Chapter Seventy-Six: Appreciating Paintings

Although Chen Geng didn't know Yu Dewei, after listening to Yu Chao introduce him as a member of the Yu family, he immediately understood his identity. Chen Geng is the director of the pen %fun %pavilion www.biquge.info and he has a lot of contact with all kinds of people, plus he has had antiques and tomb robbing elements in his previous plays, so it is not surprising to know the "Bright-eyed Four". So he became more and more curious about how this big Buddha came.

Jiade Auction House has the shares of the "Bright Eyes Four", and not many people know about it, let alone those who are not insiders, and no one cares about this. It is precisely because of the shareholding of four companies that Jiade will rise so fast like a rocket.

Chen Xiao stood aside, caught a glimpse of the change in Chen Geng's eyes, and guessed that this fat man who was not good-looking should have an extraordinary background.

Although Yu Dewei comes from a behemoth like the "Bright Eyes Four", like Chen Geng, who is literary and artistic from time to time, there are not many commercial parts in his works, and the literary youth and the axis are almost certain, and they must not bow their heads and carry them clearly like another director Zhang.

Seeing him coming, Chen Geng didn't take the initiative to say anything, and his attitude was not enthusiastic or indifferent.

But Yu Dewei is different, as soon as he saw Chen Geng, he was very enthusiastic, if it weren't for the expression on his face that was too much, Chen Xiao might really think that they were good friends.

"Director Chen, it's better to see than to hear, I went to the cinema to watch the new drama this time, it's very good!" He knew that Chen Geng had just heard what Yu Chao said when he filmed a new drama, and as for going to see it, it was pure nonsense. To use a line in Shaolin football, he is up and down hundreds of thousands of minutes in minutes, how can he have spare time to go to the cinema to watch a movie.

"You've got it." Director Chen Da is reborn, and the typhoon is steady.

"Xiao Yu told me that you have two ancient paintings for appraisal and want to make a move, but I just don't have anything at hand, so I came over to join in the fun." Regarding his appearance, Yu Dewei explained lightly.

"With Mr. Yu's help, it is naturally something that cannot be sought." Chen Geng finally showed a hint of joy.

In the final analysis, it was his business, Chen Xiao followed: "There is Mr. Laoyu." After speaking, he handed the two scrolls in the box to Yu Chao.

After taking the painting, Yu Chao didn't open it, "Two of you, please." ”

Following him and Yu Dewei, Chen Xiao and Chen Geng entered a studio at the auction house. Times have changed, and many identifications have been confirmed by technical means, no longer relying only on hands and eyes. However, in many cases, you can't break a piece of intact porcelain to verify the authenticity, and you have to go back to people. In antique identification, technology is only a means, and talent is fundamental.

There are all kinds of tools in the studio, Yu Dewei put on gloves, put a magnifying glass in his hand, and slowly spread out the paintings, his whole temperament has changed when he is appreciating paintings. If he made Chen Xiao think that he was an authentic foodie before, now Chen Xiao has no doubt that he is a master appraisal.

The first picture he opened was a picture of flowers and birds, which was one of the subjects that Tang Yin was good at. The painting is about forty or fifty centimeters wide, and the whole is about more than a meter long.

The painting is very well preserved, and Yu Dewei frowned. Because from his experience, it is almost impossible for a work that is a little older to have such a level of preservation in existence.

When he was looking at it, Yu Chao and Chen Geng were also looking at it, although Chen Xiao was recommended by Chen Geng, but in fact, this painting was the first time Chen Geng had seen it.

Halfway through the painting, Yu Dewei's movements stopped. couldn't go any further, he even had the illusion that he had been tricked, because on the far left side of the painting was written Chenghua Jiachen Qiu, and the inscription was Tang Yin.

Yu Dewei roughly calculated along the time, it was the twentieth year of Chenghua, and for Tang Bohu, who was born in the sixth year of Chenghua, he had not yet reached the crown, and there may not be Bohu's expression.

Tang Bohu that year was not yet the first in Tong Hair.

Chen Geng was also stunned, he was not only not unfamiliar with the name Tang Yin, but on the contrary, he was very familiar with it. In his early years, he once supervised a film about the four talents, which was hailed as a box office disaster in the new era. It has little to do with the director and the script, but the theme of the four talents has been filmed badly, and the audience doesn't buy it at all.

But this does not affect a genuine painting of Tang Bohu, which will definitely be sold for a sky-high price. This is the case with works such as "Thinking of Returning to the Picture of Riding a Donkey", "Sound of the Mountain Road", "Picture of a Prostitute in the Palace of Wang Shu" and so on. Among them, the transaction price of 3.59 billion yuan of "Lushan Waterfall View Map" is the most exaggerated.

The more valuable Tang Bohu's paintings are, the more embarrassed Chen Geng's expression is now, nothing else, if he had known that Chen Xiao had taken out this, he would definitely not take this job. It's like Xu Mei refused after listening to it.

It's so fake!

Chen Xiao stood aside with a calm expression, he was still willing to believe in the only remaining discipline of the game. Take 10,000 steps back and say, even if the painting is indeed fake, but who is the person who faked it? Too platinum star! I don't dare to say that it is seamless, but after all, they ordinary people can't find it. So Chen Xiao wasn't worried at all.

I have a general understanding of Tang Bohu's life, judging from the year of payment, it is his early works, and the value of the works is certainly not as high as later, and even the style of integrating the northern and southern schools of painting has not been formed, only a little rough shadow. This will probably affect the price of the painting, but it will certainly not affect the popularity of the painting.

"Why don't we do this one first, and we'll look at the other one?" Yu Dewei Xu thought that there was something to ask Chen Geng for help soon, so he adjusted his mood and said.

Chen Geng's face turned red and he didn't speak.

"Okay." Chen Xiao didn't care.

With the influence of the previous painting, Yu Dewei didn't say anything, but the movements in his hands were much faster, just from this point of view, he had complaints. But then again, with his identity, when he saw the nameless picture of flowers and birds, he didn't pat his butt and turned his head to leave, which was already to give Chen Geng face.

Halfway through this painting, Chen Geng's eyes were about to pop out, it was a landscape map, with a nondescript name, called Chivalry. There are two lines of poetry inscribed next to it, and the name is immortal, and then pick up the light to read the article. The payment is still Tang Yin.

But this time, Yu Dewei did not stop the movements in his hands, only to see that his expression was solemn, and his movements were slower and lighter than when he looked at the first painting. When the painting was fully unfolded, he picked up the magnifying glass that he had set aside and looked at it again. Approaching, retreating, changing multiple angles, holding his cheeks for a long time, the whole person seemed to be stunned.

Chen Geng finally noticed a difference.

This painting is called a chivalrous man, but there are no people in the painting, the mountain body in the painting is lofty and dark, only on the top of the mountain grows a young tree, with a little cyan. Like a little life in despair, it is the chivalrous man.

After a while, Yu Dewei said dejectedly: "I can't see it." ”

One way to say: both paintings are apocryphal.