Dragon King:

From "The Captive of Food"

March of the dead? Eight rooms: The knife-shaped imperial tool held by the black pupil. The Emperor, who has been evaluated as terrifying, can manipulate the person who was killed by this knife through a curse, and can control up to 8 corpse dolls, and the state of the puppet is the same as before it was alive and can move freely. SHE CAN EVEN MANIPULATE THE PUPPET TO TAKE ON THE ENTIRE NIGHTRAID. Its weakness is that the more corpses it manipulates during the activation of the eight chambers, the more it will reduce the ability of the host's black pupil itself, and after disarming the ability, it will become an ordinary corpse.

From "Chop? Crimson pupils! 》

Kinichi text: A knife-shaped courtier that will not be cured if the wound is cut.

From "Chop? Crimson pupils! 》

Kill with one slash? Murayu: If you are slashed by this demon knife, you will be infected with the poison from the wound and quickly die, and there is no antidote. It is very famous as a demon knife that kills with one blow, one knife kills, abrasions are death, there is no cure, it is cast for killing, but there are also weaknesses, you must be careful when holding it in your hand, and your fingers are cut to death. If you can't directly slash your opponent during battle, spells won't work, and they won't work on corpse dolls. His secret technique, Akatomi, is still unusable, but according to Akatomi, using the secret technique means abandoning his identity as a human being. The secret technique is to kill a loved one or friend's Horn (Possessed by Poison).

From "Chop? Crimson pupils! 》

Natural Fangs: 1. Slay the Messenger of the Underworld (Resurrection)

A person with a natural tooth has the ability to see the messengers of the underworld around the deceased, and by wielding the natural teeth and killing the messenger, the dead can be resurrected. This move cannot be used on people who have been resurrected through the Jade of the Four Souls. Each life can only be revived once with the Natal Fang. If it is activated with true compassion, a single swing of the sword can save a hundred lives.

2. Enchantment

The Born Tooth automatically places an enchantment for the wielder. In times of crisis, the sword will be activated by its own will.

3. Canglong breaks

The original mystery of the animation crew, for the mystery of the demonic spirit of the killing pill itself, can be used to fight ghosts and gods and natural teeth, and multiple thunder dragons can be released.

4. The waning moon of the underworld is broken

Originally, it was a move of the Reaper Ghost, but after the Inu General defeated the Reaper, he absorbed the Reaper's "Underworld Path Waning Moon Break" into the Iron Broken Tooth and separated it to create the Innate Tooth. The hidden attack move of the natural tooth can cut through the space, create the underworld, and suck the enemy into the underworld, which will generate a huge suction force and can even absorb another underworld. When facing the Grim Reaper, after the Innate Tooth and the Iron Broken Tooth resonate, he performed a complete Underworld Path Wanyue Break. The more perfect the Immortal Moon Breaking move, the closer the resulting Underworld will be, and the greater the suction, and finally this move will be returned to Inuyasha's Iron Broken Teeth, and the Natural Teeth will be transformed back into a healing knife that can only save people.

From Inuyasha

Enma Knife: Used as the weapon of Dante's brother Virgil in Devil May Cry 3, Virgil's knife is characterized by its extreme speed (his movements need to be slowed down to see clearly), and the slashing action is completed in an instant, while the beheaded object is still in place, and when Virgil completely puts the knife into the sheath, the subject shows the state after being beheaded. (See Smashing the Reaper Monster at the Top of the Tower and Stabbing Arkham)

Basic Attack: Attack key three times (keyboard j handle △) first hit the opponent with a quick scabbard, and then hit the opponent with a wide range of knives at once. Fast and powerful. The knife will knock the subject into the air (the corpse will be cut in half if killed) as a basic attack

Sprint Convergence: Lock key (keyboard spacebar handle R1) + character in front + attack button (keyboard J handle △) sprint forward at the same time as an instant multiple convergence (the number of knife lights is large but only one damage judgment), the range behind you is very large, and there is a 180-degree attack judgment in front of you. The distance is long, and the power is average. Can be chased or scattered (the target attacked from behind will be knocked away, and the one in front of you will be knocked down)

Air Slip: The air attack button twice is fast, has a great range, and is powerful. The second shot will knock the subject into the air. You can use the first attack with the stamping technique to perform aerial slashes.

Half Moon Slash: Lock + Directly Behind the Character + Attack, Pick the Object into the Air. Press again to perform a half-moon slash that knocks the subject into the air. More powerful but not practical.

JudgementCut: Press and hold the attack button, the blade glows and releases the space in front of the distorted blade to release spherical sword energy for a powerful cut. You can then tap the attack to achieve a multi-dimensional slash, up to a maximum of three times in a row. If you don't aim by spacebar, the spherical sword aura will appear directly in front of you by default in most cases. The target hit by the dimensional slash will be knocked down, which is extremely powerful, has strong tracking, and has a large range.

From Devil May Cry

Treasure Name: Brilliant King Sword (Clarent)

Grade: C

Holder: One of the members of King Arthur's Knights of the Round Table in Britain, King Arthur's illegitimate son Mordred.

Image: Magic Sword.

Allusion: A sword that was once kept in King Arthur's arsenal and represents the succession to the throne.

Abilities: Considered to be "more dazzling than any silver" and possess a sword of equal value to the "Calibur of Victory", but due to Mordred taking the sword without noticing, the level has dropped compared to the original.

Treasure Name: Akabara Hound (HruntingFrunting)

Grade: B

Holder: (from the Psalm Beowulf)

Image: A sword with a golden hilt.

Allusion: Unferth lent Beowulf the sword he used to kill the Water Demon. However, Beowulf was not only completely useless in battle, but was also dissolved by the blood of the water demon, leaving only the golden hilt.

Ability: The sword's trait is that as long as the shooter survives, it will continue to pursue the target until the target is killed, no matter how many times it is shot down.

Treasure Name: Cadre? Mo Ye

Grade: A+

Holder: Unknown

Appearance: The Gan is a crane winged sword with a black tortoiseshell pattern, and the Mo Ye is a crane winged sword with a white wave pattern.

Allusion: A famous sword inherited from China. It is a pair of swords based on yin and yang, male and female, based on the theory of yin and yang. In order to become a god's domain sword, he sacrificed the body of a husband and wife named Ganjiang and Mo Ye.

Ability: Has a special effect on monsters, and adds damage to all foreign objects, monsters, etc., or even dies. Using this husband and wife sword, you can use the famous skill "Crane Wing Triple Link".

Treasure Name: King's Treasure (GateofBabylon)

Grade: E~A++

Holder: King Uruk in Sumerian mythology, the oldest heroic king in human history [Gilgamesh].

Image: A key-shaped sword.

Allusion: It means "Babylon's Gate" in English. Gilgamesh loved to collect all the treasures of the world.

Ability: Access to Babylon, the capital of gold, and free access to items in the treasure vault. The level changed to E~A++ because Gilgamesh had put all the original Noble Phantasms in the treasure vault. In other words, the so-called E~A++ is the level of the items that are placed in the treasure house. If the treasure vault is not filled with a decent treasure, it is not such a useful treasure.

Treasure Name: Aroundight

Grade: A++

Holder: One of the members of King Arthur's Knights of the Round Table of Britain, Knight of the Lake [Lancelot].

Image: A magic sword with the sparkle of a lake under the moon.

Allusion: Like the "Excalibur Sword of Victory", it is a sword entrusted to humans by the spirit of the lake. Because of its common origin, its "tenacity" rivals that of the Sword of Victory of the Oath. The blades are engraved with elven characters. The sword is characterized by its indestructible blade, which shines like a lake under the moon. However, since Lancelot had used this sword to kill the Knights of the Round Table, he was disqualified from the Holy Sword and was classified as a magic sword.

Ability: Seal the true Lancelot of Lancelot's first liberation from other Noble Phantasm, and when this sword is drawn, all of Lancelot's parameter values will be increased by one level, and the success rate of all ST judgments will be doubled. Since there is a story of defeating a dragon, it can add damage to Heroic Spirits who hold the "Dragon Attribute".

Treasure Name: Ascalon

Class: Unknown

Holder: Christian saint, dragon slayer hero [St. George]. (From "The Golden Legend", "The Seven Warriors of Christendom", "The Legend of St. George")

Image: Holy Sword.

Allusion: The name comes from the holy sword Ascalon used by St. George when he slayed the dragon.

Image: An invincible sword that keeps the Lord away from all malice and harm. The so-called invincibility does not mean to defeat the enemy, but to protect the invincibility of the holder from all enemies. By inverting the power of the Guardian, it becomes a sword that pierces all armor.

Treasure Name: AnswererFlagalac

Grade: Unknown (B grade or higher)

Holder: The god of light and the sun in Celtic mythology [Ruger?] Mike? Exelon].

Image: The hilt of the sword is a short sword with a lead-colored stone ball.

Allusion: The name is derived from the Celtic mythological sword "Sword of Vengeance" Fragarach and its nickname "Answerer". One of the four secret treasures of the Danu god clan, originally by Manano, the god of the sea, who wielded many weapons? Mike? Column held, and then passed to his adopted son, the sun god Ruger. The tip of the magic sword Fragarach is so sharp that it can split through any armor like butter, and the scars inflicted by this sword cannot be healed. The sword is characterized by the fact that no one can lie when it is pointed at the throat, and at the same time, the sword will fly from the scabbard to Luger's hand on its own, and it will also automatically fly back from Luger's waist or hand to the enemy after killing them all, so it is called Answerer, which means "Sword of Answer".

Ability: Also known as the "Backlightsaber". If you don't use it, it's a lead-colored stone ball, which means it's a one-time consumable, and when you wear leather gloves when you use it, the leather gloves will turn into soft charcoal, and you will float behind Bazet in the preparation stage for use, and at the moment of liberation, something like a short sword will appear, and the three runi characters Ansuz, Dagaz, and Gebo will appear on the blade of the sword in turn. Although it is only a small stone, it turns into a light bullet that can deal great damage, and quickly pierces through to inflict fatal damage on enemies. Awakens only when the opponent unleashes the trump card, and is bound to hit before the opponent after activation. The principle is to rewrite one's own attack as the "earlier attack" by distorting cause and effect, that is, replacing the order of attack with a conceptual curse. Since the first defeated side has no chance to counterattack, this sword is able to cancel any attack. It can be described as the ultimate attack treasure.

Treasure Name: Rebel against Duanli's Father (ClarentBloodArthur)

Grade: A+

Holder: One of the members of King Arthur's Knights of the Round Table in Britain, King Arthur's illegitimate son Mordred.

Image: Magic Sword.

Allusion: It means "Clarent stained with the blood of King Arthur". Clarent, the king's proof in the custody of King Arthur, "The Shining King's Sword". Due to Mordred's capture of it and mortally wounding King Arthur, it transforms into an abominable sword when Mordred picks it up.

Ability: The full liberation status of "Brilliant Clarent". Originally, it was a gorgeous sword that emitted silver brilliance, but it was stained with red-black blood as it was activated, and its shape was uglyly distorted. The one that entangled and radiated a surging abomination around the blade of the sword, the Demon Sword of Calamity. His real name is Jiefang, a straight line of red lightning emitted from the blade of the sword.

Treasure Name: Sword of Victory (ExcaliburGallatin)

Grade: A+

Holder: One of the members of King Arthur's Knights of the Round Table in Britain, the Knight of the Sun [Gawain].

Image: The hilt of the sword is sealed with a holy sword that resembles the sun.

Allusion: The sister sword of King Arthur's legendary holy sword Excalibur, the original owner was the same as Excalibur The Spirit of the Lake. Hidden in the shadow of Excalibur in the Legacy, is a holy sword that has not been described much.

Abilities: King Arthur's Holy Sword Oath Sword of Victory is the light of the Gathering Planet, while Gao Wenqing's Holy Sword Wheel Sword of Victory is to manifest the blazing rays of the sun. The Sword of Victory of the Oath is a focused type of Treasure of the City, and the Sword of Victory is a horizontal radial type used to sweep away approaching enemy soldiers. It is said that when the sword is drawn and infused with magical power, the simulated sun inside will operate, stretching the sword body into the visible range.

Treasure Name: Fantasy Greatsword? Balmung

Grade: A+

Holder: Prince of the Netherlands, Germany, knight of dragon's blood [Siegfried].

Image: Holy Sword.

Allusion: Achieved the cursed holy sword of the dragon-slaying cause.

Ability: Possess the attributes of the Magic Sword Gram as the original text, and will change the attributes to the Magic Sword or the Holy Sword according to the user. The blue gem on the hilt of the sword stores and stores the magic power of the gods (true ether), and when it is liberated, it emits a dusk-colored sword aura. Applies additional damage to people with the blood of the Ryu Seed.

Treasure Name: Sword of Victory of the Oath (Excalibur)

Grade: C~EX (Arthur?) Pendragon) A++ (Artoria?) Pendragon)

Holder: King Arthur of the Kingdom of Britain.

Image: A holy sword that shines with a golden light.

Allusion: After the "Calibur of Victory" broke, the Lake Elves gave King Arthur a sacred sword forged by God.

Ability: King Arthur's strongest Noble Phantasm, which is at the top of the sacred sword category, symbolizing King Arthur's identity. Originally, it was kept by the elves as the "strongest fantasy", but it was handed over to King Arthur and became his proud trump card. Able to unleash a powerful beam cannon, it is classified as a "Treasure of the City" due to its size and destructive power, and for King Arthur, the mana consumption is so intense that it cannot be fired continuously.

Treasure Name: Heaven and Earth Obediently? Pioneering Star (EnumaElish)

Grade: EX

Holder: King Uruk in Sumerian mythology, the oldest heroic king in human history [Gilgamesh].

Image:

Allusion: The name of the obedient sword comes from the great god of Mesopotamian mythology and Babylonian mythology, Ea, heaven and earth obediently? The name of the Pioneer Star is derived from the Genesis narrative poem Enuma Elilish of Babylonian mythology. The god Oia is believed to be an anthropomorphic deification of the planetary power that made the surface of the earth covered in lava and gas turn and shatter while the earth was still in its original state, and stabilized it. Most of the gods did not start building nations until the primordial earth had stabilized and become a living world, but Oia was believed to have been one of the gods who created the planet before that.

Ability: Sword that slices through the world. To be correct, "obedient sword Ea" is a treasure, "Heaven and earth are obedient? "Pioneer Star" refers to the state of departing from the sword Ea to the maximum output. Create a fault of wind pressure and become a simulated space fault to crush the enemy. In addition, obedient sword Ea and heaven and earth obedient? The Pioneering Stars are all named after Gilgamesh herself.

The strongest sword that even the "Infinite Sword System" can't copy. Gilgamesh is expressed as "knowing what was "the planet that was hell before the opening of the world."

Treasured Name: Distant Ideal Village (Avalon)

Grade: EX

Holder: King Arthur of the Kingdom of Britain.

Image: The scabbard of the Holy Sword.

Allusion: The name comes from the fairy town "Avalon", where the remains of King Arthur are said to have been placed. Legend has it that Avalon is isolated from the rest of the world, and nothing from the outside world can interfere with it.

Ability: The wielder can heal from any injury, even aging will stop. Liberating his true name will unfold the barrier that protects King Arthur. Being able to block all attacks and even interference within the six-dimensional range, its very existence is equivalent to "magic". However, when liberating his true name, King Arthur was unable to attack the enemy.

Treasure Name: LaPucelle

Class: Unknown

Holder: Heroine of the Hundred Years' War between England and France, a Catholic saint, and a French saint [Joan of Arc].

Allusion: French means "maiden". Interpret Joan of Arc's roasting punishment as a conceptual crystallization of the assault.

Image: Holy Sword.

Ability: With the dying poem "Lord, commit yourself to this-" as a spell to activate the holy sword that makes the flames manifest. A subspecies of the inherent enchantment, a sword that crystallizes the world of mental imagery. Since the sword is the Heroic Joan of Arc itself, once the Phantasm is revealed, Joan of Arc will disappear from the present world after the battle.

Treasure Name: Ten Thousand Charms Will Break the Ring (RuleBreaker)

Grade: C

Holder: The unfortunate princess of Colchis in Greek mythology, the wife of the hero Iason, and the witch of betrayal [Medea].

Image: A bent dagger.

Allusion: The name comes from the English word "rule breaker". Medea once betrayed her family and country, killing her brother in order to be with the hero Iason. After empathizing with Iason, he killed his two children and left Iason. This noble figuration is the embodiment of Medea's nature as the goddess of betrayal.

Ability: As a weapon, the performance is equivalent to nothing, but it can "break the ring" of all the magic of the object stabbed with a blade. The object that can break the ring is a contract based on magic power, or a living form born from the use of magic power. Resets them to the state they were in before the mana was used. In other words, a contract based on magic will turn into a blank sheet of paper, and the living beings born with magic will be destroyed on the spot. It is the ultimate pair of magic treasures. However, the exception of the Noble Phantasm, no matter how low the level is, it will not have an effect.

Treasure Name: Mor?alltach

Class: Unknown

Holder: From Celtic mythology, the chief warrior of the Knights of Fiona in Ireland, with a glorious appearance [Dilumudo?] Audina].

Image: Magic Sword.

Allusion: Manannán, the god of the sea in Celtic mythology, who is in charge of the sea and fairyland, gave a magic sword to Aengus, the son of the god-king, who then gave it to his cherished adopted son Dilumudo. This was the most important weapon of Dilumudo, and Angus once warned his adopted son: "When you are about to face great danger, you must take this powerful magic sword with you." In the stories "Loathlylady" and "thehealingcup" and other fairy adventures, Dilumudo, who carries this sword, has killed nearly 4,000 warriors of the Wonderland in a single battle.

Abilities: Unknown.

Treasure Name: Beag?alltach

Class: Unknown

Holder: From Celtic mythology, the chief warrior of the Knights of Fiona in Ireland, with a glorious appearance [Dilumudo?] Audina].

Image: A sharp dagger.

Allusion: An old Druid from the Protoss gave him a sharpened sword with the power of a druid mage on it when he entered the Warriors. Legend has it that Dilumudo always paired it with the yellow rose that would be extinguished with the yellow spear in his daily adventures. In the battle against the Cursed Pig, fate tricked Dilumudo to carry only these two simple weapons, and even with a blade that could cut through everything, he was ultimately defeated by the attack of the giant Cursed Pig. Although the blade of the sword was broken by the giant demon pig, Dilumudo finally pierced the monster's body with the hilt.

Abilities: Unknown.

Treasure Name: Durandal

Class: Unknown

Holder: The head of the twelve knights who served Charlemagne in the Frankish kingdom, the heroic paladin [Roland]. (From the famous French heroic poem "Song of Roland")

Image: Sword.

Allusion: Charlemagne received the sword from an angel and gave it to Roland, the leader of the Twelve Knights.

Abilities: A brilliant sword with three wonders that will not drop in sharpness even if the owner's magic is exhausted. Like the "golden sword of victory", it is as ornately forged as it is and a symbol of authority. This sword also has the nickname "Angel's Sword". The bearer can be protected by God and angels, and Durandal has the meaning of permanence, as the marble that once cut nearly 3 kilometers is also called chopping marble. Also known as the Sword of Constancy. The blade of the sword is indestructible, which means "indestructible blade".

Treasure Name: Dainslef

Class: Unknown

Holder: King of Denmark in Norse mythology [Hegni].

Image: Magic Sword

Allusion: The name comes from the magic sword Dainslef that the Norse mythology is believed to have killed the hero Siegfried and obtained from Fabnir's gold. In the story surrounding the goddess Freya, the Danish king Hegeny fought the famous "eternal war" with the Saracen king Hedin because of the curse of the sword. (From The Legend of Walsonger)

Ability: This sword has a powerful curse that causes destruction, and all wielders will step towards death, and it is also said to be a magic sword that "once it is pulled out, it will not take a person's life and will not return to the sheath".

Treasure Name: Gram

Class: Unknown

Holder: Prince of the Netherlands in Norse mythology, knight of dragon's blood [Siegfried]. (From The Legend of Walsonger)

Image: Magic Sword.

Allusion: The name comes from the magic sword Gram in Norse mythology. Legend has it that Siegfried's father, Siegmund, drew the sword that Odin, the main god incarnated as a nameless old man, had stuck in the trunk of a tree, and Siegfirid inherited the fragment of the sword from his father, and the re-made Gram became a magic sword that even a dragon could kill. Gram appears in famous legends recited in Germany and Northern Europe, and is the best portrayal of the hero's victory and the heroic life that represents him.

Ability: Deals heavy damage to dragons. Details are unknown.

Treasure Name: Caladbolg

Class: Unknown

Holder: The legendary hero of Ulster in Celtic mythology [Fergus?] Mark? Roy].

Image: A spiral-shaped sword like a spear.

Allusion: The name comes from Caladbolg, a sword made by the elves of the Kingdom of God in Celtic mythology. Legend has it that Fergus once used this sword to knock down the three mountains of Ulster.

Ability: Meaning "Solid Sword", "Mighty Thunderbolt" or "Lightning Strike", this sword is said to contain the powerful power of the heavenly thunder, and was created by the elves of the Kingdom of God. It is the enemy weapon of the hero Cúthalarin. It is believed to be one of the prototype swords of Excalibur, the legendary holy sword of King Arthur's "Sword of Oath of Victory".

Treasure Name: Harpe

Class: Unknown

Holder: One of the twelve gods of Olympus in Greek mythology, messenger [Hermes].

Image: A scythe-shaped sword with a blade on the inside.

Allusion: The name comes from Harpe, the sword who killed the medusa in Greek mythology. Hermes of the Twelve Gods of Olympus gave this sword to the great hero Perseus, who went to extinguish the banshee Medusa whose hair turned into a snake. It is said that Perseus used the Mirror Shield to get close to Medusa, who would turn everyone he saw into stone, and cut off the head of the sleeping Medusa with Harpe. Later, Perseus returned Harpe to Hermes, where he became a weapon for Medusa.

Ability: This sword itself is not excellent, and its biggest feature is that it has the ability known as "Distorted Life Extension". This is a divine ability that neutralizes the special abilities of the undead, and the wounds created by Harpe are absolutely unhealable (but can be healed in accordance with nature). This sword is said to have the power to nullify the immortal attribute.

Noble Name: Calibur

Grade: Unknown (Grade A and above)

Holder: King Arthur of the Kingdom of Britain.

Image: A sword encrusted with precious stones.

Allusion: the famous "sword in the stone". The sword in the stone is a testament to the king, and King Arthur pulled out the sword in the stone and became the new king of Britain.

Abilities: Unknown.

All of the above are from "fate"

Authentic: Eight Swords and One Flash, Prison Gate, Heartless Angel, Amaterasu, Dark Crystal Summoning (summons meteorites to attack enemies), God Speed, Void, Flash, Shrinking Earth, Dark Fusion

From Final Fantasy

Lyrics are a special literary genre. Fundamentally, it is a kind of metrical poetry. For the purpose of singing, it must be short, catchy, easy to remember, pertinent, neatly structured and segmented, and melodic in form; Some notable characteristics such as small to big, shallow but not thin, light and flavorful content. In this respect, the lyrics have become distinctly different from today's poetry (especially hazy, avant-garde poetry). To put it simply, lyrics are auditory art and poetry is visual art.

Writing lyrics must be short in form.

The lyrics are not editorials, not novels, not essays. A song generally has only a few minutes to sing. Even the "Yellow River Cantata" and "Long March Songs" were only sung in an hour. This is the most striking feature of the lyrics.

Lyrics need to be composed in order to fly in a wider world. Therefore, the lyrics must have a minimum sentence structure and paragraph structure. The sentence structure of the first and second paragraphs should not be too different, otherwise there will be no way to compose music. For example, everyone is familiar with "Dongfang Hong", the first paragraph is "Dongfang Hong, the sun rises, and China has a Mao Zedong." The second paragraph reads, "The Communist Party, like the sun, shines wherever it shines." "So that it can be repeated. If we change the second paragraph to "O party, the sun in your heart, you shine the whole world with brilliant glory!" "In the same song, you can't sing it. Because it's a completely different sentence structure.

The lyrics must also be melodic. Without a sense of melody, "Dongfang Hong" became like this: "The sky in the east is red, a round of rising sun is rising, and Mao Zedong, a great man, has appeared on the ancient land of China." "The meaning is exactly the same, but is this still a song?

In terms of content, the lyrics should also be small and big, shallow but not thin, light and flavorful.

Beginners often have "Mount Tai is our backbone, the Great Wall is our backbone; The Yangtze River is our bloodline, and the Yellow River is our cradle. Lyrics of this category appear. There is nothing wrong with such a sentence, and it is even very bold. But it commits a big taboo: it is called "false, big, empty". Because this kind of sentence can be written by anyone, even more gorgeous than it, but there is no soul of lyrics - true feelings. If the lyrics don't have real feelings, they become slogans, and once the slogan is shouted, it will be over, and it won't resonate with the audience.

Really good lyrics reflect a deep theme through some small phenomenon. It gives greater tension to the works through unpretentious language and ingenious ideas, making the connotation of the works richer and the artistic conception more timeless. For example, Mr. Qiao Yu's "Missing": "Where are you from, my friend? Like a butterfly flying into my window......" He reflects a tasteful and heartwarming emotion through a small butterfly. It is shocking, thought-provoking, and tasteful.

In addition, the short and concise lyrics also require that it must be targeted. Whatever you want to write about is to be conceived, laid out, and organized around the theme. "Missing" is missing, and "Dongfang Hong" is Dongfang Hong. If there is no pertinence, then, you write a thousand words, but the audience does not know what to do, isn't this a mess?

Separately, there are some issues that must be paid attention to when writing lyrics.

1. Feelings should be abundant, and avoid "fake, big, and empty"

"Fake, big, empty" is the most common mistake made by all beginners in lyric writing (including some masters). Because there is no real feeling, it is easy to force the excitement. Maybe I also feel fake, but I am afraid that the momentum is not enough and the expression is weak, so I make up for it. In order to make up for it, a second mistake will be made: talking big. The result is a third error: empty. As we gave the example above: "Mount Tai is our backbone, and the Great Wall is our backbone; The Yangtze River is our bloodline, and the Yellow River is our cradle. If we analyze it, it is not difficult to find that it is a typical example of "false, big, empty". First of all, it's not genuine. At least not from the heart. Not being close to life, not being close to reality, and not being close to the masses is a cliché. This kind of cliché is a kind of Cultural Revolution legacy, frighteningly large, empty, and belongs to a cliché that anyone can write about and no one wants to hear. If the relationship is false, it is not true, if it is not true, it is not good, and if it is not good, it is not beautiful. Therefore, "fake, big, empty" is the first taboo in lyric writing, and it must not be committed.

Second, the object of writing should be accurate

A lyric is always written for people to sing. So, before you put pen to paper, you must think clearly: who is it written for? What kind of people and what industry is it for? Or even who the audience is? You should be aware of it.

Don't think it's a trifle. In fact, this is a must and cannot be ignored for the dissemination of lyrics. For example, if we want to write a song of white-clothed soldiers for medical staff, you can't sing it for the "Campus Spring". For example, if you write a children's song, it is impossible for the PLA soldiers to sing it. Everyone knows this, but not everyone knows it when it comes to writing. When writing lyrics, if you distinguish the object, you can use the language and mentality of the object you are writing to grasp the mood of the lyrics, so that the author's rich feelings can be twisted into a rope and a force to infect the audience, and follow a clue to affect the audience. Only in this way can you be simple and deep, and the composer will be able to make music that resonates with the audience, which is suitable for singing and applauds the audience. Isn't that the military song "One, Two, Three, Four Songs" like this?

3. The mood and structure of the lyrics must be stable

These are basically similar to the one above. Before you put pen to paper, be sure to figure out what kind of mood is the song you're writing? Is it affectionate, or is it thunderous? Is it witty and humorous, or is it serious? This is important for the writing of the lyrics. Otherwise, it is written about love, but the taste is a battlefield full of artillery fire; said "three monks carry water to eat", but the content has become a high-spirited ode, which is chaotic. Therefore, a main line of lyrics can only write one content, and it must run through the mood throughout. But there must be a distinction between the moods of the lyrics (note that they are not natural paragraphs, but on the progressive level of content). That's how the lyrics are structured. Generally speaking, the structure of the lyric structure has a beginning, a continuation, a turn, and a combination. However, the beginning, the inheritance, the transfer, and the union all have their own emotional characteristics. Beginning is the keynote; Inheritance is change; Turn is the climax; Convergence is a return.

This is a must in lyric writing. Because the main line and changes of the lyrics can make it easier for the composer to grasp the tone of the lyrics, so that the melody of the music is ups and downs, twists and turns.

Of course, there is also a simple emotion that runs throughout. Such as "National Anthem", "March of the Broadsword" and so on. However, this is only an exception to the usage.

Fourth, start with small questions and fall on the points

Beginner lyrics are often big topics at every turn, as if it is not enough to express their majestic emotions, in fact, this is a huge misunderstanding. Of course, you can write big topics, as long as you write well, not only the society welcomes it, but also the people welcome it. However, pour some cold water, are you good enough? Can you handle the whole subject matter? You know, many masters fall off the horse because of this!

Starting with a small subject matter (that is, a small entry point), it is often digging deeper. Take Mr. Qiao Yu's excellent work "Missing" as an example: starting from a small butterfly, he wrote all the feelings and nostalgia between friends; The song "Always Go Home to See" may not be so good, but it starts from such a small thing as "often go home to see" and writes about the joy of family in the world, which is also extremely successful. Because in the end, its ideas are healthy, popular with the masses, close to life, close to reality, and close to the masses. So, it's also a success. There is a famous "Fire Wind" who sang a song "Big Flower Sedan Chair", with all due respect: it is pure nonsense. Because although the entry point is good, the idea is too vulgar!

Fifth, the idea should be clever, the language should be new, and the idea should be high

Cleverly conceived, it is unconventional. It is necessary to find ways to be different and refreshing on the basis of the aspects we have talked about earlier. The example we gave earlier was "Mount Tai is our backbone, and the Great Wall is our backbone; The Yangtze River is our bloodline, and the Yellow River is our cradle. "And so it is without an idea. In response to the phrase, "The first man who compares a woman to a flower is a genius; the second is mediocrity; The third is stupid. The old saying. If you want to be cleverly conceived, you must observe more, work more on the draft, and have a specific image in your heart.

To speak new is not to say what others often say, but to say that it is unique to you. It's like the first person tells a joke, and everyone laughs; The second said, "Maybe someone laughs; However, after the third person spoke, I am afraid that only I laughed. Say something that someone else has in their heart! Mr. Qiao Yu uses butterflies to write thoughts, I'm afraid everyone has thought about it, but unfortunately his old man wrote first, and he has already written all the feelings and attachments between friends. If you write a sentence of your own from a different perspective (or imagery) that no one has thought about but no one has said, you have succeeded!

High intention refers to the healthy content, in line with the "three closeness", in line with the aesthetic requirements of the people. Like the song "I miss my hometown", it is clearly the tone of a wanderer, but it sincerely praises his hometown and the development of the motherland. Therefore, the composer wrote the song in a lingering and beautiful way, which left a deep impression on people. But the famous "Fire Wind" and his "Big Flower Sedan Chair" are so low-level and interesting that some people say: It is a complete version of a textbook for newlyweds. To be cleverly conceived, new and ambitious, there is a sentence that can be encouraged: "Everywhere is knowledge, and everything is always thought of as an article."

6. Pay attention to the form of lyrics

Note that this refers to the formal one, which is quite different from the structural one mentioned above.

Form is a distinctive feature of lyrics that differs from poetry. We have said that poetry is to be read and tasted, and it is not an exaggeration in any form. Because it can be perceived and experienced through many factors such as readers' feelings, experiences, and tastes. But the lyrics are quite different. It's mostly for the audience to listen. That is to say: at the beginning of your creation, you need to figure out the following elements: What kind of song is it? Cantata? Unison? Performing and singing? Male or female solo? Wait, not the slightest sloppiness. It's actually for the sake of the composer as well. Only when you really think about the song you are composing, will you consider its characteristics, and you will consciously create for the inner and outer form of the song. Otherwise, the song is likely to be rambling, without a main thread or a clear theme that the composer can grasp. As a result, your lyrics can't be chosen by the composer.

Generally speaking, the most commonly used lyrics are: one-paragraph, multi-paragraph, one-paragraph or multi-paragraph plus song, etc. In a paragraph, the national anthem is representative. There are too many multi-stanzas and multi-stanzas with songs. (A large river with wide waves...... ) is the typical representative of it.

7. Some other essential elements of lyric writing

Whatever the lyrics, there are some basic elements. Roughly as follows:

1. Sentence structure

Sentence structure is the basic form of lyrics. That is, the number of words and syllables corresponding to each paragraph of the lyrics should be basically the same. Even if there is a slight difference in the number of words, the syllables should be about the same.

2. Rhyme

Unlike poetry, lyrics must rhyme. One, three, and five can not be bet, and two, four, and six must be distinct. In the lyrics, there is generally no rhyme. Of course, if it is for the meaning of the word, it can also be rhymed. But the effect is not as melodic as a rhyme in the end.

3. Paragraphs

The paragraph of the lyrics is formally said to have several lyrics and whether there is a song? Structurally, how many emotions are there in a lyric? Generally speaking, the preceding and following paragraphs of the lyrics should have different meanings, but they must also take care of each other. Songs are generally summative or extended.

4. Use of words

The words and phrases of the lyrics must be plain, colloquial as much as possible, and use adjectives as much as possible. (This is also one of the differences from modern poetry). Pile up with a lot of adjectives, all you can say is that you wrote a bunch of slogans. You need to know: a good song has no slogan, and a slogan is not a song! The well-circulated folk songs are most telling here!

8. Writing popular lyrics

Popular lyrics are the product of the combination of the imagery of new poetry and the laws of traditional lyrics.

It's haphazard. Roughly speaking, it seems to be rambling, or humming a few words repeatedly. Many people therefore say that it is shallow and an urban ballad.

Not really. There are a lot of excellent works in popular lyrics.

For example, "Holding Hands" - "Because I hold your hand, I love your love; Rejoice in your happiness and mourn your sorrows".

Sincerely! The sincere love that is heart-to-heart and never abandons is vividly expressed.

Another example is "Romantic Things" - "I think the most romantic thing is to grow old with you; Until I'm too old to move, you still treat me as a treasure in your hands."

Isn't this a classic emotional language?

To say that the popular lyrics are urban ballads is actually quite appropriate. It is a kind of people's voice, a description of mentality. It focuses on the delicacy of feelings, the telling of the heart, the concrete imagery, and the repeated chanting.

In terms of specific writing, popular lyrics do not pay as much attention to form as traditional lyrics. You can not only rhyme to the end, but also change the rhyme freely, everything is subject to the smooth mouth; It is not like the traditional lyrics that focus on positive themes, but feel and pour out their hearts. Therefore, the writing of popular lyrics is very casual. In this way, it is very much like the new poem. However, it still has to follow certain rules: short and concise, full of substance, generally neat, basic rhyme, melody, syllables, lyrical repetition at the climax, and so on. This, in turn, is inseparable from the form of traditional lyrics.

Novelty and connotation are the same elements for writing popular lyrics!

Mr. Qiao Yu, a Chinese lyricist, once said: "Lyrics are the easiest to write, and they are also the most difficult to write well." To write a thing in a hundred words, it is impossible to do without solid basic skills, without the unique observation ability of the world, without the ability to capture and shape the image of life, and without the feeling and understanding of the rhythm and rhythm of music. I would like to share this with all of you. Everyone is welcome to give us a lot of advice and improve together.

Bad titles are trite and hollow, logical confusing, and incomprehensible. If you write lyrics that people want to read, and hope that it can be composed and interpreted, then, don't be lazy, and be sure to use your brain on the title. The title is mostly extracted from the theme, clue, object depicted, event written, spirit celebrated, and so on. The title should be accurate, distinct, engaging, and the finishing touch should be relevant to the content. The theme of the theme lyrics can also be called the theme idea of the lyrics, which is the central idea of the lyrics, reflects the main content of the lyrics, and is the core of the lyrics. The theme reflects the main intention of the lyricist and is expressed through the materials chosen for the lyrics, throughout the lyrics. Without a theme, it is not a lyric. Good themes have good digging points. The problem solving should be wonderful, and the bland solution is easy to make people feel bored. If the title is bland, the solution should not be bland. The solution is to solve the topic, not necessarily the title. The problem should be comprehensively considered, and the bright spots should be identified, that is, the points that can be mined should be found, and the points that can be mined should be selected. Keywords are good lyrics, and keywords can generally be found, however, some keywords are implicit. If a keyword is a group of words, then there should be a logical relationship between them. Lacking keywords, the lyrics tend to feel boneless. Materials should be around the theme and reflect the theme, and irrelevant materials should not be required. The role of the material on the theme is large or small, the lyrics are not long, the number of words should not be too much, and the material should be selected. There are homogeneous and heterogeneous materials, there are symbiosis and mutual restraint, and the materials that are not related to each other should not be put together. The creativity of creative words lies in the new, new and not deliberate, and expensive and natural. It's not impossible to break grammar rules by making words hard, but if you don't break them well, it's better not to break them. Pictures, scenes, clues, etc. can all be creative, and successful ideas are refreshing, and at the same time, they will feel that it is appropriate. Off-topic creativity is a failure. ContextThe context is the layout and organization of the content of the lyrics. There is a context and arrangement, so that it will not seem to be rambling. With context, the lyrics will look clear. Context serves the theme. The fact that the opening is captivating at the beginning shows that the first step is successful. The beginning is flat, and the back should not be flat all the time. The so-called flat can be understood as bland. The opening is indeed important, but it is not the focus of the whole lyrics, and the more important part is generally the chorus, otherwise the lyrics are easy to be weak and top-heavy, and disappoint the reader (listener). The landing point can be understood as the final point of the text, a lyric must always have a purpose, for a certain paragraph of the lyrics, the landing point can be one of the words, more commonly one of the sentences, and mostly the end of the paragraph. For a certain paragraph of the lyrics, the other sentences should be written because of the falling sentence. If the first sentence goes east, the second goes west, and the third goes south, then the fourth sentence falls north, isn't it a bit incredible? There is an echo and a response, and it seems to be in one go, looking at each other from beginning to end, and the sense of wholeness is strong. Echoes can be used to get the audience more focused on the subject and thus get into the lyrics and get infected. Echoes can be sentence-to-sentence or paragraph-to-paragraph. Echo should also be natural. The so-called finishing touch, on the whole, wonderful and not good, all lies in this, if there is no brilliant idea, it is better to let the audience know what the theme is, so as to save him from listening to it for a long time, and he still doesn't know what the rhythm is ups and downs, and the rhythm of the lyrics is a regular form of movement, repetition, correspondence, and coherence. The pronunciation of words is divided into yin and yang, words and sentences are different in length, words are colorful, emotions are ups and downs, and they all become rhythms. Basis: Whether it is reasoning or lyricism, there must be a basis, and don't express gratuitous feelings. The emotional advancement of the lyrics should be arranged, and the foreshadowing is generally made in the main song. If it is a narrative song, you can make some explanations in the main song to lay the foundation for the chorus. A scene can be a place to unfold the content of the lyrics; It can also be a picture that expresses and accentuates the mood of the lyrics. If it is a group of pictures, then the pictures should have their own points of expression, and there should be a connection between them, and the whole group of pictures should have a living soul, and cannot be painted for the sake of painting. Relying on the lyricism of the form, allegorical in the scene, what you want to express and what you rely on must be consistent, and you can't forcibly graft and mess with each other. When I look at things, everything is my color, and this color should be consistent with the theme. Logical lyricism, narrative, and reasoning must be logical. If the logic is confused, nothing can be said. Cause and effect, transitions, juxtapositions, and progressions can all add color to the lyrics. Temperament words and sentences are all angry, aura, immortal, domineering, kingly, delicate, silly, cheesy, dead, and so on. The temperament of the lyrics and words is like people wearing clothes and hats, and it is necessary to choose the application, and the sentence structure and language style should be chosen according to the theme and content. The rhetoric also makes the lyrics high, and the boiled water type and the gorgeous type can be of high quality. Good words are shining, and the sparkle lies in the thoughts, in the creativity, not in whether the words are commonly used or obscure. Typos and sick sentences make the lyrics less literary, and even make people laugh and cry. The so-called realm refers to the artistic height of the lyrics. It is highly significant related to the theme, and if what you want to express is already known to everyone, there is nothing new and no depth to speak of, and the effect will not be good. The memory point of the lyrics is directly related to the realm (or the depth of excavation). Clichés and lyrics that don't go out of the realm can sometimes create a false boom even if a good composer or a good singer adds to it, does it, and tries to promote it, but listeners will soon dilute their enthusiasm and abandon such songs. This is also an important reason why the Red Sleeves Lyrics Forum has long attached equal importance to literature and musicality. If a work can really not be submerged, it is all about the theme and realm that are outstanding and beyond the reach of ordinary people.

The dichotomy paradox

This is also a paradox proposed by Zeno: when an object travels a distance to D, it must first reach one-half of the distance D, then one-quarter, one-eighth, one-sixteenth, and so on that it can be divided infinitely. Therefore, the object can never reach D.

These conclusions do not exist in practice, but are logically impeccable.

Zeno went so far as to argue: "There can be no movement from one place to another, because if there is such a movement, there would be a 'perfect infinity,' which is impossible." If Achilles had in fact caught up with the tortoise at T, then, "this is an illogical phenomenon, and therefore by no means truth, but merely a deception." This is to say that the senses are unreliable, there is no logical reliability.

"The Arrow Doesn't Move"

In Zeno's view, since the arrow has an instantaneous position at each moment of its flight, it is no different from not moving in this position. So, is the sum of infinite resting positions equal to motion? Or is the infinitely repetitive stillness a motion? There are similar sayings in ancient China, such as:

This is the book "Zhuangzi? A famous quote from Hui Shi in "The World". More than 2,000 years ago, the ancient Chinese also used the concept of infinity.

Hui Shi (c. 370-310 BC), a famous scholar of the Warring States period, was the prime minister of the Liang State, a prodigy of debate, a friend of Zhuangzi, and a representative of the famous family along with Gongsun Long. Most of his writings are extinct, and fragments of his words and deeds can only be seen from the discourses of other schools.

Hui Shi's doctrine emphasizes the common appearance of all things, so the difference between things is only a relative concept, and the existing strange propositions related to Hui Shi, such as "the mountain and the Zeping", "the egg has hair", "the chicken has three legs", "the dog can be a cow", "the fire is not hot", "the moment is not square", "the white dog is black", "the lonely horse does not taste the mother", etc., can be said to be paradoxes, but most of them do not leave a specific process of debate. The paradox of Grace is also influential in the West.

From the perspective of dialectics, Mao Zedong basically accepted the idea that Hui Shi is infinitely divisible. On August 18, 1964, in a conversation with philosophers, he said: "Lenin said that everything can be divided. Take atoms as an example, not only atoms can be divided, but electrons can also be divided. And he said, "The electrons themselves have not yet split, but they will one day." 'A foot of thrashing, half of the day, inexhaustible', this is a truth. If you don't believe me, just give it a try. If there is exhaustion, there is no science. ”

Some people have noticed that Mao Zedong was very fond of this sentence, for example, in the mid-50s, he mentioned this sentence to the nuclear physicist Qian Sanqiang, in August 1964 with Zhou Peiyuan and Yu Guangyuan, and in 1973 and 1974 with Yang Chenning and Li Zhengdao.

"Russell is the Pope"

Purely logically, absurd assumptions can lead to any absurd conclusion, even if the reasoning process is unassailable.

Someone once asked Russell to prove that "Russell is the pope" from "2+2=5". Russell proves the following:

Since 2+2=5, subtract 2 from both sides of the equation at the same time,

2=3 is obtained, and both sides are subtracted by 1 at the same time,

1=2;

2=1 is obtained.

The Pope and Russell are two people, since 2=1, the Pope and Russell are one person, so "Russell is the Pope".

This absurd conclusion is triggered by an absurd assumption.

"Aristotle is a class concept"

This is the result of a strict syllogism. Take a look:

(1) Aristotle was a philosopher,

(2) The philosopher is a class concept,

(3) So, Aristotle is a class concept.

Aristotle (384-322 BC) was a great Greek philosopher and astronomer, who studied under Plato, inherited the Greek philosophy since Socrates and became its own system, and had the greatest influence in the West. He systematically summarized the principles of syllogism and laid the foundation for logical thinking.

I am afraid that even Aristotle himself would not agree with this conclusion. Because there is a "semantic paradox" in it. Because the philosopher in statement (1) and the "philosopher" in statement (2) are not on the same level, the former is an object concept and the latter is a metaconcept. If the connotations of the two premises are inconsistent, the conclusion is absurd. Fundamentally, this is not a linguistic or grammatical problem, but a logical error. Ever since Tarski proposed the "linguistic hierarchy theory" in the 30s, it has been attracting people's attention.

"God and the Stone"

"If God is omnipotent, can He create a great stone that He cannot lift?"

This is a paradox that has been widely circulated. If he says yes, God encounters a "big rock that he cannot lift", which means that he is not omnipotent; If he can't, it also means that he is not omnipotent. This is a premise that is blamed with conclusions.

Another way to express this "Almighty Paradox" is: "Can the Almighty Creator create something greater than Him?" ”

The ship of Theseus, also known as the Theseus paradox, is a paradox of identity. Suppose that the constituent elements of an object are replaced, but is it still the original object? In the first century C.E., Plutarch asked the question: If the wood on Theseus' ship was gradually replaced until all the wood was no longer the original wood, would the ship still be the same ship? Thus such questions are now known as the "Ship of Theseus" problems. Some philosophers think it's the same object, some philosophers think it's not. Before Plutarch, Heraclitus, Socrates, and Plato had all discussed similar issues. Hobbes and Locke also discussed this issue in modern times. There are many variants of this problem, such as "grandfather's axe".

The Penrose Stairs, also known as the Penrose Stairs and Penrose Stairs, was proposed by Roger Penrose, a famous British mathematical physicist and honorary professor of the Department of Mathematics at the University of Oxford. The Penrose Staircase is: four staircases, connected at four corners, but each staircase is upward, so it can be extended indefinitely. Not possible in a three-dimensional world.

The Buttered Cat Paradox, also known as the Buttered Cat Theory, is a theory that combines two kinds of folk common sense, which is: (1) The cat jumps in mid-air and lands with its feet forever. (2) Toss butter toast into the air and always coat it? The buttery side falls to the ground. The paradox is that when you stick the unbuttered side of the buttered toast to the cat's back, you make the cat jump out of the air. According to the above two laws, cats cannot land on their feet, because butter toast always lands on the buttered side; But again, the buttered side of the buttered toast can't hit the ground because the cat always lands on its feet.

Obviously, this is not just a paradox, but also a false theory. Because, if the unbuttered side of the butter toast is glued to the cat's back, the combination is no longer the original simple cat or butter toast, so it does not necessarily have the characteristics of a simple cat or butter toast, and the previous theorem no longer applies. This is the principle that simple permutations and combinations cause qualitative changes.

A time paradox usually refers to the logical possibility of deriving contradictory conclusions due to time travel or time travel, while assuming that two or more premises cannot be established at the same time, which is a common feature of all paradox problems. So the time paradox usually does not appear in reality, it will be forbidden by time.

The crow paradox, also known as Hampel's crow or Hembel's paradox, is the result of the German logician Karl Bush in the forties of the twentieth century. Gustav? A paradox proposed by Carl Gustav Hempel in order to illustrate that induction is counterintuitive.

Himpel gives an example of the principle of induction: "All crows are black" argument. We can go out and observe thousands of crows and find that they are all black. After each observation, our trust in "all crows are black" gradually increases. The principle of induction seems plausible here.

Now the problem arises. The assertion that "all crows are black" is logically equivalent to "everything that is not black is not crows". If we observe a red apple that is not black and it is not a crow, then this observation will surely increase our trust in "everything that is not black is not a crow", and therefore more sure that "all crows are black"!

Some other philosophers have questioned the "principle of equivalence". Perhaps the red apple increases our trust in the assertion that everything that is not black is not a crow, but not in the fact that all crows are black. This proposal is questioned because you can't have different levels of trust in two propositions of equivalence if you know that they are both true or both false.

Thus, while the propositions "All crows are black" and "Everything that is not black is not a crow" must have the same level of trust, only "black crows" can increase the trust of both, while "non-black non-crows" does not increase the trust of either proposition.

Schrödinger's cat is a thought experiment proposed by the famous Austrian physicist Schrödinger, which tries to explain the problem of the principle of quantum superposition at the microscopic scale from the macroscopic scale, and cleverly connects the existence form of microscopic matter with the existence form of particles or waves with the participation of human consciousness with the macroscopic cat, so as to verify the quantum existence form when the observation intervenes. With the development of quantum physics, Schrödinger's cat also extended physical problems and philosophical controversies such as parallel universes.