Gu Cheng only has six songs, and he used up two songs "Love Must Be Done" and "Exaggeration" soon after the opening. Pen & Fun & Pavilion www.biquge.info

So I had to leave the break, give up the stage to Zhou Jielun and Jolin Tsai, and come up again at halftime and the end of the finale.

The flashes of tens of thousands of digital cameras flashed from beginning to end, wave after wave.

Because there are many singers rotating in tonight's concert, the host of the announcement is arranged.

Under Gu Cheng, the current "vase-type" talents are still relatively withered, so this host is naturally Lin Zhiling, and she also made a few cameo appearances for Gu Cheng and Zhou Jielun to dance with.

Lin Zhiling has not become popular in the circle now, but the intellectual and dignified image of "Senior Sister Jing" in "Meteor Garden" has more or less made her a little more popular than in history. Especially watching "Hua Ze" holding hands with "Senior Sister Jing" and singing lyrically "Love is a Last Resort", it can make drama fans high-tide.

Because he is relatively free, most of the time, Lin Zhiling can be a relatively relaxed spectator and watch the whole audience from the stage.

She could clearly feel that every time Gu Cheng came on the field, the density of the flash would suddenly skyrocket, like a round of waves.

The other two pillars are also full of sincerity. From Jay Chow's "Love Before the AD", "Can't Open Your Mouth", "William's Castle", "Nunchuck", to Jolin Tsai's "Say I Love You", "Look at My 72 Changes", and "Confession of a Mask". The applause for the most popular songs of the golden boy and jade girl is not far behind Gu Cheng.

And Zhou Jielun, who has independent creative ability, even came up with a song "Dragon Fist" that he freshly baked and is ready to put in the new album that will be released next month, which is very HIGH and bursts the cool points of the boys in the venue.

The layman looks at the bustle, and the insider looks at the doorway.

Ordinary audiences are listening to "Dragon Fist" for the first time, so naturally they don't know what the effect of the album song is. However, Lin Zhiling, who was dancing on the side, listened to the effect of relying on the sound of air to support and sway in the second half of "Dragon Fist", but his heart was bright.

"I'm afraid I'm going to suffer a ...... His breath can't catch this kind of occasion of dancing and singing vigorously. And Ah Cheng used a full open microphone for this concert, and he didn't mix lip-sync at all, so he had to let Jielun take a break. ”

Zhou Jielun's timbre is not at the level of a singer, and his success is mainly brought about by extraordinary creativity. But Zhou Jielun's concert has always been very conscientious and never pretended.

It's just that he has just debuted for less than 2 years now, and he doesn't have enough concert experience. In addition, the first album "JAY" does not have songs such as "Nunchuck", "Ninja", and "Dragon Fist" that cooperate with the dance, so Zhou Jielun is really a little rusty about the live control of this genre.

Of course, you can practice well during the rehearsal, but when you get to the scene, you forget the physical distribution, and soon you will break the sound and lose your support.

Each one has its own characteristics. While having peerless creative talent, Zhou Jielun's dance skills are really a shortcoming, and his breath is unstable when he dances. This can also be seen from his performance when he sang "Orchid Pavilion Preface" with Lin Zhiling at the CCTV Spring Festival Gala in the later world.

Lin Zhiling cleverly ended the backup dance early, gracefully exited from the side, and immediately explained the situation to Gu Cheng backstage: "The next song can't be sung to Jielun as originally planned, let's pick up another song for another energetic dance." ”

Gu Cheng's expression tightened: "So serious? I didn't hear it down there. Is it okay to let Sister Cai use "Seventy-two Changes" to connect it? ”

Lin Zhiling: "Xiao Cai has already saved a scene behind "Nunchuck" just now, how can that kind of energetic dance song come together." ”

Gu Cheng: "Isn't it okay to change it to a little soothing?" I'm on "Man Ocean". ”

Lin Zhiling: "The piano props haven't been moved to the elevator yet!" If you don't have time, just pick one of the songs that the band has practiced on stage. ”

After all, there are less than 20 seconds left before the end of "Dragon Fist", and the stage technology in 02 is not good enough. And the slow song "Man Ocean" requires Gu Cheng to sit in front of the piano and play and sing, and even the accompanying band on the stage has to change people.

At this time, the sense of presence is very poor.

Gu Cheng rang slightly for two seconds, and immediately decided: "Go to Valenti to save the scene!" The backstage setup prepares the piano, the next song "Winter-Love", and then pick up my "Man Ocean"! ”

Among the Asian singers, the one with Jolin Tsai's dancing skills is also Quan Baoya. Originally, Gu Cheng planned to let Xiaoya have a warm atmosphere in the second half, lest the audience of those Fusang and Yi songs not understand too cold, but now in order to save the scene, there is no way.

"Don't be nervous, although Chinese fans have never heard of "Valenti", but the next song will be fine!"

Gu Cheng finally comforted him, and let Quan Baoya come to power in the dark.

And Zhou Jielun had already heard the voice in the headset that asked him to get off the stage to rest and change his plan temporarily, and secretly said that he was lucky.

Singing and dancing live and singing calmly in the studio are two different things after all.

……

“…… The next song is "Valenti" by BOA! Lin Zhiling hurriedly thought of words, casually introduced a few sentences, and then hurriedly stepped down.

The sound of the audience was immediately at least two levels lower than Zhou Jielun's. However, the thousands of "international friends" shouted more violently than before, and barely pulled back some.

It's a pity that as soon as I started singing, I found that it was Fusang language, and many local fans who originally planned to cheer stopped talking again.

"Valenti" is undoubtedly a good song, but the lethality of the language barrier is just too great.

Kwon Bo-ya was slightly nervous, although she had already experienced more than a dozen concerts, she was still only a 15-year-old girl after all.

Reluctantly allowed himself to take a few deep breaths between a few lines of lyrics, and after adjusting his breath, Kwon Bo-ah gritted his teeth and threw himself into the selfless dance. Several of the backup dancers around her were brought from Dongyi, very professional, and everyone cooperated so well that they quickly forgot about their nervousness.

Kwon Bo-ah's "Valenti" team is still very strong, and the No. 1 royal backup dancer Park Jiaxi became famous by dancing for this song, and three years later jumped to the United States and formed a girl group to officially debut.

The slender and beautiful dancing elves on the big screen, like long flowing hair with souls and tendons, are similar to the two-dimensional world that can only be done, and the hair throwing action that violates the laws of physics quickly conquered many fans with silent language.

Despite the language barrier, the rhythm of this song is really toxic! Especially when paired with dance!

This is an era when Li Zhenxian's fan dances such as "Wow" or "Swap Out" can poison tens of millions of fans in China. The underdevelopment of the Internet and the lack of external consultation have led to the fact that most fans do not have a systematic understanding of the Yiliu Genki Dance, or simply stay in the superficial stage of "writhing and squirming".

After seeing the highest level of serious rap dance, the initial resistance and labor pain dissipated, and what remained was a real cultural exchange.

"I didn't expect Xiaoya's breath to be so long, it's not easy. Jumping like this, there is no trilling in the whole open microphone. Lin Zhiling watched nervously in the background for a while, and after confirming that there was no problem, he talked to Gu Cheng with relief. Especially after getting in close contact with several top singers in the world in a row, Lin Zhiling is more familiar with everyone's characteristics.

Gu Cheng was also worried at first, but after seeing the change in the atmosphere in the audience, he was also quite emotional.

Although the original person is Han and Han, the pig that follows the trend is Han and Han.

"Mencius heard that Xia changed to Yi, but he did not hear of Yiyi. Shi Yi's long skills are used to control the raze, which can be described as a person who uses Xia to change the raze. The master is the dross, which can be described as a self-changing one. He couldn't help but say a word to Lin Zhiling's bookbag, and then prepared to play.

Bursts of "hail snow" were scattered in the air, and the lights became cold.

A piano slowly rose onto the stage, and it was Gu Cheng sitting at the front of the piano.

"Winter-love" was written by him for Kwon Bo-ah, and he was familiar with playing the keyboard at the beginning, but now he can barely cope with an unplanned cameo.

The reason why he wanted to play early was completely out of consideration for promoting newcomers, and he was afraid that fans who were not familiar with Quan Baoya would not sell it.

Sure enough, after Gu Cheng appeared, the atmosphere immediately rose to the highest point.

"The goblins of winter, shining and dancing down. Because I was free, I kissed Yingying's smile in the photo. I made an appointment to see a movie, but there was a long line at the window. The crowd is surging, and you and I can no longer hold hands and move forward. However, my heart is still in you, even if I can't see each other. My kiss turned into billions of snowflakes, and I always accompany you ......"

The poignant and tactful sound of nature instantly hit at least 50,000 female fans present.

"Huh? This is the Chinese version of "Winter Love Song"? This song actually has a Chinese version? ”

"Blue Life and Death Love"! It's "Blue Life and Death Love"! ”

"You don't know? The theme song of "Blue Life and Death Love" was written by Brother Cheng and sung by Quan Baoya. You laymen, alas, don't stand with your sister, shame~" Some illegitimate fans immediately seized the opportunity to distinguish themselves from Gu Cheng's passers-by.

After countless girls learned the news, they immediately felt extremely admired: I thought that the production of Yi drama was so far away, it turned out that the most popular Yi drama in history had to find Brother Cheng to invite the song, I am sincere! And it can also make the high-flying female singer of Yi Opera specialize in Chinese lyrics, which is too uplifting!

No, you must buy this disc when you go home, the consultation is too outdated!

The hearts of countless girls are so heartbroken at this moment.

Maybe when they came, they were mainly fans of Gu Cheng and Zhou Jielun, but that doesn't mean they haven't watched "Blue Life and Death Love".

Girls of that era, almost no one could escape the baptism of this full set of tear gas gift bags. As long as you get shot, you won't be able to get out for a few months without crying.

Perhaps, from tonight onwards, in order to learn to sing the Fuso version of this song, there will be more girls who go to spell romanization and write footnotes than the second secondary school teenagers who went to spell romanization in order to sing "Saint Seiya" and "Slam Dunk".

Kwon Bo Ah is the first venue to experience 80,000 people. Originally, she had only sung about the 30,000-person hall in Roppongi, or the Red and White Song Festival on NHK TV last year.

Seeing 80,000 people waving blue and yellow interlaced glow sticks, but only chanting softly and lowering their voices to follow, like countless pious prayers being led by an invisible soul, she was inexplicably moved in her heart for a moment, and felt that her cooperation and tacit understanding with Gu Cheng had sublimated another layer.

Time flies in an instant, and after "Winter Love Song", there are Gu Cheng's "Man Ocean" and "Chrysanthemum Terrace". Gu Cheng always sat in front of the piano, cold and elegant, but his voice was ethereal and distant. Kwon Bo-ah danced alongside her, and although she had never choreographed the two songs, she had thoroughly blended into the vibe.

The protagonists on the stage have been blurred, and the order of the program has been completely confused, like a molecular state.

Gu Cheng's impromptu fan interaction is also becoming more and more casual. Countless voices also spread among fans, so that countless fans who originally didn't know how to do it knew what "full open mic", "half open mic", and "fake singing" were. It also allowed them to see a concert that really interacted on an equal footing.

There is no shelf, no script, only natural and sincere emotions.

When the last note came to an abrupt end, the band was a little overwhelmed and didn't know what to do next.

Gu Cheng actually used up all his songs at once - he should have kept two for the final finale.

And without the finale of the song, how could he be embarrassed to come on stage alone for a while to deliver his long speech?

Lin Zhiling in the audience was a little overwhelmed by Gu Cheng's improvisation.

After 10 seconds of coldness, Gu Cheng seemed to have decided something, stood up from the piano, and took the microphone.

"I'm so sorry, but anyone who knows me knows that I only have 6 songs. And this concert is almost 4 hours long, so I have to hold up another 30 songs in addition to me - that's why I have so many good friends today.

The reason why I came to show my face this time was actually that I wanted to say something to the public, but I didn't want to go through a press conference that would definitely be edited, so I chose this occasion today to bring private goods.

Just now, I accidentally forgot my feelings and used up all my songs. So I can't come up again for a while, I can only say it now - everyone who has a DV can hold it up, maybe I don't welcome everyone to 'pirate' my concert, but I definitely welcome everyone to record what I have to say later......"

When he said this, he was about to pick it up, but a flash shot at the "brush" ground very neatly.

"A while ago, some people said on the Internet that I was cold-blooded, and I expelled the veteran under the pretense of cracking down on fraud, saying that I myself was the biggest Internet data fraudster, and all my achievements were not as prosperous as the data on the surface.

So, here today, I'm going to admit everything I've done. On the eve of the Internet winter, I once did some data broker business and helped some customers fake traffic. But I have a clear conscience, the people I cheated are all Wall Street investors, and they are not good at learning - in 98, when my late father was alive, he failed to speculate in stocks, and he did not resent Soros.

However, some people have further attacked me, saying that my behavior has led to the outbreak of the Internet winter -- this is a question that I don't want to defend head-on, because justice is in the hearts of the people. If you think that the financial turmoil in Southeast Asia was caused by Soros alone, and that the economies of Thailand and Malaysia are not in trouble, then you can also think that the Internet winter is also caused by me.

None of that matters.

What I want to say is that whether or not the Internet winter is caused by me, in the near future, I will be the end of this winter. I have reached a cooperation with the top technology enterprises in a certain field in China, and everyone can see what we are going to do. Maybe after we come up with a plan, there will be a follow-up from our counterparts in the United States, so that the last knife to end the cold winter may not be wielded by me. But I can guarantee that the first sword to end the cold winter will definitely be wielded by me.

I'm sorry for delaying you for five minutes to listen to these irrelevant words. ”