Koreans have a very bad habit of hypocrisy. Or to be more precise, Koreans like to make a fool of themselves.

are also adult-level movies, both Chinese and Americans can admit it seriously, but Koreans don't admit it, basically most of the well-known actresses in South Korea have made so-called art films, which are actually movies with a little color. Whether it is broadening the way of drama or dedicating oneself to art, it is glamorous to say that in the final analysis, it is to become famous.

This kind of thing, Jun Ji-hyun has done it, Son Ye-jin has done it, Jeon Do-yeon has done it, and in Ye Leiyang's memory, these women were all considered top actresses in South Korea later.

But that's what happened after they became adults, and now Park Shin Hye is only thirteen years old, and for Ye Leiyang, she is still a child, so Ye Leiyang will try to protect a child's childhood.

Even if she may one day follow the old path of her predecessors in the future, it has nothing to do with Ye Leiyang.

Everyone has their own way to go, Ye Leiyang has it, Park Shin Hye has it, in the history of the previous life, this girl who is not good-looking has become one of the representatives of post-90s actresses in Korean TV dramas in the future, "The Gift of Room No. 7" is starring her, but in this life because of Ye Leiyang, she may have lost the heroine, but Ye Leiyang compensated her for the movie "The Melting Pot", which can be regarded as a lost corner of the mulberry harvest.

"Chenghao, go out and play." Ye Leiyang hugged Park Shin Hye, put the little girl down, and said to Yu Chenghao not far away. This child is relatively precocious, and he is usually very quiet, either studying or holding a computer, but he doesn't have to worry too much.

Sure enough, Yu Chenghao smiled and shook his head: "No." Writer Ye, you better take Xinhui out to play. ”

It's helpless. It was also very hurt, Ye Leiyang clearly saw from this kid's eyes that you are too naïve, I don't want to play with you.

In fact. Ye Leiyang must admit that it has been nearly a month since the shooting, originally he thought that this kind of film crew should be gloomy every day, and everyone was sad together, but when he really understood it, he found that he was too naïve, in an efficient crew, watching the shots one by one, Ye Leiyang was more excited and expectant.

In all fairness, the efficiency of the crew exceeded Ye Leiyang's expectations. However, he also understands that this incident should actually be attributed to Jiang Digui, and Comrade Jiang told the truth of this incident to the person in charge of the cast and crew and all the actors with a particularly sad and angry mood at the script reading meeting after the start-up, and circulated the information investigated by Liu Chenglong to everyone.

With Ye Leiyang's understanding, Jiang Digui used money and emotion to start at the same time, and completely conquered the hearts of the cast and crew, of course. Ye Leiyang secretly thought that Jiang Digui was also proving to Ye Leiyang in a way that there was no clear way that South Korea is not without honest people.

After playing crazy outside with Park Shin Hye for most of the day, Ye Leiyang returned to the crew. As soon as he entered the door, he saw An Shengji waiting for him.

"Teacher An Shengji, is there something wrong?"

Ye Leiyang asked in surprise. Then he saw Jiang Digui sitting next to Ahn Sung-gi: "Director, why are you here." Didn't you have a scene to shoot after saying something? ”

"That's right, Writer Ye. Do you think we're done with the movie? How long will it take to be released? An Shengji didn't speak, and Jiang Digui was the first to ask.

Ye Leiyang was stunned for a moment, and then realized a problem, if a movie wants to be released, unless there are special circumstances, it is impossible to release it in more than ten or twenty days after the end of editing.

The reason why "The Gift of Room No. 7" was able to be released smoothly last time was, in the final analysis, because it replaced the screening of "Life and Death".

But this time, what to do?

With his brows furrowed, Ye Leiyang said slowly: "This is really a problem." ”

Regarding the issue of the number of screenings, Ye Leiyang really learned about it once before, there are three major cinema chains in South Korea, among which Xijie Group was previously known as the First Sugar Group, they have 850 screens, accounting for 42.2% of the country's share. The Rakuten Group owns 500 screens, accounting for 25.3% of the market. Megabox has an 11 percent share with 340 screens.

This shows the position of CJ Group and Lotte Group in the Korean film field. Although South Korea is only a small country with a population of 50 million, the total box office of movies is among the top 10 in the world, and in proportion, it can be called the top in the world.

In short, for example, a movie with more than 10 million viewers will be converted into tens of millions of dollars at the box office, but the problem is that South Korea is too small. Excluding those who watch it repeatedly, that is, a movie with 10 million moviegoers is equivalent to one in five South Koreans who have seen it.

The reason for this phenomenon, in addition to the quality of the movie itself, is that the low price of Korean movie tickets has always been a decisive factor.

No matter what type of movie, 7,000 won from Monday to Friday, 8,000 won on weekends, Korean movie ticket prices have always been this number, according to the per capita income of South Korea, although most of the necessities of life are expensive, but movie tickets are indeed a very low price.

In other words, just as the Chinese people often say that after dinner we sing and go, the Koreans often say, let's go to the sauna and let's go to the movies. The reason is simple, it is because it is cheap.

If Ye Leiyang remembers correctly, the box office price of this kind of movie in South Korea will not change until 2009 or 2010, and it seems to have increased by 1,000 won.

But that has nothing to do with Ye Leiyang, the question now is how to solve the problem after the filming of "The Melting Pot".

"I do have acquaintances on the side of the Xijie Group, but the problem is that once we do this, we need to give up a lot of benefits." Jiang Digui hesitated for a moment, and said to Ye Leiyang and An Shengji. In fact, the entire crew is now headed by them, and for this movie shooting, the actors did not ask for any salary, and the only cost was actually the crew's expenses. Jiang Digui took it on alone.

As for Ye Leiyang, he said that he had no money, and all the money was invested in "The Gift of Room No. 7", although the movie is about to be painted, and he can get nearly six million US dollars according to the profit sharing, but the problem is that the money will not arrive until the second half of the year, and now Ye Leiyang is poor and only has hundreds of thousands of won left.

What's more, he has already used the script to give love to Koreans, Ye Leiyang doesn't plan to pay any more, he is kind, but not stupid.

Thank you for your support, we are still five votes away from exceeding the previous one, brothers to see who still has votes, please everyone! In addition, please subscribe to ask for recommendation votes and rewards, please support genuine subscriptions and join the genuine readership group 191504984. You can also follow my public account and find the author's name Silly Yu. (To be continued.) )