A melodious piano sounded, and everyone listening to it was refreshed, as if they were in it. Pen @ fun @ pavilion wWw. ｂｉｑUｇE。 ｉｎｆｏ

"Mountains and Flowing Water" is the most well-known and representative repertoire in the traditional repertoire of Guzheng, and is one of the top ten ancient songs in China. In China, Zhejiang, Shandong, Henan, Wulin and other places, although the Zheng schools have circulated "High Mountains and Flowing Water", they are very different. Among them, Zhejiang's "Mountains and Flowing Water" is relatively difficult to perform.

Zhejiang's "Mountains and Flowing Water" is close to the world, and it has the most performances. This song was first seen in China's earliest existing collection of qin songs, "Magical Secret Score", which wrote in the caption: ""Mountains and Flowing Water" is only one paragraph, and it is divided into two identical songs to the Tang Dynasty, without paragraphs. The Song Dynasty was divided into four sections of "High Mountain" and eight sections of "Flowing Water". The music takes the famous ancient Chinese music story "Boya Wrestling the Qin Xie Zhiyin" as the theme, showing a kind of realm of "towering like a mountain, like a river and sea". The first half of the song uses a "big handful" with a sliding two octaves, a rich and beautiful timbre, depicting the majesty of the mountains; In the second half of the piece, a large number of up and down scraping techniques are used in a large number of strokes at the same time, delicately depicting the different forms of flowing water, from a trickle of water to a gentle back to a confluence into a river. "Mountains and Flowing Water" is a freehand work with melodious melody, elegant and fresh style, simple and elegant rhyme, and far-reaching artistic conception. To perform this work well, it is not mainly in terms of technique, but it takes time to accumulate, and it is necessary to constantly explore the connotation of the artistic conception and strive to express the inner profound artistic conception of the music.

In the first section of "High Mountain", the technique is mainly the mastery of double octave fingering, and the guzheng is a plucked instrument, and it is impossible to express long notes without finger shaking. In this piece of music, it is required to "pull" the note very long, to lift the strings invisibly, not only to control the finger method, but also to use the breath to penetrate, so it is necessary to control the mood in the performance, so as to express the ethereal and distant feeling.

The fingering technique of the middle passage is very simple, what you should pay attention to is to grasp the tempo, not too slow, to make the music very flowing, and adjust the tempo at any time in the performance. If you feel that the tempo at the beginning is slowing down, be sure to bring it up later in the performance. On the other hand, there are many emotional changes in the musical treatment of the music, sometimes soft; Sometimes smooth; Jumping from time to time; Sometimes lively, in short, it is a musical passage that flows in change, for example, there are a few bars, which are processed so that the middle finger of the right hand is accentuated, pressed down, and the left hand is constantly gliding up and down, which sounds like throwing a stone in the water, and the layers of water waves formed in the water, such a musical image is very vivid. The last section of the piece is the most difficult part of the piece to play. First of all, it is necessary to play the melody clearly in the scratching, pay attention to the force of the two fingers in the use of technique and fingering, be light when scratching, and hook out the tone vigorously when the melody is played, and the upper glide of the left hand is also very important. It is also important to pay attention to the fact that the right hand should not be broken when scraping, and the artistic conception of continuous flow of water and endless life is expressed through the use of technology. In addition, in terms of musical processing, the form of water should be expressed with fingers and breath. Under the reminder of the strength and weakness marks on the beatmap, it is also necessary to have its own handling and control. The water changes in nature, from the murmuring of small streams to the majestic east of large rivers, and the rushing of waterfalls. This requires attention to the grasp of emotional changes in the previous paragraph.

This piece is a difficult piece for the player. It takes a long time of careful training and thinking to play it vividly and beautifully.

In his previous life, after Tian Sisi killed his father's whole family for the first time, the sound of them screaming in the fire would always sound in his ears, and he became anxious. In order to calm his mind, he practiced this song "Mountains and Flowing Water" like fire.