I am the villain, born in the middle of the wilderness, shuttling through various story worlds, mostly Zhun Ti, occasionally Burning Lamp or Hiroshiko. My job is to find the loopholes in the logic of each story and amplify them to break the core of the story and make the story collapse.

I am a villain, a person in the real world, a professional actor, working in the Honghuang group of the Crossing Film and Television Company. I was the villain number one in countless torrent stories, but due to the ratings slump, the group was cut and I lost my job.

Two different self-perceptions are mixed together in the fundamental consciousness, like a boiling thick porridge.

The two different kinds of rice seemed to have finally been boiled up, sticky and blended together, gradually cooling down and no longer bubbling.

I am the villain, born in the midst of the wilderness, and I am a fictional character written by the author. After I completely break down a story, I will get luck feedback, strengthen my fundamental consciousness, and then touch more information fragments of the high-dimensional world. At the end of the previous story, I met the main character's root consciousness in the dimension of root consciousness, and we communicated and helped each other in this story.

That's right, this is who I am, who I am at this moment, who I am.

I confirmed myself.

However, as an actor, the tone of the narrative is almost exactly the same as mine. Even though I didn't know him at all, I always felt that if I were put in that environment and put myself in that place, I would only be able to react and say the same thing.

This flood of information from the high-dimensional world came strangely. I didn't break this story, and it stands to reason that it is impossible to get enough luck to strengthen my fundamental consciousness, and I will not have the opportunity to come into contact with the information fragments of the high-dimensional world.

And so it appeared, after I cut off contact with the main character. It's weird because I don't feel like I'm doing anything special. This is neither the first time to meet the protagonist, nor the first time to connect with the protagonist with fundamental consciousness in the story. I somehow triggered this flow of information to merge into my fundamental consciousness.

In retrospect, it's not just the flow of information that's strange. Isn't it strange that I, as a character in a book, suddenly have a consciousness of my own? Looking at the people around me in a dream without knowing it, I have been haunting my own doubts: no one around me knows that I am living in a story, only I think I am awake, could it be that I am actually in a deeper story? Am I the one in the story?

People have a herd mentality, and when the people around them go against them, they will inevitably feel that they are wrong, and the people around them are right, and they want to "fit in".

Thankfully, the awakening of the protagonist broke my suspicions, and it turned out that I was not alone. If you think about it, the style of painting seems to have changed a bit since I met the main character. A certain wariness in my heart was opened, and sometimes it seemed slightly ...... Unbridled. Unconsciously, I seemed to have developed some kind of dependence on the main character. This dependence is not friendship or love, it is more like ...... Freemasonry? Or are we the same enemy?

For us, the whole world is the enemy. Be cautious in everything you say and do, and communicate with the people around you to get along with each other. The only people who can really open their hearts and tell the truth are each other.

Is this love? No. I think it's a bit narrow to describe our relationship in that word.

In any case, this sense of relaxation diluted my doubts. Now, that sense of doubt and vigilance has come back to me.

It's already strange to awaken one character in the story, but if two awaken them, isn't it a coincidence within a coincidence?

When I think about it the other way, I realize that things are simply frighteningly weird.

Is it possible for a character in a novel to awaken on his own? Awakened one after another? Happens to be the protagonist and villain who has a decisive impact on the whole story? And break the author's story one by one?

Whether the luck statement that the protagonist told me is tenable now seems to be a problem. He said that he woke up late because the author's will imposed on him the luck of the whole story. I woke up early because the story luck didn't favor me as a villain at all.

If you order all the characters in the story according to luck from smallest to largest, there is no doubt that I, the number one villain, is at the top of the smallest luck value, and the protagonist is at the largest end. But the problem is that there are countless characters between us. Below the villain, there are also the No. 2 villain, the No. 3 villain, and the miscellaneous fish minions and lackeys. After that, it should be passers-by, some neutral characters, and then positive characters. In the same way, below the protagonist, there should be some luck slightly weaker than his main supporting role.

These people's luck is stronger than mine, weaker than the protagonist. If I want to awaken according to this standard, I should have my turn to awaken the senior brother who has been lying with me as the second villain all the year round, and then the villain such as Yuan Shi Tianzun.

In other words, if you wait until the protagonist with the strongest luck awakens, then more than half of the characters in this story should have awakened a long time ago. But why is it that there are only two fundamental consciousnesses now, me and the protagonist?

In a trance, I seemed to see a big hand in the dark, hand-picked the two of us in the air, and made us wake up from the story.

If......

What if the author deliberately woke up the protagonist and asked him to oppose me? What if his awakening mission is to set things right and get the story back on track?

No, no, then what he did in the previous story doesn't make sense.

Besides, although I haven't been communicating with him for a long time, I believe from the bottom of my heart that the protagonist is not such a person. I still choose to believe in the main character.

So, at present, it seems that there are two explanations for the time being: first, the protagonist awakened early, because the luck I absorbed from the broken story was absorbed from him alone, so except for me, only he awakened.

Second, I was awakened naturally, and the protagonist was indeed awakened by the author. The author's purpose in doing this, as I had previously suspected, is to make the story normal. But in order to paralyze me, the author did not let the protagonist know this, but instead stuffed some specious and misleading cognitions into his fundamental consciousness, such as the theory of luck awakening just mentioned. So the protagonist really wants to help me, but the author stands behind him and uses him. The first conjecture doesn't explain the sudden flow of information, so I'm more inclined to the second.

To use an analogy, I'm a computer virus in a torrent story, constantly destroying programs. The author is a programmer, and it is impossible for a programmer to kill the virus by himself, so he has to write an antivirus program to do it for him. Some antivirus programs, as you know, actually follow the route of fighting viruses with poison, and they are themselves viruses in some ways. In the same way, the protagonist also shows certain qualities that are the same as mine, such as fundamental consciousness. But that doesn't prove that he's not an "antivirus" per se.

So what's going on with the flood of information "I'm an actor"? I think it's a reminder. Remind me that there was once such a "me" as zài, which was exactly the same as my personality, the exact same way of speaking, and the setting of "villain" was almost the same.

What does this reminder mean?

It shows that the author once set up such a story, in which there is a "me", who uses a slightly complaining tone to tell his experience of playing the villain in various story scripts of the torrent until the studio was cut. This "I" seems to be above those torrent stories, but in fact I am just a person in the story.

This story may or may not have been written, but in short, it was overturned and destroyed in the end.

Instead, there is a story of "I" as a story villain, breaking the flood cliché while complaining, and then meeting the protagonist and being eradicated by the protagonist.

That's right, it's the story I'm in.

I thought I had one foot out of the cage, but I never thought I was in a bigger cage.

If I'm not guessing wrong, the author overturned the previous idea, but did not abandon it completely, but used the original villain setting as an element to re-knead me. may even pinch out the protagonist.

You may think the above statement is a bit awkward, but this is because I have always focused on myself as a villain in the story. Maybe I should look at it in a different way, standing in the position of the protagonist, or the author behind the protagonist, and it will be clear as soon as I see it:

There is a villain in the story who wakes up and begins to disrupt one story after another. At this time, the protagonist also awakens, and he finds that he has a lot in common with the villain. But for the sake of the balance of the story, the protagonist resolutely goes to the opposite side of the villain, eradicates the villain, and allows the story to continue.

yes, a novel novel, isn't it?

The original idea is like a shattered fragment of the text in the computer, hidden under this new story world. The whole story world I live in is reconstructed from these fragments.

The author does not have real supernatural powers, and it is impossible for him to create the zào world like the great god of Pangu. But in the high-dimensional world, he uses a computer keyboard to type, delete, delete, modify, and change, and the entire story world will change, reorganize and recreate.

I suspect that the "me" back then was also vaguely aware of this. He set up some kind of trigger, and saved all of his memories and hid them in the fragments of information, hoping to be discovered one day.

He wanted me not to repeat the mistakes of the past and to truly get out of the author's grasp. Don't be like him, who thinks he is a character who is detached from the story, only to be overturned by the author with a wave of his hand.

In a sense, I am the reincarnation of the previous "me". But I don't dare to reveal any indication that I know about it, this information can only be saved by me and known to me. Even the communication at the level of fundamental consciousness is not enough, and I can't reveal this to the protagonist.

The only thing I am glad for is that unlike the setting of "me" last time, this time I am not playing a villain, but a real villain.

Last time, "I" was a protagonist who played the villain, so the author wanted to describe the psychological activities of "me". This time, I'm the real villain. And as I said before, the author always tells the story from the perspective of the protagonist, not the villain. So the only place that can be kept secret is in my fundamental consciousness.

At the moment I have two tasks to do:

First, break the story of "the demon clan is respected".

Second, when you return to the fundamental dimension of consciousness, take the initiative and don't passively wait for the next story to come. Because I don't know when the protagonist will be led to my opposite side by the author, I want to dominate and lead the protagonist to follow my plan.

Think about it, in the past, between us, it was always the protagonist who acted first. He was the first to hint at his identity to me, and it was he who took the initiative to find me in the Fundamental Consciousness, and used the Fundamental Consciousness for the first time in the story to make contact. Perhaps there is really the author's will to guide him.

But I believe the protagonist, who is not aware of his situation. I'm going to take him with me to get rid of the author and jump out of the story.