Although there is only a guitar, in front of Fu Yao's exquisite guitar skills, Liu Zhihuan and others can still hear the pride between heaven and earth, the feeling of being lonely and arrogant in the world.

This artistic conception alone is definitely worthy of praise.

Although Fu Yao hasn't started singing yet, he has already lost the appetite of Liu Zhihuan and others.

\"I'm a wolf from the north~~~

Walking in the endless wilderness,

A terrible north wind blows~~

The long yellow sand swept by~~~\"

As soon as Fu Yao's voice sounded, it immediately caused Liu Zhihuan to applaud in the bottom of his heart!

Fu Yao's timbre is a gift from God, and it can be remembered at once, just like a ray of brilliance in the dark, although it is not very dazzling, but it can make people remember it in the bottom of their hearts and be full of yearning.

Then, Fu Yao sang the first short segment of the song.

Hearing this short paragraph, Liu Zhihuan and Wu Xinyi and others couldn't help but secretly stretch their thumbs in their hearts, this first short paragraph, although the tempo is not fast, and the sense of rhythm is not very strong, but it fits perfectly with the prelude at the beginning, giving people a feeling of emptiness and loneliness.

Especially the lyrics, people can't help but have a strong sense of picture in front of their eyes, as if they can really see a lonely gray wolf, walking between the vast world, and the 'bleak north wind' and 'long yellow sand' add a bit of desolation to this picture.

Wonderful! The idea and expression of this song are fantastic!

Then, Fu Yao sang the first short paragraph he had just sung again, and the lyrics and tunes were exactly the same!

It's just that some changes have been made in the handling of the tone and singing method at the end of each sentence, although it is repetitive, but Liu Zhihuan and the others do not feel a little bored, but feel that the feeling just now is even stronger!

Great!

This technique looks like the donkey skills are poor, and it feels like there is nothing to write about, so I made this decision, but those who understand it can feel the subtlety!

The two subtle singing methods strengthen the artistic conception of emptiness and loneliness, step by step, so that the artistic conception felt is involuntarily upgraded.

This is a very rare technique that is not applicable, and it may be rubbish if used in a song that is already different, but when used here, it is like the finishing touch, flawless!

\"I can only grit my cold teeth~~

Reported with two long whistles~~

Not for anything else

Just for the beautiful grassland in my dreams~~\"

The chorus is coming, it is even simpler, compared to the previous one, the lyrics of this chorus seem more empty and simpler, but listening to the ear, there is a very fulfilling feeling, this feeling is like flying, like soaring in the nine heavens, like swallowing the world in the mouth, like stepping on the whole world under your feet, like chasing the dream in your heart......

The arrangement of this song really convinced Zhang Cailing.

At the beginning, he had prejudices against Yao Yao, originally she was optimistic about a player and wanted to be a seed player, but she was vetoed by Liu Zhihuan and Wu Xinyi, and Fu Yao was brought up, she was resistant to Yao in her heart, otherwise she would not be so cold from the beginning.

Even when she made the proposition just now, she was a little deliberately difficult, but just now, after listening to the song sung by Fu Yao, her heart knot was completely opened.

If nothing else, just listening to this song will bring her a feeling of enjoyment, and this song belongs to the kind of super god song that can easily grab your heart without you listening carefully.

Zhang Cailing didn't even dare to criticize this song, even if she asked her to make small modifications professionally, she couldn't start now, and she didn't dare to start, for fear of changing the song.

The arrangement of this song is definitely created by a person with a broad mind and the ambition of heaven and earth.

Looking at people with songs, Zhang Cailing believes in her intuition, from this song, she knows that Fu Yao is definitely a person with big ambitions.

Almost immediately, Fu Yao's status in her heart immediately made a qualitative leap, and she suddenly became a person she could ask for advice.

After singing this paragraph, Fu Yao did not sing any further, but stopped.

\"Teachers, this is the first section of this song, and the rest is also repeated, and even the end is infinite repetition, and the gradual distantness is handled.\" Fu Yao explained with a smile.

But when he finished saying this, whether it was Pei Qiang, Liu Zhihuan, Zhang Cailing, and Wu Xinyi, they all sat there quietly without any response.

Seeing this, Li Manqing secretly waved his fist in his heart!

Attaboy!

Fu Yao, you shocked them all!

Indeed, Liu Zhihuan and others were indeed stunned by Fu Yao's song, because this is definitely a precedent-setting work!

In contrast, Liu Zhihuan's analysis of this song is particularly thorough, after all, he is the most professional and authoritative person here, and his understanding of this song has also reached a very high level.

In Liu Zhihuan's eyes, this song has very distinctive characteristics and significance.

First of all, the artistic conception of this song is introspection, loneliness, freedom and wild and uninhibited pride, all of which are destined to be a song that is out of the mainstream but more acceptable!

In terms of singing, this seemingly simple song, Fu Yao actually used four singing methods: true voice, false voice, half-true voice, and half falsetto! The transition between true and false voices is as smooth as flowing water, without the slightest mud and water, everything seems to be natural.

The most important thing is that it can be seen from this song that Fu Yao's mixing is really used to the extreme, and, from bass to treble, Fu Yao also shows his strong vocal range, although the highest note of this song is only sung by Fu Yao to A1, but Liu Zhihuan can hear that Fu Yao's treble can continue to go up, at least it can reach B2! The vocal range from C2 to B2 can also be said to be very powerful, Liu Zhihuan even has a hunch that Fu Yao's vocal range is not only that!

How much shock will such a person bring to the Chinese music scene in the future? Liu Zhihuan didn't dare to imagine.

Stylistically, the song leans towards the style of American country music and folk. The Freudian prelude is simply the beginning of a proud era of Chinese pop music!

The most important thing is that Liu Zhihuan seems to see not the figure of a wolf in this song, but Fu Yao's slightly thin but very tall figure.

Combined with Fu Yao's life process, Liu Zhihuan suddenly discovered that this song is actually Fu Yao's heartfelt monologue and low shout.

Although this cry is not very torn, not hysterical, but it is more deeply rooted in the hearts of the people.

What a wolf from the north!