The famous "Jiangnan Society", of course Gu Cheng will not know. Pen ~ fun ~ pavilion www.biquge.info

This club, with the rise of Ma Feng in another time and space, was once jokingly called "the first club in China" by insiders.

How many business elites are looking for ways everywhere, just to get an invitation letter issued by insiders, and they are eligible to pay 200,000 entry fees. Whoever comes in, basically the top wealthy businessmen in the country can have the opportunity to get to know each other.

Gu Cheng is too arrogant, and he has a lot of artist friends who play with the wind and the moon, but there are not many businessman friends who are full of copper smell. Since Ma Feng pulled him, he was also happy to be passively funny, so he regarded it as a rise in contacts.

In less than a week, Ma Feng replied to him, saying that the matter had been preliminarily completed, and invited everyone to get together, which was regarded as the unveiling and ribbon cutting.

When Gu Cheng got the news, he was so shocked that he couldn't do it, and he said in his heart that even the decoration was not so fast.

Fortunately, Ma Feng quickly answered Gu Cheng's doubts: "The house was built by Lao Guo and Lao Song, and the Garden Management Bureau, the China Merchants Bureau, and the Land Bureau have attracted investment to us from the 'Xianxian Garden' on the edge of Yanggong Embankment." The decoration is not in a hurry, the key is to draw a name first. ”

Gu Cheng learned about it, and only then did he know that Ma Feng and their first phase were engaged in six ancient buildings of the Sage Garden. That batch of houses is the scenic spot on the shore of West Lake, built in the Southern Song Dynasty, just like the Confucius Temple in Jinling, along with a few local ancient celebrities, Chu Suiliang, Luo Yin, Lin and Jing and the like. (The Confucius Temple in Jinling was built in the Ming Dynasty, but the two are of the same nature)

Although the old houses of the Song Dynasty have long collapsed and collapsed, and now they are just antique and rebuilt, but the original site of the garden is not bad at all, and all the plum trees, pines and cypresses are also the old piles of the Song Dynasty.

All this is enough to make Gu Cheng secretly speechless, and said in his heart that fortunately, there are large real estate developers among the shareholders, and the energy is all over the sky, and even cultural relics and historic sites can be "attracted to attract investment".

On Ma Feng's post, it was clearly written "August 15th Yaji, invite Mr. Jin to inscribe a plaque for the 'Jiangnan Society'".

It also allows all shareholders to know literary and artistic people, and they can invite them to join in the fun.

Gu Cheng thought about it, so he invited three friends, Gao Dasong, Fang Wenshan and Zhou Jielun, to accompany him. When the time comes, I will bring my sisters and a few henchmen in the company to see the world together.

……

Mr. Kim, the inscription guest invited by Ma Feng, naturally refers to Kim Yong Kim.

The old gentleman is a native of this province, and when he was a teenager, he fled to Xiangjiang due to the invasion of the Fusang people, and is now an octogenarian. In his later years, he was invited by Qianjiang University to be an honorary professor and honorary dean of the Faculty of Liberal Arts.

A few years ago, the old gentleman also chose an ancient house on Yanggong Embankment, and invested 14 million yuan to build it into "Yunsong Study".

Jiangnan will be not far from Yunsong Library, everyone can be regarded as living next to each other, plus Ma Feng and Kim Yong Yong have a good personal relationship, so I asked the old gentleman to write an inscription, which can be regarded as a lack of deeds.

When it was the right day, Gu Cheng and Gao Dasong each had a car and arrived in advance in a low-key manner. There were many literati attending the meeting, ranging from writers to painters, all of whom were invited by the eight major shareholders to support the façade.

There were dozens of guests at the reception, very easy-going, and there were no regulations, and a group of people were looking for someone to talk to each other in twos and threes.

There are also many business partners who have been invited as entrepreneurs, and they are themselves quite literate. For example, Wang Zhongjun, a guest from the film industry and Huayi boss invited by Ma Feng to cheer, is still a modernist painter.

When Gu Cheng arrived, the guy was sketching selflessly in the yard, and there were many onlookers.

The sketch is quite similar, but the surrounding color halo of all the scenes is processed into an effect that breaks through the depth of field.

It is obviously a Western-style oil painting style, but it tries its best to erase all the rules of distance and physical perspective, as if all the scenery has been forced to break through the laws of space. The connection between the far and near scenes is also stained with halo stains that look like the paint has been deliberately diluted.

A group of people who don't know whether they really understand or pretend to understand, whispered to the side:

"Mark Rothko's mid-period style is similar to that of 1933's Street Scene. ”

"Yes, it's a modernist expression, you can't really remember it if you don't say it. Most people talk about Rosco as pure abstraction after the 50s. ”

Gu Cheng watched for a while, and then prepared to leave. But Gao Dasong was dangling the fan on the side, looking very energetic, and couldn't help but ask Gu Cheng's opinion: "What do you think?"

"I don't know any of this, I've never heard of any genre or style. Gu Cheng laughed at himself open-mindedly, ready to expose this topic.

A group of people who watched the painting heard the sound and looked over, and when they saw that it was Gu Cheng, they were also very polite. followed to help Gao Dasong: "Mr. Gu's knowledge must be very high, and it is naturally deeper than our glue column drumming that is obsessed with genres." ”

After all, today's "Literati Collection" is essentially a rich man's game, and Gu Cheng, as the largest shareholder, no one will ridicule his ability to appreciate art.

Under the praise of the crowd, Wang Zhongjun also stopped writing, waved slightly, and motioned for Gu Cheng to comment a few words.

Gu Cheng smiled embarrassedly, stared at it for a minute, and then said thoughtfully: "I don't understand the painting, let's talk about my first impression of the painting." I have participated in a few TV series, and every time I encounter this kind of panoramic scene, the actor has an improper depth of field, and he is empty, and he has to go again, and then he is unhappy.

After seeing this painting, I felt a full catharsis of malice towards the artistic flaws of the lens -- no matter how accurate and similar the camera is, can it still take into account the long, medium and close shots of the same shot? However, painting can do it, no matter what kind of perspective you have, all of them give me a sense of distance, and the panorama is far and near, right in front of me, just as detailed - to put it unprofessionally, that's roughly what it means. ”

After Gu Cheng's words were finished, those guys who wanted to praise were all stupid: Nima This is an artist's party, you are talking so much, how can others boast about your artistic accomplishment.

What a good learner, bring a few master names like Mark Rothko or Jason Polo!

Wang Zhongjun was also amused, put down his brush, took out a business card and stuffed it to Gu Cheng: "My paintings have no genre in the first place." It's just forced by the camera, an occupational disease. Xiao Gang also paints, in fact, he has the same opinion as me - since he is a filmmaker who paints, he must work hard to make the shortest point of lens art. ”

After exchanging business cards, Wang Zhongjun politely said a few words, saying that if Gu Cheng wants to cast movies in the future, or if he wants to coordinate resources, just look for him.

In the 100 years since the advent of photography, painting has not been depressed, but the school of painting that purely pursues "painting like" has been depressed.

Just like every economic transformation, there are always people who say "the real economy is not working", but Ma Feng will always slap back with "It's not the real economy that is not working, it's your real economy that is not working".

How many painters, in the past 100 years, have either gone purely to abstraction in order to completely break off the art of photography. Either they remain within the scope of the intersection with the art of photography, and seek "whether the value of painting is impression, detail, or blank".

And the eyes of people like Gu Cheng and Wang Zhongjun are obviously seen from another extreme angle that all pure painters can't think of.

Before they came into contact with painting, they first crawled in the film and television industry. fully felt the full malice of film and television expression, and had a hidden pain point in my heart, and then came back to paint and watch paintings. Naturally, we can reap the resonance of "returning to the basics and looking back at painting after the art of photography has reached its extreme".

In the final analysis, Gu Cheng still has the advantage of crossing the circle.

Gao Dasong was still preparing to drop his bookbag on the side, and when he saw that Gu Cheng had made friends with Wang Zhongjun in a few words, he was also dumbfounded.

Speaking in the vernacular, true temperament.

……

Gu Cheng lingered for a long time, and it was almost time to start speaking, so he returned to his table and sat down.

Pan Jieying and Quan Baoya have been resting crampedly, occasionally chatting with Zhou Jielun Fang Wenshan, and they haven't made any friends.

All the female guests wore Hanfu tonight, but Pan Jieying and Quan Baoya didn't wear them before, and they were slightly uncomfortable. Especially Quan Baoya has just learned fluent Chinese, and she has never been exposed to this kind of occasion, so she naturally follows her cousin from beginning to end.

As soon as Gu Cheng sat down, Pan Jieying poured him a glass of Sydney wine: "I've met a lot of new friends." ”

Gu Cheng drank half a cup in one gulp, and smiled self-deprecatingly: "When people are rich, everything they say is right." I can't tell if I really have this artistic accomplishment, or if others are flattering me. Anyway, I can only try not to say a single technical term when chatting, so that no one can say that I am pretending to be forced behind my back. ”

Rich people collect art, and the slings complain that he is pretending to be forced, and Gu Cheng has a deep understanding of this kind of lethality.

As soon as Gu Cheng finished drinking Sydney wine, Ma Feng took out a finger microphone and walked onto the stage and announced in a flamboyant manner: "Ladies and gentlemen, everyone be quiet, today is a good day for the unveiling of our Jiangnan Club, thank you very much for your appreciation." Now, the auspicious time is almost over, and we ask Mr. Jin to write an inscription. ”

The crowd quickly quieted down, and a large number of bookcases in the courtyard were sorted out, and a one-zhang-long lacquered gold bulletin was put on the table. An octogenarian took the bucket tremblingly, and slowly and calmly wrote down the three big characters of "Jiangnan Meeting".

As soon as the words were written, Ma Feng immediately asked people to put them away, prepare to frame them in a few days, and then find a craftsman to make a plaque. The guests had to tout their calligraphy and flaunt each other.

Although Gu Cheng is the largest shareholder, today's cocktail party is still presided over by Ma Feng's people, and Gu Cheng is not like he has more contact with those red tapes.

Ma Feng is the best at pouring chicken soup, and said a few cars of "the Internet winter will soon pass, everyone should cooperate more deeply and be more united" and other unnutritious words, coaxed everyone to drink three rounds of wine, and the atmosphere of the drinking party gradually became harmonious and casual.

"It's not interesting for us to just drink tonight, so let's do it, every shareholder has to send someone out of the show. If I don't know, I'll let the friends I brought play. We're all Svens, don't make too much fuss - old horse, you can squeak if you don't succeed. ”

It was Guo Guangchang of the Fuxing Consortium who proposed it, and other people who were not afraid of big things also followed suit.