The so-called author counterattack does not mean that the author can really jump out and put a big move on me or something. Rather, it means that the settings on the protagonist will be activated in advance.

The author presupposes the premise of "the protagonist's attitude towards the villain from friendly to hostile" on the protagonist's body, and it is a matter of time before it is launched, just like □□. And I single-handedly triggered a huge change in countless stories, broke the author's plot plan, and stimulated the □□ and detonated it in advance. This is similar to the treatment of diseases in traditional Chinese medicine, where the patient has a dark disease in the body, he must first try to make the poisonous fire radiate and form a tumor and sore on the surface of the body, and then cut it off in one fell swoop, leaving no future trouble.

Confucius said: "If you can't pretend to be forced, you will be slapped in the face." "The biggest risk of this method is that the poisonous sores are not well controlled, but they will harm the whole body. But I had to do it, otherwise I would have no hope of being free anymore by following the author's plan, step by step. The protagonist can only continue to be a puppet.

The myriad stories below are like bubbles surging together. Suddenly, a bubble suddenly grew larger, quickly floated up, and before I could come to my senses, it burst out of the dark abyss and came to me. Swallow me and the protagonist inside.

I disrupted the author's writing outline and stimulated the protagonist's internal setting in advance, which of course triggered some other reactions - such as this story.

I felt it for a while, and realized that the connection between me and those reincarnators still existed, probably because of the story of the detachment of the fundamental consciousness.

- The main character? Can you hear me?

I tried to send a message to the protagonist with root awareness, but there was no response.

Cut off? It's impossible, the author can't interfere with the story world in this way.

"Senior brother, what kind of character do you say that Hongmeng Tianzun is? A few days ago, he crossed the Heavenly Tribulation and achieved the Mixed Yuan Dao Fruit, which is really enviable. ”

The familiar voice of Senior Brother sounded, and we seemed to be rushing towards Zixiao Palace.

Ah, I'm ready to mention it again.

The layout of Zixiao Palace was as usual, but there was one thing wrong - there were too many futons.

Theoretically, there should only be six or seven futons in Zixiao Palace, and the exact number depends on the author's setting, but these futons are all symbols of the holy throne, there is no doubt about it.

But now, there are three thousand futons in Zixiao Palace, corresponding to three thousand powers.

Ah, it's been a long time since I've come across this kind of flood story, and I don't know if the author finally mustered up the courage to break a cliché, or if I was in that kind of story......

"The way of Daozu Hongjun is different from the way of being a teacher, but the stone of the mountain can attack the jade, and it is also beneficial for you to listen to it." A voice came from the gate of Zixiao Palace, and all the great powers turned their heads to see who was saying this in the Sage Dojo.

"Poor Dao Huaguo Mountain Hongmeng Tianzun Zhang Han, I have seen all Taoist friends." As the man who walked in spoke, he released the momentum of a saint, so that everyone didn't dare to say anything about him. He was followed by a few other people, who seemed to be his disciples.

"It turns out that he is the Hongmeng Tianzun, and his momentum when he became holy is not inferior to Dao Ancestor." The senior brother muttered to himself next to him (In fact, Zhang Han's strength in preaching with strength is higher than Hongjun's strength in praising the three corpses, and the power of sanctification is also stronger. But because Hongjun is the Dao Ancestor selected by Heavenly Dao, Heavenly Dao gave him a boost when he became holy, so it seemed to be the same as Zhang Han's coercion. ）。

Wait a minute!

What is this?

Why are there still parenthetical explanations popping up in my head!

If the author feels that it is not clear, he can explain a few more sentences, so why do they have to append it in parentheses? The appearance of parentheses will give readers a feeling that "this author can't make it clear in the text, and he has to add explanations", which greatly reduces the reading experience.

Moreover...... The protagonist's name is Zhang Han, and he proves with force.

I thought the author was really overestimating him when he broke the cliché.

This is clearly a regression into a bigger, older, more poisonous cliché.

A protagonist with a surname, a protagonist who preaches the Tao with strength, a protagonist who lives in Huaguo Mountain, and a protagonist who forcibly comes to Zixiao Palace to listen to the sermon even though he has been sanctified. In comparison, the Dao number of "Hongmeng Tianzun" is no longer insignificant.

I almost had a hunch of what kind of story it was. This kind of story was born very early, and at that time, later routines such as the holy position futon and the sanctification of religion had not yet appeared. Oh, and don't get me wrong, that doesn't mean the kind of stories aren't thunderous. Instead, I could read two verses to describe them:

The supreme god Xiao Tianlei King, a qiē Lei Wen Ru is respected.

This kind of story is the thunder of all thunders, the primeval poisonous thunder, and the Nine Heavens Ying Yuan Puhua Thunder Tianzun in the Thunder Realm.

Its name is "Preaching by Force." Basically, there is no character logic in this kind of text, the plot is mentally retarded, the characters are brainless, the writing is white, and it is a miracle that the author can insist on finishing it.

But then again, the author's choice of this story is indeed the most appropriate for the main character. Because this kind of story can only be carried out by the author's will. In other words, the luck in the protagonist is stronger than in other stories.

The protagonist is the opposite of me, and the stronger the luck, the heavier the suppression of the fundamental consciousness. It's no wonder I can't get in touch with him with my fundamental consciousness, I'm afraid the protagonist has now completely become a puppet who follows the plot.

It seems that I still guessed wrong, and the setting prepared by the author for the protagonist is not something like "seeing a certain scene and being stimulated, and immediately turning into an enemy to a villain". It's very Stockholm Syndrome's "forced to complete the plot by luck suppression, feeling that the story is actively resisting the viral villain beyond the story, but tragically fails." So he understood the true meaning of his role and began to fight against the villain." Presumably the false memory of the plot of the Eastern Emperor Taiyi has also been explained, right? He would think that the story was using him to deceive me, just as the story directly accused him of his actions.

It's troublesome to treat the author's pre-set as an act made after the story is "finished". Because the story and the protagonist are both creatures, it is inevitable that there will be a feeling of sympathy. Compassion is often the first step in a change in attitude.

So what can I do?

I want the protagonist to be disgusted with this story, and if there is disgust, naturally there will be no sympathy, and the attitude will not change.

Actually, the story itself is very disgusting, and if I want to make the protagonist disgusted with this story, I just need to magnify the intellectual retardation logic of the story and destroy the core of the story. In other words, the same thing I usually do – it's the only thing I can do.

What I'm really worried about is the main character, what if I ruin the story and he still turns to my hostile side?

Then there is really no way, if you want to escape the control of the author, you will inevitably have to gamble in some places. If the protagonist experiences such a poisonous story, he still stands at the end of the maintenance story. I really don't have anything to say to him. When the time comes, one side will maintain the story, and the other side will destroy the story, each with its own skills.

Alas, I suddenly thought of the Yuan Shi Tianzun and the Tongtian Sect Master.

I sighed secretly and looked up, meeting the protagonist's eyes and seeing nothing but strangeness.

At the same time, a cause and effect came to mind.

Ah, it turned out that this person snatched the Spirit Vein Cave Heaven Ning Bi Cliff in my west, and refined the Ning Bi Cliff with Huaguo Mountain, and also took away countless heavenly and earth treasures.

As soon as the author's supplementary setting appeared, it smelled of collapse.

The author was too lazy to choose a name, so he directly copied the swordsman of Shushan and passed a Ning Bi Cliff. Then the protagonist also moved Ning Biya to Huaguo Mountain, you are a saint, you are the king of Monkey Mountain.

The protagonist felt that the West would be damaged by Rahu and Hongjun anyway, so he simply swept away the spiritual veins and treasures of the West in advance, and boasted of what "three feet high" and "goose plucking". Then, when it was my turn to come to the east to fight the autumn wind, the protagonist jumped out to stop it, saying something like "You will do a good job of cultivating your people in the west, and don't want to touch every grass and tree in my east."

According to the causal cycle theory of the Flood Story, your protagonist owes me a big cause and effect in the West anyway, right? If you don't try to make up for it, you can bite back, it's just a pig and a dog.

"Senior brother, I never thought that this cause and effect should be on the saint, if you and I want to get it back, I'm afraid it will be extremely difficult." The senior brother reluctantly conveyed the message to me.

Recovery? If he doesn't take the initiative to call the door himself, I will have to thank the author. can be sanctified with Hongjun Dao Ancestor, how can you say that you are also a peer, right? But the protagonist has always consciously positioned himself on us disciples, not only coming to Zixiao Palace to listen to lectures, but also taking bullying the small as a common thing.

That being said, the story still has to be cracked. This cause and effect is more or less a bargaining chip, whether it is the Heavenly Dao or the Great Dao, cause and effect are always the basic laws to be followed, right?

I listened absentmindedly to the entire Hongjun sermon, watched the protagonist salute Hongjun instead of our disciple, and finally pretended to be forced and left Zixiao Palace.

Alas, speaking of which, in the Romance of the Gods, our brothers and Hongjun are also commensurate with each other, Buddhism and Taoism, and they do not belong to each other. How did a good Western sect leader become a disciple of the Dao Ancestor in a daze?

In some stories, the author finally remembered the title in the Romance of the Gods, and it was actually regarded as the punishment of the Dao Ancestor for us to set up another portal. He said that Hongjun called us Taoist friends, which means that he can take action against us, and it is not a big bully. Oh my God, what about Hongjun, who is in good shape and is ruthless and desireless? He still has personal likes and dislikes? The story really gets worse and worse.

Halfway back to the West, I suddenly saw the sound of fighting coming from the Nether.

An eight-headed giant snake was fighting with an ink unicorn, gaining the upper hand, and said as it fought back: "Baga, you branch pig go to death!" ”

I tried my best not to twitch my face, feeling like I was going to be poisoned by the poison contained in the story.

This section ...... I remember that it was indeed used in many stories back then, and after the protagonist heard this sentence, he immediately exploded his national feelings, killed the Yaqi Snake, and adopted the ink unicorn as a mount. The author who originally created this plot is really the director of the anti-Japanese drama. The flood is unprecedented, the creativity is novel, and it is like a brain-dead. It is not known if he is from the "struggling youth".

According to his line of thinking, I can understand why Western religion will always be the enemy, because it symbolizes the oppression and bullying of my Chinese sons and daughters by the Western imperialist powers.

"Killing Spear!" A loud shout sounded, and a murderous □□ fell from the sky, stabbing the Yaqi Snake to death as I expected.

"I am Zhang Han, the Hongmeng Tianzun Sage of Huaguo Mountain, I don't know if you would like to be my mount?" The protagonist appears in mid-air, retracts the Killing Spear, and takes the ink unicorn.