**038 Fish and bear's paws can be both

An analysis of the pictoriality of Bunin's novel

Wang Wei

(School of International Cultural Exchange, Xinjiang Normal University, Urumqi 830054, China)

1. The perfect fusion of light, color, shadow and shape: a unique Russian landscape painting

Bunin has the eyes of a painter, the brushstrokes of a writer, and he uses words to describe for us

Colorful "paintings" are painted, giving his novels a distinct image

Sex & Visibility. Especially when describing the natural scenery of Russia, he pays attention not only to shape

The shaping of the shape, but also highlights the depiction of color, so that realism, impressionism two

Aesthetic principles achieve coexistence. Poetry and painting are interconnected, a classical Chinese artistic concept

It is perfectly embodied in Bunin's novel.

1.1 The landscape description of the novel is based on the experience of Chekhov and other writers

and innovation

Chekhov believed that in order to express realism, it was necessary to use novel impressions

The color palette of ism brings out the subtleties that are part of the whole

Bright. Leo Tolstoy, when discussing the innovation of Chekhov's writing, also directly put the following

He is associated with the case of the modern French landscape painter and considers Chekhov to be a seal

Like the elephantists, he has his own unique form of expression, and his characters resemble them

It can have any color, and let Thaksin's pen paint it, as if between these colors

It doesn't have anything to do with it. But if you look away a little bit and look at it, you get a wholeness

impressions.

If Chekhov, like Maupassant, will be the French Manet school of landscape painting

[3] Plastic

The new technique of image-making is used in prose writing, so Bunin "borrowed from Chekhov."

experience, in the 'impression of the expression - revolutionized"[2], hence Bunin's work

The language is colorful and colorful, like an oil painting by an impressionist painter.

First of all, most of what Bunin describes is the idyllic scenery that he is familiar with. he

Use the painter's brushwork to reproduce them truthfully and vividly, and make full use of the impression

The technique of the Yi Painting School ——— light and color to depict nature, giving people a sense of transparency and clarity

A sense of clarity. Bunin's sense of color is top-notch, with meteors drawn in the night sky

"Fiery red lines", the unfathomable sky "black and blue, stars twinkling", clear

The morning orchard is shrouded in a "lilac mist", and the bare trunks stand in the "blue."

Under the sky", the harrier chick hovered in the "clear blue sky", and the sunset trembled "golden

The light pierced through the dark clouds that pressed gloomily on the ground", "a heavy lead-gray black."

The watery light blue sky above the clouds shone coldly brightly."

("Antonovka Apple"), and from the fast-moving train, the woods are

"Dark blue color", and on the top of the woods is "milky white mist with a slight leaden gray"

("New Road"). This wonderful phrase and colorful color are a must. Here Pu

Ning uses the juxtaposition of impressionist brushstrokes, that is, the juxtaposition of hues, so that the color has a color

The sense of fluidity makes the ephemeral color effect come to life on the paper.

Nilus, then a member of the "Union of Painters of South Russia", believed that "if you make

If the language of the home can have two or three colors that are almost the same, then it can be said that he is right

The mastery of the color tone was very successful...... The principles of painting can be borrowed from literary creation

[2] He was very accurate in his evaluation of Bunin with these words. "He's very strong

He is good at refining life materials and paying attention to the details of life that are easily overlooked

and language brightness. ”

[2] In his works, the depiction of light and color in natural scenery is different

Often delicate, the weather and seasons are often portrayed beautifully as lyrical objects

Huan.

Secondly, Bunin is very sensitive to light, which makes the scene full of life

Vitality. In order to discover new beauty, new poetic elements in nature,

He observes different lighting all the time, adding them to the color depiction of the landscape

Capture of light. It can be said that together with the Impressionists, he stepped out of the traditional landscape painting

The theme, into nature, objectively depicts the true light of nature. And the color is not

At the same time, the season, the climate, and the changes produced by the action of changing light are ten

Divide subtle. For example, the description of the color of the environment:

The flames fluttered brightly on the rails under the wheels of the locomotive,

…… A long, milky white cloud of smoke, like the tail of a comet, floated over the boulevard. The smoke was full of grains of sparks, and the bottom of the smoke cloud

It was dyed blood-red by the reflection of the flames. (New Road)

I watched intently as night turned into the strange transition of dawn. see

How the vast night spits out white light, and you can see it from afar through the cherry grove

How a wisp of cloud floating in the northern sky was dyed red. … sky

Brighter, deeper, and vast, Venus is like a drop of clear, crystalline water,

Glittering in the air. ("The Unquenchable Glow")

In Bunin's paintings, the colors of nature are constantly changing, milky white

The bottom of the cloud of smoke was stained blood-red by the reflection of the flames, and the black and oily cultivated land was flooded

It's a faint purple, and the stagnant water turns blue under the blue sky," said Russia

Rose's natural scenery in his loving pen gives people a sense of 'constant magical change.'

Phantom - very impressed"

[2]。 Bunin's novel emphasizes the vision formed by light and color

Feel the effect, and be good at capturing the fluttering and flickering light color is its "alluring". at

In nature, in the eyes of light, there is no absolute color, the face of every object

The eyes are constantly changing. embodies the poetic nature of Impressionist landscape painting

Peculiarity.

Thirdly, the use of light and color in the novel is not only the interplay of light and color in his works

Hui's pictures are also an important means of externalizing the writer's inner feelings. In the description of the scenery

, focusing on the expression of the □□ nature gives a direct impression and the lyrical "I" pair

of the resulting feelings. In the works, "I can always feel the impressionist works

The unity of the subject and the object of description"

[2]。 Only in the depiction of color us

You can see this unity ——— the inherent color of things (the color in traditional painting

description) and the description of the conditional color (light source color, environmental color).

[3]。 Bunin pen

There are "white snow", "green grass and trees in May", "fiery red afterglow", "full

The "golden" orchards, the "verdant" seedlings, the "black" fields, etc

The depiction of the inherent color of the object (the technique of the traditional landscape painter), but also to the nature

Imitation of the color of the light source (Impressionist technique). As:

Before twilight, the golden sunlight sprinkled the treetops like a canopy of greenery, and put one

Another dazzling beam of light was cast through the gaps between the white tree trunks

to the ground. …… Silvery gray light came from his face. This way

The light trembled, merged, and became wider and wider...... A small, narrow pond

, a pool of yellow muddy water glistened lonely in the slanting sun. ("Kim

Cellar)

Bunin not only uses the painter's eyes to record the beating brushstrokes and the fluttering light

Spot, and the word "lonely" shows the feelings of the lyrical protagonist,

It makes light and color an important means for the writer to externalize his inner emotions and shows excellent observation

Force.

1.2 The novel attaches great importance to light and shadow in the description of scenes, that is, the description of the details of life

catch

Bunin's "attitude towards the 'moderate-impressionistic means of preference" made his

The work is not only like an impressionist oil painting, colorful, light and shadow, but also in the surface of light

At the same time, we pay more attention to the importance of shape. And on this basis

Let the light and color shine with attractive charm, reflecting the height of light, color, shadow and shape

harmony, and therefore like the Russian Itinerant School

[4]

The paintings, created zào extremely rich Russian

Landscape painting of the Rus' national characteristics. For example: in the depths of the black enchanted orchard, a fairytale picture appeared,

It was like a corner of hell: a blood-red tongue of fire rising from the tent,

And all around is boundless darkness. The pitch-black silhouette of the Burning Man is on

It seemed to be cut out of ebony wood, and it swam around the campfire, and it was they who threw it into the apples

The huge shadow on the fruit tree shook with it. One at a time

A blackened hand several feet long covered a tree

The wind, and after a while, two huge legs clearly appeared——— like two black

Lacquered pillars. Suddenly a dark shadow flashed and slid from the apple tree onto the boulevard

…… The cool air in the garden is filled with a lilac mist, and through the veil of mist, you can see where the sun is shining. (The Antonovka Apple)

The scene depicting the depths of the garden at dusk is painted with a distinct impressionism

Features: Blood-red bonfires, pitch-black silhouettes of the Burning Man, and huge swimming around the campfire

Shaking shadows. It spreads from the center of the fire, from light to darkness and from people

The shadow level clearly depicts the scene around the bonfire in the garden at dusk

Come. There is also a description of fog: with the help of a faint morning mist that lingers among the greenery

The depiction adds a soft, light, transparent tone to the whole picture. Color and light and shadow

The contrast gives the natural scenery a poetic effect.

2. Diluted figures: portraits of people who combine classical and impressionism

The characterization of Bunin's novels is also very personal. He has a reproducibility

The typical Russian character is both the pursuit of truth and the talent of virtuosity, which he writes

The figures are not only shaped by traditional European portraiture, but also impressions

Pie figure drawing. The use of impressionist techniques such as light and color enhances the surface of the picture

Present force, give color and life to the characters, so that they are presented in a visual image in reading

in front of you. He is especially good at using color to shape the character of the characters and make the characters of the novel present

There is a tendency to dilute.

"Hao," the eldest princess got up, folded a peony, and said, "This palace feels that with Zheng Yuan's current qualifications, it is not enough to stand side by side with you; And Zheng Yuan doesn't seem to be of the same heart as you, and there is a gully between you that is difficult to overcome; What you need is not a woman who wants you to shelter you everywhere; According to the palace, Wei Yun is better than her, but Wei Yun's background is lower. ”

He looked at the eldest princess in front of him, the eldest princess in this world who was now closest to his blood, and suddenly smiled, and his eyebrows flew with a smile: "What is enough and not enough?" It's only a few steps away from each other, isn't it difficult? When I stand in that position and reach out to her, she just has to give me her hand, and if I ask her to be with me, she has to be with me, even if she doesn't want to, she has no choice."

The eldest princess saw the posture of a conqueror in his eyes.