Chapter 3: The loose girl is in love
I even forgot to ask Yakumo Zi for verification, why did she get involved with Gu Ming Jijue, and what does Miss Jue have to do with Yakumo Zi when she invited me to the Earth Spirit Hall as a guest, did she suggest that Miss Jue invite me or did Miss Jue specifically ask Yakumo Zi to show up to help in order to invite me?
If it's the latter, I've actually made up my mind to go underground, and I don't need Yakumo Purple to lure me, but the role of her finding a path guide for me is still more important, and I followed the ignorant Miss Gu Ming Diko to the huge cavity that went straight to the underground in a short time. Pen, fun, pavilion www. biquge。 info
The location of the hole is basically consistent with my vague memory, located in a deep mountain and old forest, the second lady of the Earth Spirit Hall didn't say a word, swayed left and right into the hole, I hurriedly followed, the air began to become cooler and cooler, and the light became more and more dim.
In the absence of light, people usually come up with all kinds of whimsical ideas, such as me, and I suddenly realized that there was a way to communicate with the ancient Ming Dilian, which was the inspiration given to me by the darkness.
And the darkness seems to make Miss Love's attention rarely retract to her side, as I can see in my infrared detection mode, Love has paused the flying posture of twisting and twisting all the way, and the innocent expression on her face that knows nothing or knows too much has also converged, although it still does not seem to be a normal person to communicate with, at least it has been quite relaxed compared to the attitude of treating people as nothing.
She seemed to have noticed a follower around her, how did she observe in this dark environment? Maybe it's the glimmer of fluorescent fungi and minerals underground? This is probably the special skill of all underground, and the light is so faint that it is almost none, and it is simply impossible for the average human eye to use it.
"La-la-la-la, anyone? Anyone? She began to spin in circles again, but finally said something that people could understand.
"Yes, yes, it's right next to you." I responded.
"Where, where? Love can't be seen. She flew around the bend, finally ignoring me again.
“……”
It seems that ordinary methods of communicating with her are not effective except to make her interested in me, and it is still necessary for me to try the special skills I have learned, rather than pinning my hopes on the dark environment to which the people of the underground have become accustomed.
The particular skills I learned weren't very technical.
Before explaining the method, it is necessary to understand whether there is a clear demarcation between the conscious and the unconscious when facing the problems faced by love. Generally speaking, of course, there is a clear demarcation, but this demarcation is not grasped by oneself, but manifested in others, third parties, that is, one's consciousness is naturally a complete consciousness when there is only oneself, but at this time one cannot be aware of one's own unconscious - I can know that I am thinking about a watermelon, but I cannot know what I am not thinking, and when I know that I am not thinking about something, I have already thought about this "what".
It is only when it is relative to others - to illustrate it with the scene of "communicating with others" - that the unconscious can be summed up in the eyes of a third person.
When I talk to others about Greek grammar lessons, I don't have a chemical equation in my mind, and if there is a third party who studies the unconscious, it can put the knowledge of chemical equations into my unconscious, and vice versa, Greek grammar can also be classified into my unconscious.
This is the boundary between the conscious and the unconscious under common sense, and only in the presence of a third person can point out my unconscious, because my consciousness is not aware of the unconscious - although that knowledge has not left my mind.
This is not a complete summary of the meaning of the unconscious, because there are aspects that are overlooked, just as no one can be sure of what they do not know or know, and sometimes certain memories sink into the depths of consciousness that are difficult to excavate, and these memories become permanently unconscious - at some point they will come back to their minds and become conscious.
When people communicate with each other, most of the memory or knowledge must become unconscious and available to the consciousness at any time, otherwise it is impossible to communicate, just like now when I am faced with love, I dare to conclude that the reason why love ignores most of the people she meets, and is correspondingly ignored by most people, is not that she weakens her sense of existence or allows the ethereal unconscious field to envelop her, these explanations are baseless, illogical, extremely unrigorous, and full of fantasies that are lazy and unwilling to think - yes, That's the explanation that came with Marisa's introduction to Kominji, so I had to be ruthless in combating Marisa's non-scivicious whims.
The conscious and unconscious of love are almost indistinguishable from each other, which is the main reason why she distracts her attention from the vast environment around her, and then the main reason why she is interested in everything and not interested at the same time, so that she cannot communicate with people, and it is also the main reason why she is almost one with the environment without being noticed.
So the way I thought of communicating with her was to isolate the environment from the two of us, and in the presence of just me and her, she would not notice anything but me, so that she would naturally be able to communicate with me.
The easiest way to isolate the environment is to dispel all the elements that provide the sensory basis for the senses, including light, smells, touchable entities, sounds, etc., and I can't isolate the environmental factors that cause the senses without preparation, leaving only my own entity.
Normally, I should have pulled my love into the realm of the mind, so that she and I were the only ones left, and the communication could go on naturally, but firstly, I did not have the ability to pull others into the idealistic nothingness, and secondly, we were on our way to the Earth Spirit Temple.
But I still have a more effective and easy way: because I can impersonate a god.
Although I am not a real god, my will is obviously limited and bounded, and I am not my believer, but it is very easy to make my will surround her love so that she can only feel my existence.
I think Yakumo also used similar means to communicate with love, and even designated her action goals for a period of time.
"Miss Love?"
"Ahh There is one man, and there is only one man, who is it? Who is it? ”
"It's me, first time we met, I'm Alice, a puppeteer, currently a part-time Boli witch, and I'm on my way to the Earth Spirit Temple to see Miss Jue."
"Really, really? So I'm going home, who is Alice? Lian turned his head and said, "I remember, is it the puppeteer with an awkward personality mentioned by the Black and White Witch?" ”
"Please delete it from your memory if you have an awkward personality, I'm a puppeteer." Damn black and white rats!
"Please take care of us when we meet for the first time."
"Where, where."
"Why did we go to the Earth Spirit Temple?" Lian Lian asked curiously.
"I'm going because your sister invited me, and you're going because I don't know the way."
"You're welcome, Lian Lian likes to lead the way."
"Eh—thank you anyway."
"Lalalala......"
“……”
PS: The recent wave of ads that have been rising like a tide feels like I'm not enough to pounce on BS...... It's so devastating