Human beings are the strangest animals in the world, and if they don't cherish them when they have them, they often regret them when they lose them. Pen @ fun @ pavilion wWw. ｂｉｑUｇE。 infoWhether it's family or love, it's the same.

"The Girl We Chased Together in Those Years" quietly started the publicity journey under Ye Leiyang's decision.

The publicity cost of 10 million is undoubtedly quite terrifying for a romance film, and people are shocked to find that whether it is TV or newspapers, and even the Internet that is gradually entering people's lives, stills of "Those Years" have all begun to appear.

The most important thing is that the words post-80s and nostalgia have become words that are often mentioned on the Internet and even in newspapers.

Which girl is not pregnant with spring, which teenager is not in love, everyone has a beautiful time that belongs to them and only exists in their memories. And what Ye Leiyang wants to do now is to use the movie "The Girl We Chased Together in Those Years" to awaken the memories of many people's youth that have long been asleep.

Of course, in fact, Ye Leiyang knows very well that this movie can only be promoted from this angle, because if it involves acting skills, whether it is the young Liu Shishi or the old cadre Huo Jianhua, they are still far behind.

The vast majority of domestic actors graduated from the Beijing Film Academy or the Huaxia Drama Academy, which, in their own words, is inherited from the great Stanislavsky's acting system.

Because of the problem of being too perfect, rigorous and indoctrinating, a large number of so-called acting stars have been trained in batches like an assembly line, and there are very similar performance templates between these people, and they are all limited to a certain range.

To put it simply, people with different personalities will have different experiences and feelings about the same thing, ignoring how experiences and feelings can be expressed externally and strongly obtained by the audience.

In two words: rigidity.

From this point of view, those actors who have not undergone professional training are more flexible, flexible, and infectious than those academic actors who graduated from professional classes. The most typical example is Zhou Gongzi and the five billion actors.

We often think that foreign actors are better acting than Chinese actors, not because of how deep their knowledge is, but because people have been learning music, dance, and so on since childhood. To put it mildly, opera is regarded by many people as an elegant art in China, which is basically a high and low spring and white snow song, but in the life of foreigners, it is a very normal entertainment life.

Of course, there are also special actor training institutions abroad, but it is not a simple cramming teaching, but through expressions, bodies, language, and various auxiliary behaviors - such as the movement and transformation of props and sets, to help the audience establish an emotional connection with the actors.

To put it simply, China pays attention to its own inner feelings, while Europe and the United States pay attention to the interaction between the audience and the whole drama.

At this point, when Ye Leiyang was in South Korea, he saw a lot of Korean performances, some of them were methodists, and some of them were experiential.

The so-called experiential school, to put it bluntly, is to enter the play, those good actors will turn themselves into the role they want to play, deeply integrate into it, and then show it in the filming process.

But the problem is that experiential actors are easy to get too deep into the play, and there are often people who are immersed in their own world and can't extricate themselves even after filming, commonly known as depression.

Ye Leiyang naturally doesn't have to worry about this problem, he is not an actor, and he can't be involved in acting skills. It's just that the movie "Those Years" is the first film and television drama invested and filmed by Xinyang Entertainment Company, and the eyes of the whole company are staring at this film, and everyone is looking forward to a good start.

As the boss, Ye Leiyang naturally has to find ways to avoid some problems.

Since you can't promote it from the acting skills of the actors and the plot of the story, you can only play the nostalgia card.

After all, reminiscing about youth and reminiscing about the past is the propaganda strategy that Ye Leiyang has ever seen the most.

I must admit that this method works very well, after the stormy publicity, "The Girl We Chased Together in Those Years" has become a dark horse for summer youth love movies, and the cost was recovered in the first week of the box office, and the single-day box office hit a record of nearly two million.

"Boss, you're a god!"

"yes, that's awesome, boss!"

Some people around him praised Ye Leiyang from time to time, but the expression on his face was very calm, and he ordered to increase publicity at the summary meeting, strive to negotiate overseas copyrights in Hong Kong, Macao, Taiwan and Asia, and give red envelopes and bonuses to the main creators.

After doing this, Ye Leiyang specially called Wang Baoqiang to the company.

"Teacher Ye, hello." Wang Baoqiang, who still speaks Henan Mandarin, looked very simple at this time, standing opposite Ye Leiyang honestly, with a respectful face.

In his opinion, this boss who asked him from Huayi Brothers to Xinyang Entertainment in one sentence is not only a businessman, but also a learned person. This is undoubtedly quite deterrent for Wang Baoqiang, who grew up in the countryside and has never read much.

Although Wang Baoqiang is simple, he is not stupid, after learning that his brokerage contract was transferred to Xinyang Entertainment, he went to learn about Ye Leiyang.

As a result, he was taken aback as soon as he inquired, not because of Ye Leiyang's achievements in film and television dramas, but because Wang Baoqiang found out in a report that his new boss had actually attended the Sino-Korean cultural exchange forum held after the Sino-Korean Song Festival and gave a speech.

In other words, Ye Leiyang is not only a screenwriter who writes scripts for foreigners, but also a person who is a serious scholar.

To respect knowledgeable people, this is what Wang Baoqiang has always thought, because he has no culture, so for those who are particularly literate and really do learning, they are quite respectful.

Naturally, he also has a lot of respect for his new boss.

Ye Leiyang naturally doesn't know this, he just thinks that Wang Baoqiang is very good, even if he becomes a big star in his memory, he will return to his hometown to help the autumn harvest, at least for an artist, this is already rare, and it can be called not forgetting his roots.

"Baoqiang, are you still used to staying in the company?"

Ye Leiyang smiled and asked Wang Baoqiang.

With the popularity of "Soldier Assault", Wang Baoqiang, who played the male protagonist Xu Sanduo, finally became popular all over the country again, and now the drama appointments for him to perform are almost full of the company's itinerary, which is not at all the situation that no one cared about at the beginning. The Huayi brothers who made trouble also regretted it, and they knew that they would not give such a cash cow to Ye Leiyang so easily.

But they didn't know that Ye Leiyang's arrangement for Wang Baoqiang had other plans. (To be continued.) )