Just when Lu Deshuang was blocked at the airport and had to be interviewed by reporters, Wu Kebo also began to take action and held a 'Tulu Conference', in addition to the members of the Anti-Lu Alliance, and during this time, with the information provided by Qi Huan, Wu Kebo successfully dug up several film and television companies and studios that cooperated closely with Deshuang Media!

The purpose, naturally needless to say, Wu Kebo wants to take this opportunity to show their strength to these people who are still nervous in their hearts, and give this group of people a tranquilizer. Pen ~ fun ~ pavilion www.biquge.info

The venue of the "Tulu Conference" is not simple, and ordinary people are not qualified to enter, it is the Huaxia Club located at No. 51, Xidan Xirong Line Hutong, Xicheng District.

Huaxia Club Club, one of the top clubs in Beiping and even in the mainland, used to be the residence of the prince of the Qing Dynasty, and its typical Chinese characteristics are full of strong traditional flavors. The blue bricks and gray tiles, the vertebral beams and paintings, the palace lamps and ancient acacias, the heavy atmosphere of history lingers in Sitong. Although it is only a stone's throw away from the bustling Xidan, it retains the silent and mottled original appearance of the mansion of the twenty-fourth son of Kangxi, which makes people feel like returning to the ancient meaning of the royal marigold bowl.

Huaxia Hui also retains the essence of traditional Chinese architecture, antique courtyards, palace lamps, old-fashioned tables, chairs, beds, wind lotus, willows, peach trees and ginkgo biloba in the courtyard, tradition combined with natural flavor, in a folk house to create a mysterious and noble temperament.

Moreover, this courtyard itself is a key cultural relics protection unit in China. The former site of the Chuan Hotel. In 1995, the people concerned repaired the 400-year-old palace, and recovered as much as possible the lost items of the palace, and retained its original and simple style.

If you have members of the Huaxia Club around you, then you should often be able to say from your friends: "Everything in the Huaxia Club is antique, only the people are new".

It is probably because of this unique Chinese characteristic that the Huaxia Society has received countless foreign heads of state and celebrities from all walks of life. It is said that after French President Jacques Chirac signed the "Sino-French Joint Declaration" in Beiping, he mysteriously disappeared for several hours, in fact, the president, who has a deep study of Chinese culture, could not resist the temptation of the courtyard and went to Huaxia to experience the life of the Chinese emperor.

I have to say that Wu Kebo's plan succeeded, and those who were originally worried about betraying Lu Deshuang saw that there were so many people who wanted to deal with Lu Deshuang, and their hearts couldn't help but feel a lot more stable, even if they failed, at least there was such an alliance, and they were not afraid that Lu Deshuang would trouble them.

"Everyone, please be quiet and listen to me!"

After all the invitees arrived, even the initiator of the 'Tulu Conference', Wu Kebo stood up, watched himself become the center in an instant, and his heart was full of pride, look, this is all his achievement, if he can take this power for his own use, then the cake of the mainland entertainment industry will be replanned.

However, Wu Kebo is still very calm, knowing that this kind of thinking can only be thought about, he knows very well that this group of people is coming together because of interests, and naturally it will break down because of uneven interests, and now it is good that there is a big enemy of Lu Deshuang, at least they can work together, once Lu Deshuang is beaten down, this group of people will definitely be allies yesterday and become opponents today because of interests.

Wu Kebo's influence is still quite good, as soon as he opened his mouth, everyone stopped communicating with each other, and all eyes were focused on Wu Kebo, after all, they didn't forget what this party was for, but they didn't come to make friends and have fun.

"Thanks to everyone's concerted efforts, we have caused a lot of trouble to Lu Deshuang in the past half a month, and even today, you have seen that our anti-Lu Alliance has added a few more members, they are director Zhang Jizhong, director Jia Zhangke, director Wang Quanan......"

Among them, except for Zhang Jizhong's studio, which is affiliated with Lu Deshuang, almost everyone else is a director who has close cooperation with Deshuang Media, and even all of them, without exception, have one thing in common, all of them are known as the sixth generation of directors.

What is a 6th generation director?

The sixth generation of directors generally refers to a group of young directors who entered the directing department of Beiping Film Academy in the mid and late 80s of the 20th century and began to direct films after the 90s.

This group grew up in the era of economic recovery and reform and opening up, which was at the beginning of China's construction of a market economy, and they received systematic education in a relatively open and diverse cultural background, and were exposed to a large number of foreign film theories.

The sixth generation has personally felt the major changes brought about by the transformation of the economic system to China's social relations, interpersonal relationships, and family relations, and has experienced the actual process of film from sacred art to ordinary life and becoming a cultural product.

In the selection of themes, they pay attention to the current city, marginal characters, thieves, prostitutes. marginal people such as women and unemployed young people frequently appear in the film; In terms of narrative strategy, they often incorporate their own experiences into the characters in the play, which is more or less autobiographical; In terms of video style, they emphasize real light, color and sound, and make extensive use of long lenses to form a documentary style. They focus on using film as a medium to investigate the living conditions of ordinary and marginalized people in contemporary cities, and the confusion, confusion and confusion of the new generation of young people in the period of historical transition are truly recorded under their lenses.

With the birth of Chinese films in 1905, starting from the "first generation of directors" represented by Zhang Shichuan and Zheng Zhengqiu, Chinese film directors continued to create their own directors. Nowadays, what is often mentioned is Zhang Yimou and Cheng Kaige, who are known as the "fifth generation of directors", who have become the leaders of Chinese films since the mid-80s, and have achieved their own style in exploring the structure of national history and national psychology.

Nowadays, the "sixth generation of directors" who have embarked on the stage of director creation in society have subverted the film laws of the older generation with their different styles from the directors of their predecessors, and their works have profound humanistic thoughts and humanistic feelings, they pay attention to the warmth and coldness of the life of the people in the society, and express the humanistic theme of the inner emotions and ultimate care of the little people.

The lens language of the sixth generation of directors is more realistic than that of previous generations of directors, with new documentary aesthetic characteristics, they closely link the fate of the characters with real life, and their works are more "earthy" and "humane", from the sixth generation director Jia Zhangke's "Three Gorges Good Man", Ning Hao's "Green Meadow", Wang Yizhi's "New Year" to Zhang Yuan's "Coming Home for the New Year", Zhang Ming's "Wushan Cloud and Rain" and other film works, we can deeply experience a kind of praise and thinking about life and human nature, can feel the joys and sorrows of the little people in the film and these ordinary people in a three-dimensional and vivid way.

Nowadays, international audiences have taken the appreciation of the film works of the sixth generation of directors as a window to understand the new culture and new look of China, and the sixth generation of directors continue to move forward in the creation of film art with their film creation concept of being close to life and caring for the public, shooting film works that reflect human nature and call for truth, goodness and beauty.

At the beginning, when Lu Deshuang dared to set up a film and television company, due to the lack of manpower, he could only find it from the outside, and he himself was born in Nortel, if he was looking for someone, he was naturally inclined to graduate from Nortel, naturally, in recent years, with the help of Lu Deshuang, the sixth generation of directors can be much more comfortable than in his previous life.

However, there is an old saying in Huaxia, fighting rice to raise grace, and bearing rice to raise hatred!

The idea is that if you give someone a small help in times of crisis, they will appreciate you.

If you continue like this, and suddenly you don't help for some reason, the other party will hold a grudge against you, and hold a grudge for the rest of your life!

For example, people who receive relief tend to take relief for granted after they get used to it, and naturally they don't think about what they should do and rely on their own labor to get food. If you later find out that he has regained his ability to work, and you do not help him, he will hold a grudge against you.

This is because the other party takes for granted what you originally loved.

Like the people who were easily poached by Wu Kebo, except for a few people, such as Zhang Jizhong, who couldn't stand the binding system of Deshuang Media and couldn't feel autonomy, so they chose to leave, most of them had the plot of promoting Mien and fighting Mi Qiu, they only saw Lu Deshuang asking Guan Yu to go to Hollywood with Ning Hao to study with international directors, so they complained about Lu Deshuang's partiality, but they didn't see who lent a helping hand when they were poor. (To be continued.) )