Essentially, anyone has ambitions, just as any woman with a bit of beauty longs for something to happen to those gold and diamond bachelors. Of course, there are also those who think the same way, and those who spend a few bucks a day on a lottery ticket in the hope that they will win the 5 million jackpot.

Everyone has the right to dream, and there are no dreams in this world, probably only the dead.

Kang Digui is not a dead man, so he also has his own ideals, or to be more precise, an ambition.

Today's Kang Digui is known as the first Korean commercial film director, but he is only a commercial film director, in the Korean director industry, he is not the number one person in the real sense, above him, there are two mountains.

Lin Quanze and Li Cangdong, these two names are pressed on the top of Jiang Digui's head like Taishan, no matter how hard he tries, others will only say that he is the director after these two.

Lin Quanze is also a person, this old gentleman was born in 1936, in the information, he is the director who has made the most films in the Korean film and television industry, and there is not even one of them. is a top director who really shoots from his youth to his old age, without resting and retiring.

If there is a godfather in the Korean film industry, it is undoubtedly Lim Kwon-taek. He became famous in the 60s and was still active in the film industry until the 21st century, which can be called a living fossil of Korean films.

On top of that, in South Korea, a country that values international reputation, Lim Kwon-taek was the first director to have his work shortlisted for an international film festival, and his film "The Legend of Chunhyang" in 200 was shortlisted for the Cannes Film Festival, plus the old gentleman led the "skinhead movement" to defend Korean cinema in the 90s. Korean filmmakers united to boycott foreign films, and everyone shaved their heads and sat in front of Gwanghwamen. The government's requirement that foreign films not take over the screening time of domestic films eventually forced the government to agree to all domestic films. The release time must reach a certain number of days each year, so it is understandable that he was praised to the altar.

As for Lee Chang-dong, he only needs one sentence to sum up the greatness of this person, he is the person who became the minister of culture of South Korea as a film director.

With the existence of these two people, Jiang Digui is really depressed.

And Ye Leiyang precisely grasped Jiang Digui's mentality, and he took out the script of "The Gift of Room No. 7", which can completely wash away Jiang Digui's label as a commercial film director. So that he can be called a real Korean director.

Of course, Ye Leiyang would definitely not say that he did it on purpose.

Jiang Digui is a resolute person, since he decided to shoot this movie, he quickly asked someone to send the agreement up, to be honest, he was also afraid of long nights and dreams, after all, if someone took the lead to sign an agreement with Ye Leiyang before him, he would lose a lot.

Ye Leiyang didn't bother with anything, and after glancing at the contract, he said to Jiang Digui: "I don't have any problems with the contract in principle. But I need to wait for my agent to come over. ”

Jiang Digui was stunned: "Agent? ”

Ye Leiyang nodded: "Didn't Director Lin Changshu tell you?" I have my own screenwriting studio in the United States, and by the way, I'm the screenwriter of two American dramas, "The Big Bang Theory" and "Breaking Bad." ”

After saying that, he stood up and bowed politely. Pushed the door and left Jiang Digui's office, leaving Jiang Digui with a sluggish face and obviously a little shocked.

Ye Leiyang, who left Jiang Digui's company, raised his head and glanced at the sky. With a sigh of relief, my first step to South Korea was finally taken. The rest depends on the will of God.

It must be said. Sometimes in this world, calculation and hard work are not enough, you really need to look at luck, Ye Leiyang's luck in his previous life was undoubtedly very poor, he felt that he was lucky in this life, it depends on whether the Koreans can compete a little bit this time.

took out his mobile phone and dialed the long distance, and Ye Leiyang called Wang Rachel.

"Brother Rachel, you can come to South Korea now, basically there is no problem, the rest is the specific details of the contract, I can't help this, I need you to come forward." Ye Leiyang said to Wang Rachel.

Putting aside Wang Rachel, who hurried to South Korea from the United States, Ye Leiyang walked on the streets of Chungmu Road, looking at the plaques of the surrounding film production companies, as well as the staff who hurried by from time to time, and sighed in his heart that this place really deserves to be the center of Korean films.

Of course, Ye Leiyang is not interested, he knows that he has the ability to write a few pounds and taels, and it is okay to write a script with the memory of future generations, if you really want to be a director, your level is not enough at all, not to mention, just those trivial things filmed on the set are enough to make yourself crazy.

Therefore, it is better to be a behind-the-scenes screenwriter honestly, earn a little box office share, and earn fame by the way.

For everyone, movies are actually a self-reflection, and in every movie, someone will see their former self from it. Behind the comedy is often the sorrow of the most affectionate and sexual, just like Ye Leiyang, he only watched "Journey to the West" once in his last life, and since then, no matter how developed the Internet is, no matter how much he likes Stephen Chow, he will never watch it a second time. Because every time Lu Guanting sang the music of "The Love of My Life", he couldn't help but think of the girl who jumped from the Oriental Pearl.

Therefore, even in this life, Ye Leiyang tried not to immerse himself in the world of movies, because once that happened, he would lose his mind.

Walking on the street leading to Myeongdong on Zhongwu Road, more and more couples appeared around him, and Ye Leiyang suddenly felt a lot of emotion in his heart. The passing couple interprets the joy of youth, inadvertently evoking all kinds of eyebrows of someone in his memory, just as the so-called text is too late to add points, and the story blurs the beginning and end. He also knew that in the gap between Ping's traces and scattering, the staggered figures ignited fireworks in the world.

Regardless of the past or the present, since this world has arranged for itself to reunite with her and arrange for her to come back to him, Ye Leiyang does not plan to miss it.

There are some things that you miss once, and you will regret it for a lifetime.

I have to say that reasonable people occasionally get emotional, and that feeling is really special, at least Ye Leiyang now feels that he is a little sad.

And at this time, a surprised voice sounded behind Ye Leiyang, and someone patted him on the back: "That, Mr. Over-the-shoulder wrestling?" (To be continued.) )