The Four Treasures of the Study, nowadays basically refer to the pen, ink, paper, and inkstone in general, and if strictly speaking, it refers to the specific one. Pen "Fun" Pavilion www.biquge.info

In the Southern Tang Dynasty, the four treasures of the study refer to the Zhuge pen of Xuancheng in Anhui Province, Li Tinggui ink in Huizhou, Huizhou Province, Chengxintang paper in Huizhou, and Wuyuan Longwei inkstone in Huizhou; since the Song Dynasty, it refers to the Xuanbi, Hui ink, Xuan paper, and She inkstone, and Tao inkstone and Duan inkstone are also called treasures; after the Yuan Dynasty, the lake pen in Huzhou, Zhejiang Province gradually flourished, and after the reform and opening up, the Xuanbi regained its vitality, and the four treasures of the study returned to the Xuanbi and Xuan paper. The era of "rule" of Xuanyan and Huimo.

In any case, the four treasures of the study specifically refer to the four things that will never be difficult to open Xuancheng, and Xuancheng is also worthy of the name of the authentic origin of the four treasures of the study, the hometown of the four treasures of the study.

When Hou Muyun and the filming team arrived in Xuancheng, Gu Lao was already waiting.

Regarding the filming of Jingdezhen that ended in three days and did not interview any craftsmen in the process, Gu Lao didn't say that he was uncomfortable, at least he was a little puzzled, and he didn't understand how Hou Muyun operated it specifically.

Gu Lao's fame and status in pottery making made a greeting, declaring that the people here would definitely receive Hou Muyun and his filming team with their hearts, but Gu Lao thought about it and came over by himself.

I am really curious about how Hou Muyun filmed it. When I was in Jingdezhen, I didn't follow it all the time, and like many craft masters, I was still waiting for this documentary to interview them, but I didn't expect Hou Muyun to finish filming there!

This time, Gu Laolai wanted to follow the whole process to see how Hou Muyun filmed, not because he had any doubts, but because he was puzzled, he wanted to figure it out.

For Gu Lao's arrival, Hou Muyun naturally welcomes it, although there is Gu Lao here in Xuancheng who can provide the cooperation of shooting needs, but there is definitely no Gu Lao to come in person. As for Gu Lao's purpose, Hou Muyun guessed a little, and it doesn't matter, anyway, this documentary is made to make people watch, Gu Lao will see it after all.

In the next few days, Gu Lao saw it, and he saw it very clearly and clearly, of course, he was shocked. Also shocked were several old men from Xuancheng who had to follow the filming team all the time because Gu Lao had been following.

These old men are all masters of the craft in the production of stationery supplies, such as Master Meng, who is known as the first pen in China today, Master Li, the inheritor of the Hui ink production process, Master Cai, who is the inheritor of the intangible cultural heritage of Xuan paper, Master Hu, who is known as the first person in the contemporary era of Yan Yan production, Master Shen, who sells tens of millions of Xuan inkstones at a high price and is known as Shen 10 million, and of course, there are also masters in pen holders, pen washes, pen holders, and ink cartridges that are also stationery supplies but are not within the four treasures.......

The youngest of these old men is also in their prime, but they have been following Hou Muyun for three days, and the juniors in the family have scolded or kicked them away when they ask them to go back to eat and rest.

The next day, even the first person to make a lake pen came from Huzhou.

The reason is the same as when Gu Lao saw Hou Muyun painting embryos from the mobile phone video, shocked, surprised, exaggerated to say that he was shocked, these old men looked at Hou Muyun's eyes, and they really blushed when they saw Hou Muyun!

Take milli, sticky, wood, pipe-making, micro-carving........ Hou Muyun's set of brush-making procedures can be regarded as directly stunned by these old gentlemen, not because of how extravagant the selection of materials is, on the contrary, it can be said to be extremely ordinary, but the craftsmanship of the production is fast and accurate, exquisite and ingenious, especially the sticky techniques and ways are even more visible to the master's eyes straight stars, undoubtedly, this is a very ancient and very precious but has been lost only in the books can see one or two techniques and ways.

As we all know, the brush is fragile and not easy to preserve, the ancient pen that has been preserved to this day is really rare, and the ancient pen that remains is worth not mentioning, the key is too little, no one dares to do any research, even if the research is difficult to see any results. Master Meng once gritted his teeth and studied one in depth, and he knew very well that the production process of that ancient pen was the same as what Hou Muyun had just shown, that is, it was lost and the most important method was made by later generations as Bamboo Luck.

The reproduction of this production method, Master Meng is very clear about what kind of impact this has on the brush making process, which is enough to increase the preservation rate of the brush by two percent, and it is in use.

If it weren't for Gu Lao and the others on the side, Master Meng would definitely rush into the shooting frame to ask Hou Muyun for all the essence of this production process, and even he himself couldn't guarantee whether he would directly apprentice on the spot.

However, at this moment, Master Meng saw the second ancient technique used in Hou Muyun's hands, followed by the third and fourth techniques, although these three were not lost, but they were also an eye-opener for Master Meng, and then, he saw several techniques that were not recorded!

Master Meng's shock and surprise soon transferred to Master Cai, the inheritor of the non-genetic inheritance of rice paper, the process of making paper is obviously much more complicated than making a brush, and many of them are not visible on the "bright side", mostly in the pot under the water, and even the use of sunlight, so that some techniques and methods are more complex and profound, Master Cai saw no less than ten techniques under Hou Muyun's hands, three of which he had not seen.

Next is the ink making Master Li, from the making of tobacco materials to glue, and the agent, steaming pestle and other processes, Master Li in addition to seeing a variety of techniques, but also saw Hou Muyun in these processes in the glue, agent, smoke ratio is a little peculiar, and then take a closer look at the calculation and the final finished product out, the whole person is dumbfounded, and then his eyes shine.

Not to mention the surprise of several inkstone masters, the opening of the inkstone, the groove, the smoothing and carving are the most intuitive, all kinds of techniques emerge in endlessly, the process is smooth and pleasing to the eye, and the result is even more beautiful!

In addition, Hou Muyun also briefly introduced and made other stationery supplies such as pen holders, pen washes, pen holders, etc., which are related to the [stationery supplies production process skill card], as well as carving, carpentry and other skill card attribute cards, which are more handy in their hands.

Of course, the most surprising and surprising thing for the craftsmen who watched it in the past three days is Hou Muyun's expression, they can understand those techniques and methods, but ordinary audiences obviously don't pay too much attention to it, or they are just surprised after watching it and won't delve into it, how to make ordinary audiences accept traditional craftsmanship is the most important thing in this documentary shooting, and there is no doubt that after watching it in the past three days, even these masters who don't know much about the ideas of young people and ordinary audiences now know how attractive Hou Muyun's expression is！