Ye Su sat in the back seat of a Bentley sedan with a rustic but atmospheric design. Pen @ fun @ pavilion wWw. ｂｉｑUｇE。 ｉｎｆｏ

Next to him is Miss Chisaki, who is as savage as a gorilla, and sitting in the co-pilot seat is the secretary who went to SST to help deal with the handover problem.

As for the driver, of course, it is a dedicated driver--bodyguard.

This Bentley Mulsanne has a long hood with short front and long rear overhangs, a muscular design and clear lines that rise up the rear waistline, elegantly extending from front to back, and unique design such as 21-inch wheels all show a strong British classical charm.

Ye Su doesn't know much about cars, but this luxury car must be worth a lot, and he still understands.

At least 80 or 90 million yen, or even 100 million...... After all, it is a specially customized vehicle from the Ye family, which is more expensive than an ordinary Bentley Mulsanne.

In the eyes of others, a luxury car that may not be able to be bought for a lifetime is a simple scooter in the Ye family.

Ye Su didn't observe what was the difference between this Bentley Mulsanne, which was worth nearly 100 million, and ordinary taxis, he turned his head sideways, looking at the scenery next to him, but he was thinking about other things.

When he thinks about things, it naturally has something to do with the Japanese entertainment system.

Japan's entertainment industry, also known as the entertainment industry, has always been self-contained.

When it comes to the entertainment industry, Japan is the number one in Asia, and in fact, it still is.

However, with the passage of time, although the entertainment industry is not a twilight industry in recent years, it has become more and more sluggish.

In the final analysis, the entertainment industry is an economic game, and it is understandable that the entertainment industry has been affected to a certain extent by the economy compared to Japan, which cannot be compared with the past.

However, as the so-called emaciated camel is bigger than a horse, Japan's entertainment economic output is still not to be underestimated.

One of the three countries in the world that produces entertainment and culture is Japan.

The two largest record sales destinations in the world are the United States and Japan.

The first is the United States, the second is China, which replaces Japan, and the third is Japan, which is as famous as the United Kingdom.

Thinking of the movie, Ye Su suddenly remembered that when a certain Korean zombie film was released in his previous life, because of various water army propaganda, many people in China shouted about topics such as why Korean movies are once again ahead of China for ten years, and they took it seriously, and it echoed, which made people laugh.

As far as award nominations are concerned, Japan has completely exploded South Korea, China has completed South Korea, and in terms of heritage, Hong Kong films are even known as Oriental Hollywood, even if they are no longer brilliant and decaying. As far as the box office is concerned, both Japan and China are complete winners.

In the final analysis, the so-called rise of Korean films cannot be called a rise, at most the reason is only because of the strong support of the government.

Here is a very simple conclusion - the reason why Korean films are so-called surpassing Chinese films is only because the aesthetic ability and thinking level of the vast majority of audiences are low.

Regardless of the number of award-winning films - the three major international film festivals, the Venice Film Festival, the Cannes Film Festival, the Berlin Film Festival, and the number of award-winning films. South Korea is almost 0, which is an absolute gap that hardly needs to be compared.

Or commercial films -- the output value of films in the domestic market, no matter what kind of film, is almost completely victorious.

Therefore, because of a single zombie commercial film, it is very ridiculous to dare to say that Korean films surpass Chinese films.

This is a bit of a stretch, Ye Su shook his head and continued to think about the entertainment industry in Japan.

Speaking of which, the status of movies in Japan is completely different from that of other countries.

In other countries, movies are often the top position in the entertainment industry, as the so-called, the small screen is not as good as the big screen, even if it is popular on TV, it is only a small star, only on the big screen, in the movie, can it be regarded as a real big star. This is a truth that many people agree on.

In Japan, however, movies are at the lowest level in the entertainment industry as a whole.

In short, in Japan, in terms of entertainment, animation and manga are stronger than music, and music is stronger than Japanese dramas, and Japanese dramas are stronger than Japanese films.

Many people know about animation and comics, so I won't mention it here.

In terms of music, as the world's second largest music market, the main reason for this situation is that there is no piracy.

In fact, in the eyes of many Japanese people, they don't know that there is such a concept as piracy of records.

However, in other countries, it is very bleak, some countries where piracy is rampant, the awareness of copyright is weak, and the industrial chain is deformed, and they don't even know that there is such a concept as "genuine".

One is that I don't know that there is piracy.

One is that I don't know if there is a genuine version.

This is the most direct contrast.

In Japan, the level of sophistication in the entertainment industry is outrageous – but that's not a good thing.

Because it is too perfect, the industrial chain is completely streamlined, which also creates no room for progress, and weakness is inevitable.

Compared with the golden age of the entertainment industry, the current entertainment industry chain has regressed a lot and is constantly going downhill.

In addition, because of the complete streamlining of the industrial chain, the Japanese entertainment industry inevitably produces a phenomenon of self-entertainment.

Compared with Korean entertainment, which vigorously promotes and expands foreign markets, Japan's entertainment industry attaches great importance to its own market, and most of them produce and sell their own products behind closed doors, regardless of what other people's interests and hobbies are.

South Korea's domestic market is weak, but it is frantically expanding overseas markets, and some things can be seen from the trend in some Asian countries and even the United States.

In short, although the Japanese market still exists, the influence of foreign countries is completely gone.

This is the recession of the general environment.

In fact, there is something to be seen in the S-Series Band Contest.

Ye Su thinks about these now, it seems that it is a little too far-reaching-the SST entertainment agency he took over is not a first-class entertainment agency in the industry, at most it is second-rate, although it is a little famous, but it is only like that. Before eating the Japanese market, I began to target foreign markets, which is a bit ambitious.

It's just that, in terms of his current status, compared to the resources he has at his disposal, it is actually not a good ambition, it should be called far-sighted.

The car soon came to the downstairs of the SST entertainment agency.

The office of SST Entertainment Agency is located in a small building with three small buildings.

After the car stopped, the secretary opened the door, Ye Su and Kirizaki Chiji got out of the car, and saw the president of the SST entertainment agency and some staff who came to greet them, and even a few idols, some men and some women, their appearance is naturally needless to say, they all looked at this side curiously, wanting to see this new boss, who is sacred?

(To be continued.) )