By the time the news of the remake reached Elisa, the meaning of the words had changed several times.

But Anna. Wintour's temper was there, and no one dared to say anything.

There are often cases of films being beaten down and remade in "VOGUE", so when Elisa walked into "VOGUE" again, there were no strange eyes on her.

Thanks to the accident that was remade, Elisa this time can be regarded as really meeting the legendary character - Anna. Wintour.

She has short hair as razor-sharp and shredded, looks the most decent, wears her favorite Prada printed shirt and a short skirt, she has no expression on her face for Elisa's arrival, she has always been direct, faded away from the scene of introducing each other to each other, and asked Elisa neatly.

"If I gave you the opportunity to choose an outfit, what would you give me?"

When she spoke, her facial expression did not change at all, she seemed a little cold, and she spoke very slowly, clearly expressing her problems.

Anna. Wintour only smiles at those he admires and admires.

This message of consensus in the industry flashed through Elisa's mind, but soon, a smile appeared on her lips.

"I think it must be a good ending."

If she said that after getting the news of the reshoot just now, she was still a little uncertain and uneasy in her heart, but the person who saw that the person who took this photo for her was not the Josh last time. When Brandt was in power, Elisa's mind was even more certain.

Plus Anna. Wintour said something like this to her, and then her thoughts were well revealed for Elisa to understand.

She liked Elisa's potential in that advertisement, not just a casual model, and if that was the case, why would she bother to ask Elisa to shoot the inside page instead of a more professional model than her.

"The Demon Wears Prada" is for Anna. Wintour has a lot of bad things to say, but the author of this book used to work for Vogue magazine in the United States. Wintour works, so he knows her well, and it's worth reading carefully.

You can see how important this not-so-fierce woman is to the fashion industry.

The insinuation in the book Anna. A dramatic scene occurs when Wintour's ruthless boss, Miranda, asks her assistant to find a short skirt for her: "When she conveys Miranda's instructions to the eight assistants in the fashion department of Flyover, within minutes, PRADA, GUCCI, Chanel, Versace, Armani, FENDI, and other dazzling brand PR managers and assistants will pass on information about every dress that Miranda might be interested in. And the only target of these all-you-can-do daily actions is Miranda, and it is her who directs these brands that are out of reach of the general public, "I need a short skirt." "I have to admit that Miranda is at the center of this fashionable power mechanism.

Books for Anna. Wintour's status is not an exaggeration at all, and in reality, Anna. Wintour is at the center of the power mechanism of this fashion circle.

Judging from the side of this book, it can also give people a glimpse of the status of this woman who calls for wind and rain in the circle.

She is "powerful" and elegant, and as a powerful editor-in-chief who can call the rise and fall of the $200 billion fashion industry, she will never allow what she wants to become mediocre.

If you can seize this opportunity in Anna. If Wintour leaves a satisfactory result in front of her, there is no doubt that Elisa will be much easier to face those fashion brands in the future.

Anna. Wintour wasted a lot of time on Elisa, but for the actress who is full of praise in Hollywood circles for her acting skills and beautiful face, she thought, I hope she can make herself gain and not waste so much time in vain.

By Anna. Wintour was obviously not comfortable watching the shooting.

And can be Anna. Wintour looked at the shooting, and there were not many model stars who got this kind of treatment, of course.

And Elisa. Serena became one of the lucky few.

The interior of "VOGUE" can be called the back garden of fashion brands, and the first-line big names can be seen everywhere, including a lot of Anna. The work of up-and-coming designers that Wintour admires.

There is no shortage of bold designs and avant-garde ideas.

Looking at the surrounding layout, Elisa quickly had an idea in her mind.

Anna. Wintour's love is for three-dimensionality and quality, and of course, a sense of royal elegance is essential.

Rococo - that was the first thought that popped into Elisa's mind.

Rococo pays attention to decoration and expression, and its distinctive characteristics are soft and delicate, delicate and soft, which makes the whole clothing style tend to be soft and complex, and a large number of exaggerated shapes, soft and bright colors and natural forms of decoration are used in clothing, giving people a luxurious and romantic visual effect.

Soon, Elisa picked out the clothes she liked among the pile of clothes.

Compared to the more pompous designs of the Middle Ages, the designer clearly retains the essence of the Rococo style, but at the same time, adds a design concept that is suitable for modern design.

The long skirt of the H-shaped design, with a lot of totems embroidered with fine craftsmanship, the color is extremely heavy, it is a heavy peach, which leaves a space in the hem, and at the waist, the designer also specially made measures to tighten the waist, Elisa found a thin belt slightly heavier than this color in the small things on the side, and tied it around the waist.

The sleeveless design makes her tall figure more conspicuous, she is tall herself, wearing this skirt and putting on a pair of almost eight centimeters of high heels, it really really explains what it means to have legs from the neck down.

This color is too bright, if you change to an ordinary person, it is difficult to suppress such a bright and eye-catching color, but Elisa's skin is white, which explains very well what is called a woman's unique coquettishness.

Her blonde hair has grown a lot over the past few years, and when it comes down, it happens to be the lob head that was in vogue before she crossed over.

"Good, Wendy, style her." Anna. Wintour crossed his hands and looked Elisa up and down, and from time to time two more questions popped up from his mouth.

"What kind of style do you think you want to express?" "Postmodern," she says, "or medieval retro? ”

"Honestly, your outfit is unexpected." Anna. "It's like the innovative way you dressed in that campaign, and the style of dressing that is almost infallible whether you're photographed in private or once in a while," Wintour said. ”

"At first, I was really curious, did you have a natural sense of smell that no one else can match, or was it just a credit to your design team?" Anna. Wintour showed her first smile: "But, now I know. ”

"Don't you really have the idea of changing careers to become a model?"