The first stereoscopic video that appears is a trance-like high-speed shot.

This shot is about 30 seconds, and at the beginning it is a car moving at high speed, the car is driving on a vast grassland, and the speed is quite fast, it is simply fast, and it is unscientifically fast.

Then, in front of them, a line of trucks came in front of them, exactly like an entire army, and the number was staggering. The car rises head-on, drifts through the gaps of the truck, and makes a series of thrilling but adrenaline-pumping moves before heading away.

And in this process, the movement of the car is so flexible that it is unreal, and what is even more unreal is that every time it crosses the car group, it is almost a millimeter difference, and the car skills are simply expressive.

Viewers who don't know may sigh that the driver is skilled, but Lin Shu, who knows the entire shooting procedure, understands that this thrilling picture has nothing to do with the driver's skills.

It's a clever use of technology.

Lin Shu stared at it for a long time and asked, "Is this a split superimposed shot?" ”

The teacher who judged nodded and said, "Yes." Stereoscopic projection and three-dimensional technology can create a zào effect that amazes us. If this kind of effect is created by special effects, the cost can be very staggering. But stereoscopic projection has a unique advantage in this regard. Using the technology of separating scenes from characters and objects, the cost of equipment and editing has increased, but the cost of props and actor labor has been reduced. ”

Because the stereoscopic projection is a combination of 3D dynamic modeling and restoration and background separation technology, the movements of the characters are almost all recorded separately, and there are no props that directly affect each other's actions, which can be installed in the later stage, and because there is no contact with each other in the three-dimensional space, there is no need for too many post-corrections.

This work can be said to give full play to the cost advantage of stereoscopic projection special effects.

The jury teacher replayed the video of the work, paused several times, and pointed to specific image details to Lin Shu: "You see the windows of these trucks - there are a little bit of stains, right?" Although the movements and positions of the group of gangsters loaded in the car are all disrupted, when you look closely, you will see that they are all the same people, and the costumes are all the same style, but after the order is shuffled, it looks like different characters wearing similar clothes. ”

Lin Shu was so strong in his memory, he glanced at it twice and confirmed the situation.

The jury added: "Their method of making zuò should be to first perform a self-unleashing driving show in an unobstructed open space, and then shoot a large number of repetitive truck shots, and stitch them together with dynamic video tracks, which looks like a big scene of many vehicles, but it is actually a very simple post-processing technique." ”

Lin Shu nodded and said, "This image basically gives full play to the advantages of stereoscopic photography. ”

However, this is still the selected work after the comparison.

Lin Shu then watched the other selected works with the judges. The selected candidates are worthy of being strong players who have passed five levels and cut six generals, because they are students, they lack experience, and they may indeed have some flaws in their techniques, but they are open-minded and have many highlights in their works.

Each judge has its own preferences, and it is impossible to have the same preferences, professions, and positions. So this time, the judges officially used a special mechanism, a bit similar to the Olympic schedule scoring, which may be a little more complicated.

Each juror will give the entries an individual score, and then rank all ten entries according to their own score. In order to play a supervisory role and prevent the judges from suppressing other competitive and excellent works because of their favorite works, the final ranking and scoring results will be published online together with the results of the competition.

After the ranking, the final result will be sorted by the sum of the rankings of all participants, with the lowest sum value being the first place and the largest being the tenth place. If there are contestants with the same total ranking, their rankings will be re-examined. This review method is probably to repeat the previous steps, find the ranking order of the two works from the list of all judges, and reorder only the two, and the one with the most rankings will be listed first on the overall list.

If the ranking is still the same after the second review, then the scoring method of figure skating competitions will be adopted at this time, listing all the scores of the two works, removing the highest score and removing the lowest score, and the highest score in the remaining scores will be ranked first.

Xingze's current review arrangement is four professors from the most influential film and television schools in China, four domestic directors who are currently more famous, plus two persons in charge of the competition, Tan Yuan represents Star Track, and Lin Shu represents Xingze, to review the works together.

Several directors will not be present, Lin Shu just passes things to the other party, and then lets the other party judge and directly transmit the results back. Of course, he also encourages the other party to write some of his own thoughts on individual works.

In these ten works, everyone has their own judgment after a period of review. In these works, there are high-speed lenses, long lenses, and a very special fixed-point lens.

Lin Shu cares about this fixed-point shot very much.

It's a shot with a very large amount of rotation. The author mainly shoots a tango, the mystery of which is that in one direction, you can't see the heroine's face the whole time, most of the time you can only see the side face and the back of the head, and in the other direction, you can't see the male protagonist's face all the time.

Ballroom dancing rotates a lot, and in this video, the male and female protagonists are always spinning, but in the eyes of the audience, they never move and turn in the process of rotation.

Because the background and the surrounding environment carry out displacement in their place.

A few days later, after all the judging results were sent back, the team won first place. The name of the young man who served as the director of the main creative group was written down by Lin Shu. The other party also happens to have the same surname as him, and his name is Lin Zewen.

After that, it took a lot of time for various awards and award-winning works to be displayed, and after Star Rail signed a contract with Lin Zewen, he suddenly handed over a script to the convenience, which surprised Lin Shu.

This guy obviously came prepared.

Lin Zewen is Yan Ying's graduate this year, and this competition in Star Track can be said to be just right for him, unusually coincidental and lucky.

After the new script is submitted, it will have to go through the double review of his school and Star Track, but Lin Zewen should also have some energy in the school, Yan Ying gave him the green light almost at the same time, saying that his script has been approved by the school, and as long as Xingze can pass the review, he can enter the preliminary preparation.

After the script was submitted, Lin Shu also took a little time to read through it. He found out that this is a psychological suspense ghost movie called "Afterimage of Death". The story is about a pair of twin sisters, and after one of them dies in an accident, the other of the twins begins to fall into frequent terrifying imagery.

She always falls into strange hallucinations, thinking that her sister is still around, and feels that the other party's death has a conspiracy, and hopes that she can help uncover and take revenge. Because of frequent visions,The heroine began to nervously and secretly investigate the death of her sister.,And in the process,Paranormal events occur frequently.,The heroine and her sister's boyfriend.,Their father and stepmother.,And all kinds of other people are involved.,The heroine has been in danger several times.,Her stepmother was killed because of it.,Her boyfriend wanted to stop her from continuing the investigation.,But unexpectedly, she was almost killed by the heroine possessed by her sister.。

The ending is a big reversal.

The boyfriend finally made up his mind to kill his sister and wanted to suppress his sister's resentment in this way. He prepared a weapon that was consecrated by the Buddhist temple, and made an appointment with the heroine alone to a location, trying to deal with her, but when he was killed, his sister suddenly appeared, and then killed him and rescued his sister.

It turned out that my sister was not dead. In an accident, she discovers that her sister's boyfriend and stepmother have committed adultery, and discovers that her father's serious illness and dying are actually a conspiracy between the two, but at this time, the family has been controlled by her stepmother, and her sister is almost killed. The sister, who is a well-known movie props master, was uneasy because of the tacit understanding between the twins, so she appeared in time to save her sister, and then used some special props and drugs to fake her death to deceive everyone. After that, the younger sister hid in the sister's room for a long time, the two wore the same clothes, and when the younger sister was discovered, she pretended to be her sister to deceive everyone, and the elder sister began to pretend to be crazy and stupid, and used ghosts to cover up the unreasonable situation of the two "heroines" in the family, and in each conspiracy against herself, she united her sister to carry out a counter-killing.

Lin Zewen marked some numbers in many important scenes in the script, and these numbers have analytical drawings with some important scenes. At the very beginning of this book, he took some time to explain the filming concept of the whole film and some more innovative methods.

This includes the concept of a one-way lens.

During the filming process, all scenes will have the heroine at the core, and it is mainly the scene that moves rather than the protagonist. This kind of follow-up shot is also common in print films, but Lin Zewen feels that it can be used more thoroughly in stereoscopic films.

This kind of thoroughness means that whenever the scene changes, as long as the heroine turns, the camera will also turn. In this way, no matter what, there is always one direction where the audience can only see the back of the heroine, while the audience in the other direction will always see the front.

This extremely novel and innovative shooting technique is called a one-way lens, or a subjective lens. Because in the subjective shot, the audience is watching from the perspective of the protagonist most of the time, they cannot observe the protagonist's expression and movements, but they can see the perspective of the heroine.

This kind of lens is actually very suitable for horror films, because of its sense of substitution.

And this sense of substitution is additionally suitable for the script of "Afterimage of Death", because there will be a lot of mirror shots in the story. In the analysis diagram in Lin Shu's hand, Lin Zewen analyzed the principle of the mirror lens in detail.