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Not only people in the painting world, but also those Chinese painting lovers and collectors, after seeing An Yi's Chinese painting works that appeared in the documentary, they were all stunned!

As a young collector of Chinese painting, Xie Xuehai's research on Chinese painting is of course very profound, but then again, young painting collectors should be more interested in Western painting, but Xie Xuehai is obsessed with Chinese painting, he believes that the artistic charm and profound heritage contained in Chinese painting are incomparable to Western painting, although in terms of visual impact, Chinese painting does not seem to be as good as Western painting.

An Yi is impressed by her paintings, mostly with the perfect use of color and strong visual impact, and the suffocating beauty that blows on the face, can always overbearing to win the "heart" of the admirers in an instant, so many people always subconsciously ignore her attainments in Chinese painting.

But this time, An Yi's Chinese painting works inadvertently exhibited in the documentary are unbelievable in terms of their high level and strength!

Xie Xuehai's original impression of An Yi was that she was a super genius painter, and then her paintings were priceless, even if the price of her works was actually inflated.

No matter how high An Yi's painting level is, since she is still alive, the price of her art paintings must not be compared with those painting masters who have passed away, but the price of her art paintings is only high compared with the prices of the paintings of these top contemporary painters.

This is very abnormal in the eyes of collectors like Xie Xuehai, although sometimes it seems too "artistic" to simply use the value of an art painting to measure a painter's social status, but sometimes, in the eyes of many collectors, the truth of the matter is so simple.

The higher the price of An Yi's works, the more many collectors want to collect her paintings, and in any case, An Yi's paintings are indeed fascinating.

Xie Xuehai can't say with a clear conscience that he doesn't want to collect An Yi's art paintings, but he has self-knowledge, with his financial resources, even if he collects An Yi's masterpieces, he may feel heartache, not to mention those masterpieces that can be passed down through the ages, such works, maybe only those real chaebol descendants can pay unimaginable sky-high prices for them without changing their faces.

But fortunately, he can give himself psychological comfort, and say to himself that the works he prefers to collect are Chinese paintings anyway, and An Yi's kind of works that have their own style are not very cold.

And this time, when Xie Xuehai heard that An Yi was going to participate in the "Wang Majie Chinese Painting Master Competition", he was full of expectations, especially at the same time, there was also a madman painter like Zhang Madzhi, who made a lot of nonsense on his lips, which really attracted a lot of attention.

Xie Xuehai has also appreciated Zhang Madzhi's Chinese paintings, this person has enough arrogant capital, because his paintings are full of a free and uninhibited artistic conception, and he also writes like a wild grass, people who like his style of works will like it very much, so Zhang Madzhi is not worried about the sales of his art paintings at all.

Now, Zhang Maozhi's fame is even greater, and he seems to have been holding back his energy recently to prepare for this competition, so his provocative remarks are a little less, in fact, many people are looking forward to An Yi responding to this guy who dances happily, but what is a little disappointing is that An Yi is still only focusing on himself, rather than showing his presence by criticizing others.

In fact, many people are full of affection for An Yi because of her low profile, and at the same time, they naturally stand on her side.

I have to say that Zhang Madzhi, who is aggressive and likes to talk big, is not very popular, and it can only be said that he has indeed increased his fame a lot.

Xie Xuehai thought that the duel between An Yi and Zhang Madzhi would become the biggest highlight of this competition, until he saw An Yi's Chinese painting works in the documentary, he was stunned......

Then he couldn't help but send a scarf, saying that if the Chinese paintings drawn by An Yi casually were of this level, then Zhang Mad had no chance of winning at all, because the latter wanted to paint an artistic painting of this level, even if he tried his best, he might not be able to draw it!

He felt a little regret when he sent it out, and felt that he was not too impulsive, and it was not a wise thing to offend a famous painter rashly.

However, what Xie Xuehai never expected was that his scarf did not make any waves at all, just because almost all people who have studied Chinese painting have made such a judgment!

Originally, there were some people who were full of conjecture about Zhang Madzhi, but now, except for some people who don't understand Chinese painting, most of the insiders suddenly have a boring feeling, and a certain result has completely lost the suspense......

After Xie Xuehai found this, he couldn't help laughing at himself, he actually dared to underestimate An Yi's strength in Chinese painting before, he saw that in the scarf, many people asked him how he came to such a conclusion, so he couldn't help but simply popularize science for these laymen from which aspects should be used to distinguish the quality and even authenticity of a Chinese painting.

This first aspect is naturally the use of ink in both dry and wet shades, referred to as "ink". In the Tang Dynasty, Zhang Yanyuan's "Records of Famous Paintings of the Past Dynasties" once mentioned: "Ink and five-color tools." But there is no fixed statement about these five colors, or the focus is heavy and light, or the shade is dry and wet black, on this basis, plus the blank space, the synthesis of "six colors".

But in any case, this passage is very simple to describe the truth that a qualified painting can see obvious levels of ink itself.

Xie Xuehai even gave two examples, directly took out a Chinese painting of An Yi, and compared it with another Chinese painting by an unknown painter, he said: "Then from the circle I painted, it can be seen that the painting on the left can be said to be very distinct to count more than five or six kinds of ink colors, the largest circle, you can clearly feel the gradient, and the other parts, you can also feel the dry and wet shade when using ink, plus the blank space in between, this is in line with the above six colors." Just by virtue of this one place, we can see the profound strength of Master An Yi's Chinese painting. On the other hand, on the right, why did I only draw a circle? Because in this circle, we can see three colors, and outside this circle we can see only that. It doesn't have any indescribable use for the gradation, gradation, and shade of ink. Therefore, the value of the painting on the right is definitely much inferior to that of the painting on the left. Because this ink alone, it can be said that without more than ten or even decades of experience, it will never be able to master it well. In our daily life, we can rely on this to guess the quality of a painting, and even its authenticity. ”

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