After drinking tea for a while, chatting with the old man about things related to painting, he talked about these old men and suddenly became interested, He Zhixing talked to him about the brushwork and the painting techniques of the representatives of various factions, from Dong Qichang, Dong Yuan, Juran, Li Cheng, Fan Kuan, Han Gan, Ma Yuan, Tang Yin, Xu Wei, Li Sixun, Zhan Ziqian, Wang Wei, Zheng Qian, Guan Tong, Ma Hezhi to Wu Daozi, Han Yu, Wang Wei, Liu Songnian, Zhao Mengfu, Wang Meng, Huang Gongwang, Ni Yunlin, Shen Zhou, Su Shi, Zheng Banqiao, Qiu Ying, Mi Fu, Shen Kuo, Qi Baishi, Huaisu monk, Song Huizong, etc.

The two chatted happily, from the performance of Dong Yuan's landscape ink pen, to the ingenious performance of the monk's painting method, talking about Fan Kuan's mountain travel map, Han Gan's grazing map, Tang Yin's landscape performance, Wu Daozi's fairy volume, Wang Wei, Zhao Mengfu, Liu Songnian and other people's painting methods, Qiu Ying, Mi Fu, Song Huizong, Huaisu monk and other special Tiandao Qicheng ingenious performance.

Chatting and chatting sometimes the old man's granddaughter Gan Ling also interjected in, several people talked very happily, to noon, Gan Ling's parents will also come, after lunch, Gan Lao personally took him to the attic observation deck on the second floor and his collection of paintings Treasure Room, He Zhixing They went to the room of the collection of paintings and saw that it was full of a lot of new and old paintings, and sighed and was surprised, especially the most paintings of landscape paintings, and Gan Lao also collected a lot of paintings of modern landscape painters.

He Zhixing saw genuine antique brushstrokes from the Ming Dynasty, old ink from the Qing Dynasty and a number of century-old ink, several miniature carvings by Lu Zigang, genuine snuff bottles, and various masterpieces painted by himself and his granddaughter, a landscape painting by Dong Qichang, a landscape painting by Tang Yin, a painting by Su Shi, a bamboo drawing by Zheng Banqiao, and a shrimp fun picture by Qi Baishi.

He Zhixing couldn't see it with both eyes, and he couldn't imagine that the small Nanchang Residence Mansion also had so many hidden treasures? At this time, he saw a notebook on the antique wooden table, opened it and saw a lot of records of paintings in and out, He Zhixing asked: "Gan Lao, do you still open a gallery, I see that you have sent to the gallery and received various records."

At this time, Gan Ling said: "Well, my grandfather opened a small gallery in Nanchang City, where there are many paintings, in addition, my grandfather also recruited some apprentices, all of whom help in the gallery, usually when I have time, my grandfather will go to guide them, when my grandfather is not in the gallery, they are there to help sell paintings and the work of painting, when they can't see through the authenticity and someone wants to sell the painting, they will call grandpa to see the ......"

"Oh, I see, no wonder Gan Lao has so many collections"

Before leaving, He Zhixing also specially painted a picture of the valley Suni to give to Gan Lao, the valley Suni painted is also a landscape portrait painting on this side of Jiangxi, the scenery is taken from the scenery of the Valley of Hundred Flowers, the valley, the ancient death of the Hui school of architecture next to the small bridge, there is a beautiful nun in white plain clothes painted on the side of the bridge, is smiling and smiling a branch of flowers standing on the railing of the small stone arch bridge looking at the bend of the stream, next to the wildflower field, at this time the posture of the beautiful nun is quiet and natural.

Mountains, old-fashioned buildings, small bridges, flowing water, wildflower fields, and Suni's free and easy posture, etc., make the whole picture appear quiet and tranquil without losing the magic of the machine, the whole picture is alive, making people feel that the eyes are bright, the picture is so perfectly processed that it can make the person who looks at the painting feel that he has temporarily lost his troubles, and a fresh breeze is pouring into him, as if he feels that a person is relaxed, natural, and transcendent.

Gan Lao and Gan Ling were both amazed when they saw it, and they both felt incredible, how could Zhixing's paintings be so mature? What they admire is that this painting can make the people who look at the painting naturally bring into a state of mind, pure and light, completely relax their own awakening mentality, which is not something that ordinary painters can do, the three of them look at He Zhixing like a monster