Miyazaki Rokudan returned to the "Silent Light" with Director Hirano, and he sat down in front of the chessboard, still smiling and demeanor, and the episode didn't seem to have much effect on him, but his face was still more cold and helpless than before.

He lightly slapped his palm with a folding fan: "I'm sorry, I've been waiting for a long time, let's start." With that, he nodded slightly to the chess watchers, and then bowed slightly to Xie Yi as a polite salute before the official fall. Xie Yi sat straight and didn't return the salute, her eyes just fell on the chessboard, and she didn't even lift her eyelids.

Miyazaki's face remained unchanged, and he didn't seem to care about Xie Yi's rudeness, he picked up a black piece, looked at the chessboard, and the two black pieces that were handed down were placed in the two diagonal positions in the lower left and upper right corners, and the first hand of white chess occupied the lower right corner. After a moment of thought, Miyazaki landed the chess piece in his hand on the star position in the last corner of the board.

Xie Yi responded almost in the next second of his fall, the white chess was-for-tat, and the corner was hung by a small flying hand, which was pointed at the low position of the black chess that had just fallen, and directly provoked the competition on the corner with a ferocious and domineering momentum.

Miyazaki Liudan was not in a hurry to deal with Shay's attack, he touched his chin, smiled slightly, and landed on the star position again. This time it was the left side of the board, the star position on the side, and the three-piece black pieces suddenly joined into a straight line on the left side of the board, forming the classic three-star layout.

As soon as he fell, Xie Yi immediately followed with another hand of rapid chess, and the white pieces struck the board crisply, looking confident and aggressive, and this hand also landed in the upper left corner near the boundary of the chessboard. White actively seizes the ground on the corner, full of tiger devouring whale swallowing inevitable gesture.

The atmosphere of the game suddenly became fierce under Xie Yi's strength, and Miyazaki Rokudan was not immune to the infection, and responded with rapid chess, and the two sides fell like flying, and soon played dozens of pieces. The layout stage of the arrangement of troops is over, and the chess game begins to enter the middle of the fierce battle, and the black and white sons each show their grandeur, and the layout intentions of the two have become clear at this time, and even Sun Suhe, a low hand, has gradually seen the way.

Miyazaki's six dans are clearly a cosmic flow layout, and the triple star at the beginning is a classic move in this layout.

There is a cloud in "Xuanxuan Chess Sutra": "The high one is in the belly, and he gets it by taking advantage of it." "The mystery of the cosmic flow lies in this, not confined to the competition for one time and one place on the corner, but emphasizing the overall situation, developing towards the vast space in the middle of the chessboard, and when playing chess, it is like dancing in the void in the center of the solid ground out of the corners, hence the name of the cosmic flow.

The saying that "the superior is in the belly" has been around for a long time, but in the 70s of the 20th century, when Japan's super-class chess player Masaki Takemiya Kudan created the cosmic flow, this large-scale strategy of emphasizing the mid-abdomen really began to shine.

This is because the value of the mid-belly was not really re-examined until the new layout revolution of the early twentieth century. Previously, chess players were generally obsessed with the competition on the ground in the corners and neglected the midbelly. After all, the golden horn and silver edge grass belly are the golden rules of Go that have been passed down since ancient times.

The second reason is that the layout method of the cosmic flow has high requirements for chess players, who must have both strong mid-game killing power and a clever sense of global balance.

If there is no strong killing support, it is often difficult to enclose a big appearance in the middle of the chessboard, and people directly parachute into your heart to stir up the wind and rain.

The repeated selection and judgment of the overall situation is the essence of the cosmic flow, how to make a choice between the field and the general trend, how to turn the empty appearance into a solid ground, these all require keen sense and accurate decision-making to support.

"Miyazaki Liudan first has two advantages in hand, and the corners of the business are steady and steady, which is a situation of steady profit and no loss, but he chose the layout of the cosmic flow and operated the mid-belly as early as possible, which is to deliberately show off his strength and win this game beautifully with an absolute advantage. Sun Suhe sighed in his heart, sure enough, Xie Yi's arrogant words and deeds still angered this gentle chess player, and the pride of the profession could not be insulted.

Interestingly, the strategy chosen by Xie Yi in this game is exactly the opposite of Miyazaki's six dans. The opponent is a bold march to the sky and the universe, but she plunges headlong into the dirt. Xie Yi landed a large number of low-level moves close to the boundary of the chessboard, calculating every inch of land, firmly grabbing every inch of the corner, not seeking a good chess shape, only seeking to achieve the goal, once there is a local advantage, he will quickly set the shape, rather give up the greater possible changes, but also determine the territory in hand first, and fight for victory step by step.

This kind of play is stable and pragmatic, and it is a very practical winning strategy, but there is one biggest problem, that is, it is easy to play too inefficiently. In particular, many beginners naturally like this way of playing, and when they play chess, they often lose their eyes and spend a lot of energy to save a small piece of turf, but the opponent has already surrounded ten times the open space of yours.

Only when the master uses this winning strategy, with the support of profound basic skills and clever computing power, can the shortcomings of low efficiency be eliminated to the greatest extent, so that this seemingly clumsy method can be turned into a big and clumsy bladeless heavy sword, which is invincible.

Kobayashi Koichi and Zhao Zhixun, the Japanese super-first-class chess players who are as famous as Masaki Takemiya, are very fond of this kind of play, and in this way, they have created a remarkable record and become a great master in the world chess world.

In addition to victory, many seekers pay more attention to the glory and snow in the process of chess, which lacks artistic beauty and is not flattering in their eyes, but it is undeniable that one victory after another is solidly harvested, which inevitably makes them annoyed and helpless. So much so that Kobayashi Kobayashi's nine-dan method was jokingly called "subway flow", and Zhao Zhixun's nine-dan was jokingly called "burrowing mole".

Xie Yi's layout strategy in this game of chess is deeply rooted in the samadhi, quite similar to the Ming Taizu Zhu Yuanzhang's "build a high wall, accumulate grain, and slowly become the king", first lay a solid foundation, and then highlight the surprise soldiers to compete in the Central Plains.

With Sun Suhe's shallow level of Go, he can only see a rough approximation, and as for the subtle and mysterious calculation games in the chess game, he can't taste it. But Director Hirano, who was sitting across from him, was a true professional seven-dan chess master.

At first, Director Hirano was a little contemptuous of Xie Yi's approach, thinking that she was too greedy for the truth, which was really short-sighted. But after watching more than ten hands, he already knew that he was very wrong, white chess is mature and sophisticated, the rules are strict, and he shows his master's demeanor in plainness, and he clearly has a great strategy in his chest. The two sides showed their abilities and went toe-to-toe, which made Director Hirano very happy. Almost all professional chess players have an unusual chess addiction, and with such a wonderful game just around the corner, Director Hirano has already seen everything and is fully engaged in this black and white world. Sun Suhe was secretly a little amused in his heart, he didn't need to look at the chessboard in this game, he only needed to look at the changing and rich expressions on the faces of Director Hirano to know how the two sides were fighting.

At this time, on the chessboard, one is the general trend, the other is forced to take the ground, each has its own strategy, and it is not clear who is superior and who is inferior, and the next will be the middle game of the real showdown, only to see Director Hirano looking left and right, his brows furrowed and stretched, stretched and wrinkled, and the loose muscles on his face shook from time to time, it was obvious that Miyazaki Liudan and Xie Yi had begun a close fight with a white blade handover.

The dragon that walks high in the sky, the tiger that stands tall in the mountains, who can win the championship, no one can give an answer at this time, but Sun Suhe can already be sure that Xie Yi really has real materials, her words and deeds are arrogant, and there is a genius who supports this arrogance.

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