Chapter 552: It's online

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Tang people feel that the tease is the protagonist and the most important role, so it is a little inappropriate to let himself play it. 怐怑

On the contrary, this is an outsider's claim.

In the eyes of the industry, it is the opposite.

In the past, most of the performances were praised by the master and teased by the apprentice, so there is a saying that "three points of teasing, seven points of praise".

Although when performing, often A has more words and B has fewer words, A is responsible for laying the burden, and the real "shaking" burden is generally B.

In other words, although B's words are few, they are all crucial, and generally play the role of connecting the previous and the next, surprise, and amplifying the effect.

The actor should take his artistic skills and stage experience as a yardstick to cater to the performance of the actor, and help the actor achieve the results that the work should achieve through "starting, bearing, turning, and combining". Comedian actors can also find gaps in them and gradually improve themselves.

The word "measuring work" is to highlight the respect for the actors.

Beginners are mostly comics, one is to experience stage experience, and the other is that beginners are not able to control the position of teasing.

Therefore, Zhang Ou will let the Tang people tease, the image of the Tang people is on the one hand, on the other hand, it is the expressiveness of the Tang people, Zhang Ou has seen the performance of the Tang people at the Golden Eagle Festival, and Zhang Ou is very recognized for his expressiveness.

A few days later, Tang Ren began to practice cross talk performance skills under the leadership of Zhang Ou.

As the saying goes, one minute on the stage, ten years off the stage.

Usually the Tang people watch those cross talk actors, and they are quite relaxed when they perform, that is, they can just talk and laugh.

In fact, this is not the case, when the Tang people themselves are connected, the Tang people know that this matter is far more difficult than they imagined.

The first is pronunciation, there are requirements for the pronunciation of cross talk actors when they perform, and they must be in Mandarin.

This Mandarin is not what we call the standard Mandarin, but the words of ordinary people.

Talking about cross talk is actually a simple story, to make people feel like they are there, at this time, you can't be too straightforward, you use the kind of voice that broadcasts news to talk about cross talk, it's definitely not good.

But you can't be too Mandarin, in life we speak a little fast, sometimes a little vague, just take it with you, usually we are like this, connect the upper and lower meanings, and know what you are talking about, there will be no communication barriers, when you say cross talk, no, you must speak clearly.

The Tang people have some problems at this point, because whether it is the previous life or this life, the Tang people are all from Guangzhou, and he usually speaks Mandarin without any problems, which is very standard, but this standard is okay when singing, and it is a little awkward when speaking cross talk.

Zhang Ou asked the Tang people to order it at will, and then the Tang people's Cantonese came out.

"That's what it tastes like. The feeling is also very characteristic. In the end, Zhang Ou compromised, and if he didn't compromise, he himself would be brought in.

Then there's the tone and expression.

Tang and Zhang Ou are very researched in this regard, after all, Tang Ren is an actor, and Zhang Ou is also an actor, and both of them have very good experience in acting.

Combined with the script, the two kept running in.

I have to say that Zhang Ou is a very powerful actor and a very conscientious teacher.

Under his guidance, Tang Ren can clearly feel that there are obvious changes in his acting skills, when he was acting in "Cold Night and Cold City", Tang Ren basically relied on his own figure, plus the guidance of Guan Bao and others, although they are all professional directors and actors, but after all, they are not teachers, Zhang Ou is not comparable to them in some aspects, but he still has his own set in teaching.

In this way, Tang Ren settled at the Central Academy of Drama.

The daily routine of the Tang people is to get up in the morning to have breakfast in a small restaurant outside the school, then go to the practice room to practice, go to the cafeteria at noon, go out to have a good meal in the evening, and then surf the Internet in the dormitory, or chat with Zhang Ou.

Four days later.

"Here." Tang Ren waved his hand at Liu Xiang.

Liu Xiang didn't come alone, she was accompanied by her assistant.

"Where's your car?" Liu Xiang looked at the car behind Tang and asked.

"Ask a friend to borrow it." Tang Ren said with a smile, in order to pick up Liu Xiang, he specially borrowed his car like Zhang Ou.

"Send you to CCTV to report first?" Don asked.

"Hmm." Liu Xiang nodded. "The official rehearsal should start tomorrow, and today should be a day off."

"Okay." Set the map to CCTV, and the Tang people set off.

"By the way, Tang Ren, I heard that you have been at the Central Academy of Drama recently?" Liu Xiang said suddenly.

"How do you know?" Tang Ren was surprised that because he wanted to keep the relationship secret, he didn't tell Liu Xiang that he was at the Central Academy of Drama.

Liu Xiang smiled: "You're online!" ā€

"Huh?"

"Recently, someone took pictures of you eating in the cafeteria of Chinese opera and practicing in the practice room." Liu Xiang said with a smile: "I didn't expect that the person who invited you was Zhang Ou, you are going to perform cross talk." ā€

"Well, yes." Now that it has been announced, the Tang people will not keep it a secret.

"Really? Do you really want to talk to him? When Liu Xiang first knew the news, he still didn't believe it, the Tang people couldn't get along with cross talk at all, and now that the Tang people were confirmed, Liu Xiang was also very surprised.

"It's true, I was also very surprised at first, why did he invite me to talk about cross talk, but later I learned that he wanted to do a little innovation and combine traditional art and fashion trends, so he called me over." Tang explained.

"The question is, will you?" Liu Xiang asked.

"It's okay, I've learned a lot in the past few days, and I feel okay." There has indeed been a lot of progress in the past few days, and even Zhang Ou has to admit that Tang Ren is indeed a jealous genius.

"Come on!" Liu Xiang encouraged the Tang people.

"Hmm."

When the car came to the TV station, Tang Ren parked the car and followed Liu Xiang in, and the staff thought he was Liu Xiang's assistant, so they didn't ask much, and the three of them went in.

After a while, a middle-aged man with a big belly greeted him.

"Xiao Liu, hello, hello, my surname is Zhou, my name is Zhou Wang, the producer of this New Year's Day party." Zhou Wang said.

"Hello." Liu Xiang shook hands with him.

"Hmm." After the introduction, Zhou Wang took Liu Xiang to familiarize himself with the scene of the party and the specific time arrangement.

"The rehearsal starts tomorrow, and we have arranged your residence for you, so you can stay there during this time." Zhou Wang said.

"Thank you." (To be continued.) Mobile phone users, please browse and read, a better reading experience.