the film and television industry in Xiangjiang to follow the trend, and the audience has watched too many undercover plots and has no surprises.

The same is true of the box office in the mainland, which has been hit by Hollywood blockbusters.

This year, more than 20 Hollywood films will be released in mainland theaters, and the summer season has become a time for Hollywood blockbusters to be released.

Hollywood studios seized the opportunity to promote their films, and big productions came one after another.

Although the prequel to "Infernal Affairs" is not cannon fodder, it has also been greatly affected.

With Hollywood blockbusters, mainland audiences' enthusiasm for Hong Kong films has plummeted, let alone domestic films.

According to the estimation of Good Dreams, the box office of the prequel of "Infernal Affairs" in the mainland is only about 20 million yuan, which is a big gap with the 40 million box office of the first part.

This does not mean that the film has lost money, in fact, the distribution of this prequel in Southeast Asian countries has been smooth.

The production cost and publicity expenses of the prequel of "Infernal Affairs" add up to 40 million Hong Kong dollars, and the investment can basically be recovered by relying on overseas distribution, and the box office is a net profit.

This has a lot to do with the good reputation of "Infernal Affairs", which has opened up overseas markets.