Govin returned to his room, and after lying on the bed for a long time, he still couldn't understand why Mr. Ai Qing had such a big opinion about him. Pen | fun | pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

Speaking of which, I don't have much intersection with Mr. Ai Qing, if it weren't for this visit to Hong Kong, the two might not have met so far.

But why does Mr. Ai Qing look at himself unhappy?

The first time we met, I warned myself that I was blind to myself on the boat, and I reprimanded myself just now.

That's not something that a first-time person can do!

There must be some misunderstanding about himself, or maybe he just has some opinions and opinions about himself!

In his mind, Govin seriously recalled the intersection he had with Mr. Ai Qing.

The first time the two crossed paths should have been when he wrote a poetic treatise on "The Rising Poetry Group" for hazy poetry, and mailed it to some old-timers in the poetry world, and he wanted to be recognized by his predecessors.

At that time, the poetry theory was also mailed to Mr. Ai Qing, but Mr. Ai Qing did not agree with his own point of view, he believed that hazy poetry was an unhealthy trend in poetry creation, and it was a countercurrent in the development of socialist literature and art in the new era.

In the old gentleman's reply, **** criticized himself fiercely, saying that he was playing the piano and mud.

Mr. Ai Qing believes that the view that "the core of hazy poetry is to take 'me' as the center of creation" advocated by him is a return to modern poetry, and he once made a figurative metaphor - if everyone holds a mirror in his hand and only looks at himself, it will make everyone intoxicated with self-appreciation!

After that, the two never interacted with each other.

Could it be that because of this, Mr. Ai Qing has an opinion about himself?

Govyn didn't believe it.

In fact, every poet has some characteristics that are different from ordinary people, or they are simple.

Mr. Ai Qing, as a modern poet of the older generation, is naturally no exception.

According to Gowen's understanding of Mr. Ai Qing, Mr. Ai Qing's personality is very direct and straightforward, he says and does everything he says, and his personality is very sincere and pure.

In his previous life, he had read a lot of reminiscences about Mr. Ai Qing, all of which were said by all of them, and the character of **** was both "straight" and "true".

Gewen's favorite poem in his life is Mr. Ai Qing's "I Love This Land", so under the love house and Wuxia, Gewen has a detailed understanding of Mr. Ai Qing's body.

At the beginning of 1932, Mr. Ai Qing joined the Chinese Left-wing Artists Union, engaged in revolutionary literary and artistic activities, and was soon arrested, and wrote a lot of poems in prison, and his famous work "Dayan River - My Nanny" was written during this period.

Later, Mr. Ai Qing successively published poetry collections "North Wind", "Dayan River", "Torch", "To the Sun", "Notice of Dawn", "Cheer Collection", "Jewel Red Star", "Spring", etc., these poetry collections are vigorous and emotional, and pour out Mr. Ai Qing's feelings for the motherland and the people.

After the founding of the People's Republic of China, Mr. Ai Qing began to write poems expressing the new life and builders, drawing on foreign "Vienna", "South American Travel", "Atlantic", etc., realistic and symbolic interpenetration, imagination and feeling are unique, which is an outstanding work at that time.

After the buzz was rehabilitated, Mr. Ai Qing made a comeback and created a series of poems, the theme of which continued the emotional clues of the thirties and forties that longed for light and truth, and had been greatly extended, more profound, dignified and wise, focusing on grasping the meaning of transcending objects in concrete images and moving towards symbols.

Mr. Ai Qing is considered to be one of the representative poets of modern Chinese poetry, and he has become a family with his singing full of artistic personality, and practices the poetic aesthetic proposition of "simplicity, simplicity, concentration, and brightness". In the history of the development of Chinese new poetry, he is another poet who has promoted a generation of poetry style and had an important influence after Guo Moruo, Wen Yiduo and others, and also enjoys a reputation in the world.

How could such an old gentleman be so bitter to himself because of their different views on hazy poetry?

But in addition, what caused Mr. Ai Qing to have such a big opinion about himself?

Govyn was rolling around on the bed, scratching his scalp with both hands, helpless.

Then a thought crossed my mind.

Govin sat up from the bed at once.

He remembered something.

When he was in the courtyard last year, he once talked with Gu Cheng, Beidao, Haizi, Meng Ke and other Beijing poets about the poets of the contemporary poetry circle, and everyone was extremely pleased with the excitement of the poetry scene now.

It is no exaggeration to say that the Chinese poetry scene in the 80s was like a river tide in Qiantang, wave after wave, and each wave turned the world upside down.

Then, as if jokingly, Munk divided China's modern poetry scene into three eras.

Munch said that there are actually "three generations" in China's poetry scene.

The first generation is naturally the older generation of modern poets such as Ai Qing and Zang Kejia.

The second generation is these poets who have come out of the buzz, and they have witnessed the dissolution of class nature to human nature during the buzzing period, and they want to break out of this absurdity, so poetic propositions such as bitterness, silence, death, and freedom often become the themes of their creations.

As Kitajima said in the poem "Declaration" in the poetry magazine "Today", "In the age when there are no heroes, I only want to be a person", the second generation of resistance is resolute, but when they have just beaten the conservative poetry and let the hazy poetry go from the ground to the ground, the third generation has started a new revolution.

Han Dong's "About the Big Wild Goose Pagoda" is a typical work of the third generation of poets.

The works of the third generation are anti-traditional and anti-sublime, which is both a rebellion against conservatives and a declaration of war against poets like their second generation. If the second generation is rebelling with an ascetic attitude, then the third generation is dissolving with a hippie attitude. They have to dissolve not only those distorted values, but also the anguish of the ascetics.

Govin clearly remembers that Beidao greatly agrees with Munch's classification of the modern Chinese poetry scene, especially for Munch's statement that the essence of these second-generation poets is to resist authority, conservatives, and praise individuality.

To demonstrate Munk's rebellious spirit of the second generation of poets, Kitajima spoke at the time about his "break-up" with Ai Qing on the phone a year earlier.

Ai Qing said, "Don't forget that you have eaten at my house", and Kitajima replied, "Then I will send you the food stamps!" ”

The reason why the two "broke off" was precisely because of the difference in their creative concepts.

At that time, Kitajima said with some regret that although Mr. Ai Qing was his respected predecessor, he loved his teacher and loved the truth more, and Mr. Ai Qing, as a staunch left-wing writer, did not regret his death despite the humming ordeal, and it was a pity that the two sides did not communicate with each other because of their creative ideas.

Don't......

Does Mr. Ai Qing really have an opinion about himself because he doesn't agree with his creative concept?

Govin thought of what Mr. Ai Qing had said to him that night.

The old gentleman said that he agreed with the Western concept of literature and art, but he did not know that the country was opposing bourgeois liberalization!

Looking back on his creative process, he first published his personal life values, and then published the hazy poetic theory that Ai Qing opposed, "poets should take themselves as the center of creation", and later introduced and promoted some Western literary and artistic views in some small articles, and wrote "Living Elsewhere" before......

All this is contrary to Mr. Ai Qing's creative concept, and Mr. Ai Qing is one of the veteran left-wing writers.

Damn, is it really because of this that Mr. Ai Qing is dissatisfied with himself? Mr. Ai Qing thinks that his creative concept is a bourgeois idea?

Govin seriously recalled Mr. Ai Qing's attitude and words towards him, and the speculation in his heart became more and more affirmed.

This is really a no-brainer!

In Gowen's view, creation is a very personal matter, and there is no need to rise to the height of politics at all, whether it is to eulogize the country and the people, or to pay attention to the perception of one's own emotions, it is normal and has literary value.

There is no distinction between high and low literary and artistic works, and the artistic value of Shen Congwen's "Border City" and Lin Yutang's "Jinghua Smoke and Clouds" cannot be erased by anyone; Although Mao Dun's Midnight, Ba Jin's Home, Lao She's Camel Xiangzi, and Cao Yu's Thunderstorm have made great achievements in creation and had a wide impact, the formulaic and conceptual left-wing works are not loved by the majority of readers.

Govin smiled bitterly and lay back heavily on the bed.

He didn't want to make such a bad impression in the hearts of this old man he liked.

However, under the preconceived concept, there is still a long way to go for Mr. Ai Qing to eliminate his misunderstanding.

……

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There is an update today. (To be continued.) )