Lords in the Oasis

Bags of salt, spices, and sugar piled up from the shops to the streets, loaded with merchants driving horse-drawn carts to and fro. Pen × fun × Pavilion www. ｂｉｑｕｇｅ。 infoThe air is filled with the fragrance of a variety of spices. It's a bustling city next to an oasis, with the sound of thumping and looms, and business in the workshops of artisans.

The banner of Baron Kant, the successor of the Kingdom of Svadia, hangs on the town gates. The happy life of the local residents is full of love and admiration for the lord. There were crossbow-wielding soldiers on the city walls, and infantry in chain mail patrolling the streets, and there was a peaceful scene.

This is a little friend's book, but also an old author, the quality is guaranteed, his book is said to be very good-looking, this book seems to be farming, well, very leisurely, you can take a look.

"The Conscience of Entertainment"

This book is also an author's friend.,I liked his book before.,Well,The first half.,And then push this book.,It seems to be quite popular recently.。

Some people say that he is the conscience of the entertainment industry.

Whoever says this, won't your conscience hurt?

……

Many years later, people don't remember Eleven's digging and not filling, the dead heroine, and the dead male protagonist......

People only remember his kind heart.

——————

PS: This article is toxic, the protagonist is sick, he is not lightly ill, he is very vindictive, it's just entertainment, and he doesn't have to be serious......

"The Black Shop of the Lord God"

Chu He opened a special shop, starting from selling firearms and artillery, and began his career as a shopkeeper.

What, you're a master, and a bullet can't kill you? What about the bazooka? Not yet? Then go to Big Ivan.

There is nothing that Big Ivan will never be able to do, and if there is, then another one.

'From two-way foil to Pangu axe, from technology to mythology, there's nothing I don't have. '--- Chu River

ps1: There is a finished boutique "Time and Space Travel", character guarantee, please feel free to read.

PS2: This is a story of pretending to be like the wind, don't enter if you don't like it.

It's also an author's friend.,The quality is pretty good.,It's a little white.,Well.,It's worth a look.,It's pretty good.。

"Transforming into a Salted Fish Girl"

Pull it down, my *** is gone, what dreams are you talking to me about. Anyway, the average order has already broken 3,000, and it would be nice to update the novel with one chapter a day, so what's more. Anyway, the manuscript fee is 500 yuan a page, and it's good to update one episode of the comic every month, so what's more. Anyway, there are thousands of rewards for an hour of live broadcast, and cosplay can be doubled, so it's good to broadcast live for half an hour, why do you live broadcast for so long.

Anyway...... This is the story of a salted fish girl who has no ***. No more***, what dreams are you talking to me about, Baga!

Recently, I've been chasing.,It's super good-looking.,As the question.,JJ is gone.,What kind of dreams are you talking about.,Make salted fish!

"The Rise of the Writers of the Republic of China"

Zhou Hexuan returned to the era of the Republic of China, he couldn't lead troops to fight, he didn't understand science and technology, and he didn't like to engage in politics and business, so what else could he do?

Alas, copy books and poems.

Who knew that copying and copying would become a great writer, and the turbulent situation pushed Zhou Hexuan forward.

Some people worship him, some hate him, and some want to kill him, wanting to get rid of him as soon as possible.

Lao Wang's book, the best book to read recently, you know, highly recommended.

Sword Dynasty

Zhuan: The pattern of the Sword Dynasty is very large: compete for the world and seek longevity.

The world of the Sword Dynasty is complex: a hundred schools of thought contend.

The goal of everyone in the Sword Dynasty is clear: to survive and get revenge; Stay alive and stronger; Live and be more powerful.

After reading the first few chapters, I feel that this is a grand mountain and river cultivation record based on revenge. After watching a little more, I felt more and more so. At first, I wondered if there was anything new in this story? It turns out that different steps in the world can bring completely different scenery. When the cultivators no longer eat the fireworks of the world, when the survival of the dynasty depends on the progress of the cultivation of the person who sits on the highest position, when all this happens in an era when the turmoil will eventually be unified, the colors on this picture scroll have become intense. It is said that the world is about to be in turmoil, and the people who should be robbed came into being.

In fact, by this point in the book, it has entered the rhythm, the first step of revenge, and the accumulation of strength. But whether it is Ding Ning, the origin of the eldest grandson Qianxue is relatively mysterious, which has aroused everyone's infinite reverie. But personally, I think that Lao Wu has given a hint of Ding Ning's origin in the book.

The children's shoes who are chasing this book should have seen that in the eleventh chapter of the second volume, Ding Ning asked Yu Xue Wuxu, and said such a sentence, "It seems to be a book like a picture album." And he asked Xue Wangxu's artistic conception, but it was the rhetoric of Qingyuan Zen Master in the Song Dynasty about the state of life in later generations, "Look at the mountain is the mountain, and see the water is the water". Therefore, we presume that Mr. Ding Ning is a member of the vast number of traversers. However, later in the plot, the bone age of the water prison was measured - (this is a very advanced skill in physiognomy) and it was discovered that he was born three years after the death of a certain person. Then, Ding Ning shouldn't have intersected with this person... The fact is that Ding Ning inherited his hatred and the magic skill of "Nine Dead Silkworms". Wait, wait, wait!!Nine dead silkworms!The silkworm baby itself has only one life, nine deaths... Can we understand that we can die nine times? maybe... Or does it mean nine deaths and one life? Then the question is, if a certain great power is determined to be dead, there should be no Ding Ning to get his inheritance, unless, he is a fake death and reincarnation! However, this is illogical, because no matter how much he is reincarnated, there will be no memory of the afterlife. Therefore, I boldly deduced that Ding Ning's physical body was originally the reincarnation of this powerful man, but I don't know what went wrong, and his soul was fused! Therefore, hatred is unforgettable, his actions are not leaky, and his exercises are extremely familiar!

The book is over, and I feel quite lost, but when I think about these plots, I will feel ...... You can go and have a look, zongheng.

"Knives in the Snow"

Turn: "Sword in the Snow" book review: For the manager, this is a youth that can't be returned.

This is a manuscript that I have owed for a long time, but I still managed to find time to code the manuscript out.

How do you evaluate Beacon's four-year serial work "Sword in the Snow"? This is a very interesting question, not only about this work, but also about the author, and about the controversy caused by the completion of the book. As we all know, all the works before the Beacon Fire are not complete works in the real sense, either cut in half or eunuchs, but the princes of the Beacon Opera can be prosperous, even if they have the reputation of the general manager of the Great Interior, there are still remarks in the online literature circle that the general manager will be able to reach the top of the online article. But assuming that no matter how much it is, it is not as good as the answer sheet handed in by Fenghuo himself, the influence of "Sword in the Snow" is not as great as many people think, but this is undoubtedly an extremely important node for Fenghuo's writing career, and it is also the first time that he has truly and comprehensively shown himself as a writer to readers. In fact, consciously or unconsciously, this novel is a summary of his past writing skills in Beacon's writing career.

Of course, it seems to me to be a frivolous summary.

In Fenghuo's eleven years of online writing career, his progress is obvious to all, so that when Fenghuo wrote Chen Ergou, he proudly said that every time he wrote a book, there would be fewer people who scolded him, and when he wrote Chen Ergou, no one regarded him as an author who made a little money, and today, he is recognized as one of the four young people of online literature. So I'm going to ask here, is today's Beacon really reborn compared to myself ten years ago? The answer seems to be yes, but I want to sing the opposite tune with you, that is, until today, Beacon has not been able to get out of the shadow of the original "Best Son".

There are many kinds of progress in this world, some are gradual, some are painfully corrected, some break through the south wall, some are established to become Buddhas, and most of them have succeeded, but to evaluate the progress of the manager, it can only be described as sufficiency. Readers who have read all of the works of the manager will feel that the progress of the beacon is not a comprehensive progress, no matter what kind of subject matter the manager has changed, how many new holes have been opened, all the characters are familiar, and it will not take long to find the correspondence in their hearts, and I believe that this is not just a matter of similar names and nicknames (laughs).

This shows that Beacon's progress is based on the basic use of the old plot structure, and he concentrated all his energy on studying how to use more life-like and convincing details to make the characters more three-dimensional, from the Zhejiang University speech in "The Best Son" to the snooker of "The First Hero" to the occult books of "The Inquisition", and then to the drag racing of "Chen Ergou's Demonic Life" and "Lao Tzu is a Toad" The Beacon is not only meticulous in the choice of words and sentences, but also the combination of various details and social life that Beacon is gradually able to easily control the combination of various details and social life, so that Beacon Urban Literature is often called the first urban online text, but, as I said earlier, in essence, Beacon is still in the shadow of "The Best Child", and most of the greatest courage in Beacon's writing career is actually spent on this much-criticized "white text" Inside, at this time, the beacon fire is a newborn calf who is not afraid of tigers in the plot, a lot of things that are taken for granted, but after this book, the beacon has never played the plot with contradictions and complexities exceeding it, he really dares to play first and then love, can play multi-party explosions, big encirclement, oh, he can also seriously portray the villain, the bad is simply and thoroughly, and the dead die cleanly.

Although he was clumsy at the time, not very different from many urban essays, he was full of passion, and at that time his books appeared most radiantly, sweeping thousands of troops, and you will not find such a high-spirited manager. The only time the manager really has the opportunity to break away from the influence of "The Best Son" is in "Chen Ergou's Demonic Life", and the sling protagonist who wants to get ahead in the world is his biggest attempt, but it is obvious that the template plot over the years has basically restrained him, and he can't finish this story. then wrote a reversed version of the urban sketch "Lao Tzu is a toad", and Fenghuo returned to the old road.

"Knives in the Snow" It's not a work with a soul.,For the beacon that has gone through ten years of online writing,On the one hand, he has sharpened his writing skills to the best.,But these best habits are built on the relevant plot template.,The potential of this model has been dug to the limit by himself.,Once he tries a new plot,,His writing will be seriously unadaptable.,It's almost like just looking at the description and it feels so powerful.,But if you think about it carefully.,Summarize it in your own words.,You'll feel that this plot is simple and excessive.,The manager is completely injecting water with no human words. 。

When it came to the Liang Mang War, this problem was exposed, and the details of his life that he practiced could not support the big picture and ambition of the novel at all, what kind of big imperial examination will lead to the instability of the country and the throne is not guaranteed, I use three people to kill you alone is a shocking conspiracy, what else is the foreshadowing before the characters are all ruthless and vicious, and then they become the Lady of the Three Good Boys, in fact, these contradictions are different manifestations of this problem.

The manager is not unaware of this problem, in order to delay the emergence of these problems, he uses the method of putting most of the plots that are most likely to collapse and go wrong before the story happens to fix most of the plot direction first, and when the protagonist appears, for the author, this character, his personality has been fully formed, his future encounter is basically certain, all he needs is to wait for the result to come. Even so, when it comes to the need for a big battle with a big picture and a big scene, the story is still like an avalanche that can't be contained at all, and many people say that "Sword in the Snow" is a collapse in the middle of the game, in fact, this collapse is already doomed at the beginning of the Beacon Fire in adopting this kind of beginning: he has nothing to do about his shortcomings.

In fact, Beacon has no idea to change, or simply break the jar and fall, the shaping of villains and decency is unprecedented homogeneity, although it is known as a fairy novel, but the characters are not immortal, I hope I don't hear the demons blow this is a realistic fairy in the future, which has practical significance. Because the popularity in this book is not very heavy, the daily sales are basically the contrast between fireworks and fairy energy, and at the critical moment, he blows a handful of affection and righteousness, and in the later stage, he is really blind by only looking at the lines, and he is really blind to look at the brotherhood of the world, and the sense of vision is extremely strong, and he accidentally recognizes the wrong person.

But I still have to say that "Sword in the Snow" is the most important Xianxia novel in recent years, although in many ways the book is not very high, but in today's magic weapons are flying all over the sky, and the law is worthless Xiuzhen literature is flooded today, Fenghuo writes a real Xianxia novel. He chose to use limited energy to specialize in how to write a beautiful martial arts, and used high-quality martial arts to support the temperament of the whole book, overflowing with fairy spirit, crisscrossing the world, there are extremely rare dreams like rivers and mountains, the true Taoist essence of Huangliang life (not the law of the jungle, the general manager has Buddha roots) This is a very valuable experience, I believe that for all readers, such a hearty martial arts reading experience is really a rare thing, from this point of view, "Sword in the Snow" is able to provoke the heroes of the online fairy, and the contribution is far above "Zhu Xian".

General evaluation: I really want to see the manager write a book of Xianxia from beginning to end.

Li Chungang, who entered King Kong at the age of sixteen, entered the finger Xuan at the age of nineteen, and entered the heavenly phenomena at the age of twenty-four, is known as the great material of the fairy sword once in five hundred years, second only to the originator of Wudang, the sword immortal Lu Dongxuan.

At the beginning of the rivers and lakes, under the gaze of tens of millions of tide watchers, he crossed the river on the tide of Guangling, leading a generation of trends, and people who did not have mathematical swords in later generations took it as an example.

After entering the heavens, he challenged Wu Wei of the Plum Blossom Sword Sect of the Dongyue Sword Pond, and humiliated him so much that he committed suicide.

At the Ghost Gate, the flying sword crossed the river, chanted poetry and crossed, and met the green robe for the first time.

In the following years, he walked the rivers and lakes. Challenge the Wu family's sword mound of "there is one stone of sword intent in the world, and I monopolize eight buckets", defeated one of the ancestors, broke his sword, and destroyed the sword heart. Shengsheng Jian Kui took away the wooden oxen and horses that shared his honor and disgrace. Walk north of the rivers and lakes, watch tens of millions of bison galloping, stepping on the body of the ox as if walking on the ground. Guannan is near the ocean and the waves pat their heads, and a sword explodes the rivers and seas. Go to the west to the Buddha with a sword and kill the Arhats twenty-three! One hand and two sleeves of the green snake, by the people of the rivers and lakes into a unique trick in the rivers and lakes for 50 years! Alone into Shu, and the Xishu Sword Saint in the palace, comprehend the sword qi rolling dragon wall sword! As far as the qi can reach, sixteen swordsmanship masters who block the road are all broken by the sword qi!

The swordsman in the world is the only one Li Chungang, and the world's famous sword is the only one of the wooden cows and horses. Before the age of thirty, the rivers and lakes were his own rivers and lakes, and his sword path was unparalleled in the world.

After standing, the edge is revealed! Without a sword, there are thousands of sword intent in the chest. The world's swordsmen can't avoid this mountain, as long as Li Chungang is there, no one dares to call the swordsmanship outstanding.

At that time, there were four great masters of martial arts in the rivers and lakes. Li Chungang once threatened that the four great grandmasters except him were all famous, and even if the other three joined forces, it would only be a matter of a sword.

At the age of thirty-six, he got a glimpse of the gate of heaven for the first time and claimed to be invincible in the world. The world's opponents are defeated with a sword, and the women of the world hook it with a finger. At that time, the martial arts commented on the world, and it was firmly ranked first in the world. In the Spring and Autumn Thirteen Armor, Li Chungang was rated as a sword armor, and he was the leader of the Thirteen Armor, and no one doubted it!

In the year of not being confused, he was challenged by Wang Xianzhi, because he cherished his talents, and did not open the gate of heaven with a sword to kill Wang Xianzhi, so the Trojan horse cow was broken, and he was defeated for the first time in his life, and Wang Xianzhi was achieved.

Shortly after losing to Wang Xianzhi, the green robe challenged Li Chungang and deliberately let him pierce his chest with a sword. At that time, Li Chungang understood what distress is, and the so-called distress means that he has hurt others, but it is himself who has been hurt.

In the pouring rain, Li Chungang carried a green robe to Longhu Mountain and begged Qi Xuanjiao for a golden pill to renew his life, but when he saw Qi Xuanjiao, she died. Before she died, she said: She doesn't want to live, she just wants to die in Li Chungang's arms, if she lives, she is a stranger, she doesn't want to!

Li Chungang and Qi Xuanjiao, who was about to ascend, discussed the Tao at the top of the lotus, Li Chungang fancied the way of the sword, and Qi Xuanjiao fancied the way of heaven, the two of them insisted on their own words, and Qi Xuanjiao said that he wanted to try the sword to open the gate of heaven. The sword opened the gate of heaven and did not defeat Qi Xuanjiao, Li Chungang was willing to admit defeat, and witnessed Qi Xuanjiao's ascension, and then doubted his own swordsmanship.

Soon after going down the mountain, he was cut off by an arm, and fell into the finger Xuan, and he didn't dare to say that there was a dragon at the dragon's wild words. disappeared silently for 30 years, all kinds of honors and disgraces, ups and downs, all of which have become a thing of the past...

The legend faded out of this river and lake.

When he appeared again, he was nearly 100 years old, an old man with a broken arm, short stature, two goatees, wearing Chen's tattered sheepskin fur, cross-eyed, and hoarse voice, this is Li Chungang, who has been suppressed for 20 years in Tingchaoting, and Li Chungang, who has been in prison for half his life.

At this time, Wang Xianzhi was the closest to Jiazi in the world, and Li Chungang did not touch the sword near Jiazi. The cultivation is only five or six percent of the peak. At this time, Li Chungang is no longer the Li Chungang in his prime, just an old sword god who is sung by the rivers and lakes.

Listen to the three chapters of Chaoting and Xu Xiao, the king of Beiliang, to ensure that Xu Fengnian travels through the rivers and lakes without dying. So far, the second time to step into the rivers and lakes. The biggest fun of this old man Li Chungang, who picks his feet in sheepskin, is that he got acquainted with the maid of the Beiliang Wangfu who walked with Xu Fengnian, and she was also the princess of the dead country of Western Chu - Jiang Ni. likes to quarrel with this Jiang Ni who seems to be in a green robe on the carriage, and I also like to watch the bickering between Xu Fengnian and Jiang Ni's mortal rival.

On the Yongzhou side road, Li Chungang flicked his fingers to string raindrops to gather swords, piercing the red armor man, a move immortal kneeling, and the red armor died!

Then go to the ghost gate, watch the scenery and remember the old people, and talk about the past. When Wu Liuding blocked the river with the sword mound of the Wu family, he opened his mouth to borrow a sword, floated out of the bow of the boat, looked up and laughed, and turned around to just understate a move and a sword. Slash the river with one sword! Return to the Heavenly Realm!

Self-enlightenment: I, Li Chungang, want to be very heavenly? A sword is enough! A sword celestial phenomenon, there are no surprises, only a wry smile, untie the knot, look at the river and the cliff from afar, return the sword, and return to the cabin.

Enter Lao Mountain, go out Lao Mountain. In Chunshen Lake, Li Chungang's body fluttered like a green dragon, and he overturned the Yellow Dragon Boat with one foot!

The new martial arts list was released, and Li Chungang, who came out of the rivers and lakes again, ranked eighth in the world! Jiang Ni was angry with him.

The reeds outside Xiangfan City were swinging, and Wu Liuding competed with the sword, showing Xu Fengnian and Jiang Ni in a picturesque sword style, and broke Wu Liuding again. After the war, he entered the road with a sword, hit the heavenly bell with one finger, and saved the phoenix year with a snap of three thousand fingers.

The top of the mountain taught Xu Fengnian two sleeves of green snakes and entered the south of the Yangtze River. met Cao Changqing in Tsing Yi, and Jiang Ni, the princess of the dead country, accompanied the deceased minister Cao Changqing to leave.

Out of the south of the Yangtze River, on Longhu Mountain, down Longhu Mountain. Then go to Weishan Daxueping, see the Confucian saint Xuanyuan Jingcheng into the land immortals, in order to protect the safety of his wife and daughter, please the ancestors to die.

Li Chungang saw this situation and this scene, and was lonely and reminiscing. "The sword is coming!" All the swordsmen in Weishan took out their swords together, and all kinds of peach swords in Longhu Mountain were unsheathed, flying towards the big snow ping, two swords, covering the sky and the sun. On this day, Li Chungang re-entered the realm of land immortals!

Li Chungang and Xu Fengnian, who re-entered the land immortals, came to Emperor Wu City. He had been lonely in the rivers and lakes for too long, and he only said one sentence: "Wang Xianzhi! Li Chungang has come to visit the East China Sea, borrowed the sword of the city, and fought with you!" About 1,900 swords were unsheathed at the same time, and they all hung in the sky! Wang Xianzhi blasted into the East China Sea like a meteor, Li Chungang jumped the head of the sword, and 1,900 swords pointed directly at the East China Sea, and the sword walked.

Wang Xianzhi remembered the grace of the original sword and opened the sea to see him off. The two did not win or lose, and Li Chungang calmly admitted defeat.

The old man in sheepskin Qiu is no longer the competitive Li Chungang.

Xu Fengnian and Li Chungang and his entourage returned home, passing through the Guangling River, Xu Fengnian and the King of Guangling competed, Li Chungang was full of pride, "When the Wu family broke ten thousand swords, the old man alone could top the nine of them."

One man and one sword for half an hour, and more than 2,600 armor pierced! Unparalleled in the world! This was also Li Chungang's last battle in the world, and King Guangling was terrified.

The old man in sheepskin fur who walked alone in the afterglow of the sunset seemed to be in tune with the dusk. Seem... The whole world is old

One person, so that the whole rivers and lakes have grown old.

When I still have four or five years to live, I don't want to decay and die of old age, I don't want to see the day when I can't lift my sword, I don't want to fly.

Pull out the ancient sword that has not been unsheathed for half a hundred, and with a light sword, split the entire cliff, and borrow the sword Deng Tai'a to help him defeat Tuoba Bodhisattva and achieve land immortals.

Deng Tai Xie and Li Chungang opened the mountain for the younger generations of swordsmanship.

Li Chungang's sword path is coming! A sword opens the sky, a sword opens the mountain! When he goes, he opens the gate of heaven!

At this point, there is no Li Chungang in the world, and there will be no second Li Chungang. In the world for 500 years, there is only one person.

Li Chungang stepped on the Guangling tide to cross the river and came out of the rivers and lakes, and ended the rest of his life with a green robe.

After the old sword god returned to heaven, Huang Sanjia said this: "Tsing Yi fluttering, fighting the sword rivers and lakes, let the whole rivers and lakes look up." Life is coming, the last sword is still a new sword immortal, and Li Chungang can have such a skill. died a well-deserved death, but I don't know if Li Chungang really died without regrets. The old man laughed at himself and pointed to the tea, "People go to tea and cool, and it won't be long before the rivers and lakes will only see how Deng Tai'a is beautiful for a while, forgetting that Li Chungang once gave kendo an unparalleled elevation again and again." In my opinion, there can be no old man like Wang Xianzhi in the world, but there can't be no real merry man like Li Chungang. ”

In the past, the young man's robe was white-clothed and snowy, a sword was cold, there were hundreds of demons in the world, gods and Buddhas were full of heaven, thousands of rivers surrounded mountains, I was free from a sword, and thousands of troops were easy. Kendo has been around for a thousand years, and I have been alone for a hundred years. White-clothed and snowy, walking alone. However, the love word is difficult to understand, once life and death are separated, one sword, two swords and millions of swords, what can be done without her? It's better to sigh twice with drunken eyes in the barren mound, green robe.

Heaven does not give birth to Li Chungang, and the way of the sword is like a long night.

Sword God senior, go all the way......

I've been chasing it lately, and I like it.

Turn: "Forty Thousand Years of Cultivation".

It can be said that in the vast sea of online novel books, "40,000 Years of Xiuzhen" is a very special one. This special is not superficial, but reflected in its deep connotation, if it is anthropomorphized, it is a person with a public face, but the more you get in touch with it, the more you understand, the more different it is.

Not long ago, in a WeChat group, friends also talked about this book, at that time, some people thought that this is a good work, but its science fiction classification is a bit nondescript, it is a standard pseudo-science fiction in the cloak of science fiction, because its "fantasy" is fantasy enough, but where does the "science" come from?

I was very much in agreement with this point of view at the beginning of reading, and even before I read it, I already felt that something was wrong.

After I started reading the text,I'm more and more sure that the author is misclassified.,This is obviously this Xianxia text.,Although the background of the work is a more developed society similar to the future world,But the core of the work is obviously on the cultivation of truth.,As for those science fiction elements,It's just a speculative setting.,It's even more "pseudo" against the backdrop of the elements of cultivation.

However, as I read deeper, as the forces of one side surfaced, and as one thought-provoking question after another was raised, my opinion of this book changed little by little, and when I began to review the work, I suddenly realized that this is really a science fiction novel, and its essence is a science fiction in the guise of Xianxia, not a Xianxia in the guise of science fiction as I thought at the beginning.

When it comes to science fiction, I believe that the first thing that many people think of will be physics, or astronomy, followed by biology, computer science and other disciplines, in short, they are biased towards the side of natural science, and few people will think of anthropology, sociology, philosophy and other humanities, but in fact, we cannot deny that these also belong to science, based on the fantasy of these fields, should also belong to science fiction.

So, what is the fantasy of the work "40,000 Years of Cultivation"?

In my opinion, in the final analysis, it is two words - civilization.

From ancient times to the present, all kinds of fantasies about civilization have not stopped. Where does civilization come from? Where is civilization going? Is there an extraterrestrial civilization? Will civilization be destroyed...... A series of questions that inspire people's imagination. Pangu opened the world, Nuwa created man, Adam and Eve stole the forbidden fruit, and these myths and legends represent our reverie about the ins and outs of civilization.

In "Forty Thousand Years of Xiuzhen", there are also various imaginations about the origin and development of civilization on a cosmic scale, such as the Pangu tribe, which is suspected of creating human beings, is likely to be the father civilization of human beings.

Some people may say that such conjectures are pure fiction and have no scientific basis, which is true, but the crux of the matter is that no matter what the truth of the facts is, whether human beings were really created by other civilizations, and no matter what kind of civilization created civilization, it does not affect the novel to raise its controversial issue - if there is a parent civilization, what kind of situation will it be when "father and son" meet?

How should we deal with our "father"? Are the interests of "father and son" identical? If there is a conflict of interest, do we obey our father's civilization or even sacrifice ourselves to help our father's civilization, or do we betray our father's civilization or even "kill our father"?

If it is the latter, is it possible for us to succeed in rebellion? Will the paternal civilization be far more advanced than we can imagine, and even plant the command of obedience directly in our genes?

And if there is no parent civilization, and we humans are the first generation of civilization, then is it possible that in the future, we will develop our own sub-civilization and create a new civilization race? For example, artificial intelligence?

If one day, our sub-civilization is born, how should we face it? Should we give it an order of absolute obedience? Is it possible for the sub-civilization to rebel against us?

This series of questions is actually not beyond our imagination, and even in real life, we can find their shadows everywhere. For example, in a sense, Britain can be regarded as the father civilization of the United States, but the result is that the "son" is out of the control of the "father".

It can be said that these problems are not new, and some can even be regarded as clichés, such as the rebellion of artificial intelligence against human literature, film and television works, which are already too numerous to mention. However, in response to these old questions, "40,000 Years of Xiuzhen" gives a lot of unique and in-depth thinking, and more importantly, through the attitude of people towards the civilization of the father and the son in the book, it stimulates our pride in our own civilization.

Maybe our civilization is not the strongest, nor is it the best, but through our efforts, we can definitely make it better!

Of course, the entanglement between the civilization of the father and the civilization of the son is only a corner of the book, and more questions and more thoughts are raised in the work.

For example, on the question of good and evil, the book cites a case of claiming to save more people, but using tens of millions of civilians as bait to wipe them out with the enemy's army. Is it a heinous crime to kill millions of innocent people in this way?

There are many similar situations in the book, such as the ship, which has been on the run for thousands of years, and the speaker planned to spread a virus to kill most of the people on the ship when it was in a resource crisis. It's just that the speaker is not for his own interests, simply because the resources can't feed everyone, and the virus is spreading randomly, and there is an equal chance of killing himself, as well as his relatives and friends. In this case, is the Speaker's planned actions evil?

There are too many such cases in the book, and they are often just a very ordinary supporting role, which can cause us to think about a series of things. Of course, the core of the book is the so-called "Great Dao Battle", such as the confrontation between the Star Federation and the True Human Empire.

On the surface, this confrontation is a battle between the Dao hearts of cultivators and an interstellar war for land and resources, but in fact, it is a dispute between the advantages and disadvantages of two completely different social forms, and it is a reflection on the development of civilization.

In the early days of the work, the True Human Empire appeared as an absolute villain, looking extremely evil, the immortal cultivators were high, and ordinary people were not even considered human beings, but were treated as beings such as pigs, dogs, cows and sheep.

But gradually, as the plot unfolds, more of the true human empire is revealed, and it gradually gives people some different feelings.

We found that the empire of true humanity seems to have a reason for its existence, and there are many seemingly convincing and plausible theories, and in the face of such a realistic environment, in the face of the powerful oppression of foreign enemies, it seems that such a system is also a last resort.

At the same time, it does not seem to blindly oppress ordinary people, but also provides an upward channel for ordinary people to work hard and eventually transform into immortal cultivators, and the children and descendants of immortal cultivators, if they are not capable, will also be relegated to the bottom of society.

Doesn't that seem reasonable and fair?

However, the author Wo Niu Zhenren did not wrap himself in, and clearly pointed out the core of the problem in the plot.

Yes, a free society in which everyone is equal is not necessarily the most efficient, not necessarily the most powerful, may not be able to defeat the enemy, may not be able to make civilization last longer, in short, in this universe of survival of the fittest, a civilized society like ours may not be the most "suitable".

But so what? Are we, humans, our civilization, just to live? Cockroaches are more adaptable than humans, but are we going to evolve into cockroaches?

We have ideals, we have pursuits, we also have to give up, there are sacrifices, we will often know the results of the situation, make a choice that does not meet the maximization of interests, from the perspective of winning, maybe we are defeated, but this is not exactly our beauty, does not represent the light of civilization?

This may be regarded as our human shortcoming, and it may represent our imperfection, but isn't this imperfection exactly what we are proud of?

I remember that at the beginning of the work, when the protagonist had not really become a cultivator, he met a big man on the train, that was a cultivator, and he was also a master of refining, he was not short of money and status, but he still mixed with many ordinary people and took cheap cars, and did not choose special treatment.

Faced with the protagonist's question, his answer is simple - if cultivators like him go to luxury cars, who will protect ordinary people when they encounter danger?

The answer is simple, but it is so shocking. I remember that this novel has been serialized for almost two years, and I don't remember the name of the alchemist, but this conversation has always haunted me, because this is the best thing about our humanity, our civilization.

In recent years, the theory of the dark forest has become popular in the science fiction world, and it has also spread to the online literature world. Imagining the dark and cold universe, we do feel helpless, frightened, and cold in our hearts, but fortunately, there is still "Forty Thousand Years of Xiuzhen", as it says in its introduction-

"If this universe is really a cruel and bloody dark forest, we cultivators will also burn our own lives and bloom faint sparks!"

"No matter how faint, short, or small this spark is, as long as we keep going, one day, the spark will ignite the weeds, the weeds will burn the shrubs, and the shrubs will spread to the trees!"

"Eventually, a small spark will set off a prairie fire in this dark forest and illuminate the whole world!"

I believe that different readers will have different feelings when reading this novel, and this spark in the darkness is the deepest feeling that "40,000 Years of Cultivation" has brought me.

In addition, what impressed me the most was the attitude of the cultivators in the book towards inheritance. In the face of the legacy of our predecessors, in the face of the lost secrets, in the face of the relics of ancient civilization, what attitude should we have?

We see that in many literary works, some are dismissive, thinking that outdated things are rubbish, but more are regarded as supreme treasures, and they are desperate to fight for the ancient inheritance, and they are eager to burn it after they are familiar with it, so as to prevent it from being seen by a second person, and they are careful when cultivating, for fear of making a mistake......

In "Forty Thousand Years of Cultivation", the cultivators are also working hard to excavate the relics of ancient civilizations, the difference is that they will make it public after discovering the ruins, and gather the strength of everyone to explore and study together, and for the ancient inheritance, they respect the wisdom and achievements of their predecessors, but they do not blindly follow, they will study, eat thoroughly, improve, and finally complete the transcendence of their predecessors, and each generation is stronger than the next.

Maybe the ancient civilization was very developed, maybe the distant enemy was very powerful, but we have self-confidence, as long as we are given a certain amount of time, we will definitely be more developed and stronger.

This enterprising spirit also represents the light of civilization that we are proud of. Maybe we humans are very weak and backward, our ancestors only knew how to defeat prey with stones and sticks, even if our current scientific and technological strength, perhaps in the eyes of aliens, is only the level of stones and sticks.

But so what? As long as we continue to study, as long as we continue to develop from generation to generation, we will eventually go to glory!

In fact, this point is also clearly reflected in the field of online literature. Those early writers, they were very talented, their works fascinated us, and as we grew up, they were predecessors worthy of our eternal respect, but that does not mean that we should regard their works as classics and as unattainable pinnacles.

We will study those old books with respect, and then stand on the shoulders of those who came before us, communicate with many other writers of the same generation who also stand on our shoulders, and create higher peaks with our own hands, and then wait for them to be surpassed by those who come after us.

It is precisely because of this that online literature will give birth to a pinnacle work like "40,000 Years of Xiuzhen", and because of this, there will be more and better works in the future, making the mountain of "40,000 Years of Xiuzhen" more and more inconspicuous.

I'm proud of our human civilization! I'm proud of our online literature!

May our civilization become brilliant day by day, and may our works become better and better!

Turn: "Let Go of That Witch".

It's hard to say what made me want to write a review of this book, maybe it's because it's a breath of fresh air in the online literature world, maybe it's thinking about it, maybe it's because I saw the name O'Brien.

Maybe it's because I'm thinking a little too much, but in my case, the evaluation of this book has changed from "a novel story" to "an ambitious work by the author".

In other words, the author has what he wants to express.

Before we get into spoilers, we need to mention an extremely important work, and that is 1984.

In this dystopian masterpiece, humanity lives in totalitarian ways, and the war between the world's three remaining superpowers is simply to consume excess supplies – and to keep the people at the bottom in awe of the party.

Why do I mention "1984" in such a farming stream web novel?

Because that man's name is O'Brien.

The author has set up a number of metaphors in the book, the words of the church people, the setting of the worldview, and the unknown devil all hint at the reader in a roundabout way, and this place has been so straightforward that it is almost explicit.

Why am I mentioning O'Brien?

In "1984", it is this O'Brien who transforms the mind of the protagonist Winston, making him a completely insensitive advocate.

It's a rather complex character, and we're not going to talk about it here, because it's a bit too much of a stretch.

What I want to convey is this: why is there such a name in "Let Go of the Witch" (hereinafter referred to as "The Witch")?

The secular purpose of the church in this story is to establish "the kingdom of God on earth where all men are equal." In order to fight the enemy, they wanted to overthrow the feudal kingship, let the church govern the world, and establish an idealized system.

Why idealization?

Because the Church tried to abolish the royal power in a situation of extreme low productivity. This is the first contradiction in this book: the contradiction of everyone.

The author borrowed the name O'Brien to try to deepen this layer of contradictions, but unfortunately it did not achieve the goal.

This character exited too quickly, and too little was revealed by his hand, which I personally think is a failure. However, in order to accelerate the development of the plot, it is really helpless to sacrifice a character that adds depth.

There is also a contradiction between witches and mortals.

Witches were once the rulers of the world, treating mortals like grass, but they were overthrown by mortals. This familiar sense of immediacy appears in every corner of the history books, and there is such an irreconcilable contradiction between the ruling class and the ruled, to the Federation, I can only say, your country pill.

Oh no, it seems like ethane in this country.

I just mentioned the "first layer of contradictions". In fact, there are two contradictions in this book, the second layer is the contradiction between man and God.

The people in the church in the story repeatedly mentioned the "smile of God." At a time when humanity wants to seek moral affirmation from its actions against the devil, God's will is described as "smiling."

Undoubtedly, a smile is a positive emotion, but its meaning is ambiguous and ambiguous.

The church that the author depicts has a doctrine that is different from religion.

Humans are ants, and God takes pleasure in the war between ants, and the ants who win the war are favored by God. Unlike ants, humans are not fighting creatures of their own kind, but devils.

According to Descartes, God is an absolutely complete set that exists in itself but cannot be understood or observed. Hegel has elaborated on this as well, but that is beyond the scope of my discussion.

In a sense, the same is true of the gods in The Witch.

He didn't care about human needs or prayers, He just wanted to see humans fight with the devil for their own pleasure.

The need for their own sacredness and God's indifference create a contradiction between the fact that man thinks he is the Lamb of God, but in fact he is only God's fighting dog.

With human morality, such a god is undoubtedly an evil god.

But does God care about human morality?

From the Cthulhu Mythos to "The Night", in the hearts of most people in the world, there is actually more fear of God than worship.

Somehow, as I was writing this paragraph, I suddenly thought of a description from The Hitchhiker's Guide to the Galaxy.

The harshest torture in the universe is the panoramic perspective vortex, when you are thrown into the vortex, you will see the whole universe in an instant, and then point the arrows in larger and bold font at a point that is countless orders of magnitude smaller than a pixel, and read: You are here.

The fear of the infinite, the divine, the unknowable, constitutes the fragile spirit of humanity.

In the face of this pressure, some people will succumb, and some will resist.

The human-god contradiction on the second level gives rise to the human-human contradiction on the first level, which promotes the development of the story.

There is a clear difference in the attitude towards the will of God, the church and the protagonist's side.

The Church acknowledges and confronts God's will to do whatever it takes to carry it out. And the protagonist, as a science student who has crossed over from the earth to another world, naturally does not agree with the sacredness of God. Without much thought, he took in the witch and used her superpowers to climb the tech tree.

Although on the surface, there are many similarities between the church and the protagonist, both want everyone to be equal, and both want to concentrate on fighting the devil, they are fundamentally different.

The purpose of the church is to please God, the purpose of the protagonist...... Now it is about improving productivity and making a good life for the people.

The main character set by the author is all tasked with confronting these contradictions. Whether it's against the gods or against the nobility.

He is not a fitter (look at the protagonist of "O Breaking the Sky", except that the background is a traverser, how can he still look like an earthling), but a spoiler, changer, and leader.

He uses his knowledge, combined with plug-ins (witches), to climb technology like crazy, just to "build a world where ordinary people and witches can coexist peacefully".

In a sense, the protagonist described by the author is a communist, but he is a sober communist.

He knew that royal power could not leap over to democracy in one step, so he led the people with the help of his royal bloodline.

Of course, I wouldn't say "if he wasn't a prince" as stupid as to why meteorites always fall in craters.

To sum up, "Let Go of That Witch" actually has considerable ambitions.

The author wanted to add a little personal goods in the process of upgrading farming, but it doesn't seem to be well written.

Personally, I'm still looking forward to the follow-up development, after all, this novel is really good.

Of course, due to the speed of reading, I only see about 400 chapters now, so if there are any mistakes, omissions, or fallacies in my book reviews, please point them out, and I would appreciate it.

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Church: Strict division of labor, ambitious planning, high execution, pure idealism

The protagonist: live in peace, farm and live, open the harem, and only think about his own one-third of an acre

So, we can actually tell at a glance who will win in the end.

"I want to live a peaceful life", "I'm just an ordinary lord", "Don't come and disturb my life" or something, well, you know.

In general, those who dare to say this sentence in novels and anime are either the protagonist or the protagonist.

The above recommendations are all very good-looking, I hope you like it.