What is the definition of the so-called cute works?

For otaku, love is moe, which is indisputable.

In the world of Anyi, moe animation in the narrow sense is generally believed to have been born around 2003, and since 2004, most late-night slots in Japan have broadcast this kind of animation. Moe animation does not stick to the production cost of tens of millions of yen and only a few percentage points of ratings, and its profit method is to first instill the concept of the characters in the work, through the female characters of various combinations of moe attributes, capture a group of moe otaku in front of the TV, and then turn their love for the characters in the work into consumption behavior for their peripheral products such as DVDs, figures, etc., and then realize profit. So some people say that the cute animation broadcast on TV sells not the plot, but the characters, and that's why.

I have to mention here that "Neon Genesis Evangelion" aired in 1997, the success of the work is due to the fact that the otaku, who are not good at expression, became their own projection object in the role of Shinji Ikati, and then produced a great sense of substitution. And there is another success of the work,That is, the creation of the two female characters of Ling Boli and Asuka,Although the work is not a moe animation,But the two characters were conquering the audience with different combinations of moe attributes,So that even after the end of the animation many years later, a variety of peripheral goods are still launched,It can be said that "Neon Genesis Evangelion" has virtually created a profit model for the moe animation that appeared a few years later. Because of these and other significance, Neon Genesis Evangelion has become an epoch-making masterpiece in the history of Japanese animation.

Meng works,It can also be said that the house works,From the beginning of the extremely niche,Gradually become popular,Such as"Lori","Royal sister","Sister","Glasses girl","Maid","Three no", "Tsundere", "Vitality", "Sick Jiao" and other cute attributes,It's also well-known,Even in the online novels of the Celestial Empire,All kinds of harem ambiguous works,It will also give female characters a variety of cute attributes。

But later,It's a waste of cute works that simply pile up cute elements.,The commercialization tendency is too obvious.,It seems that as long as it's a harem manga.,There must be three no characters in it.、Tsundere characters, etc.,It's the same.,It's the same.。

And it's worth mentioning that the spread of Meng culture is also indispensable to the credit of the same people.

In Greater China, a big country of anime, various comic conventions are also held very frequently, including the world's largest doujinshi instant sale held in August and December every year, which anime lovers call "holy wars" to express their love and reverence, but also a kind of ridicule of the arduous fighting process...... After all, there are some particularly popular fandoms, and if you want to buy their works, you have to queue up.

Of course, there will be no shortage of various role-plays at the comic convention, due to the prevalence of martial arts comics, many role-plays are those chivalrous and chivalrous, which are relatively monotonous.

Therefore, the scale of the world's Greater China Comic Con is actually not large, this is the defect of not having that kind of demonic cute culture otaku culture - there are too few otaku and otaku!

And in the world of Anyi, what LL God Cult, "The country is dying, and the ship girls everywhere" have all come out, not to mention the old homo miracle Oriental Fantasy Township.

Including many cute works with the theme of magical girls,An Yi's brain has so much material,But for a while, I felt that "the flowers are getting charming",She doesn't know what to choose to start,After all, the development of Meng culture,It's a gradual process,It requires a long period of brainwashing.,It's not that just draw a cute work.,You can cause a trend.。

It is necessary to turn such a work with cute elements into a popular IP masterpiece, and develop peripheral products on a large scale, so that those capitals can see how much profit and value Meng culture can create.

And what things, once there is a promotion of interests, will develop more rapidly!

Otherwise, it will always be An Yi who is entertaining himself alone, and there will be no way to spread the cute culture at all!

The most important thing is that many of the cute works are so strong in Japanese style that they must be reinvented if they are to be revitalized in this country where Greater China dominates the world......

This is much more difficult and complicated than adapting Jin Yong and Gu Long's martial arts novels and making them martial arts comics.

After all, Jin Yong's works can be regarded as traditional Chinese culture, and Meng culture is a foreign product.

However, since An Yi is determined to promote the development of Meng culture, she will definitely do it in a down-to-earth manner, and she will also try such a challenging thing!

Therefore, the first work with cute elements she selected was the "Three No Goddesses" Ling Boli and the "Tsundere Girl" Asuka "Neon Genesis Evangelion".

The revolutionary and strong stream-of-consciousness technique in the animation, and the use of a large number of religious and philosophical imagery, set off a huge reverberation and impact on Japanese society called "social phenomenon" Cheng Dù, and became a milestone in the history of Japanese animation, and is recognized as one of the greatest animations in Japanese history.

The film is considered to be on par with "Gundam" and "Macross". And with "Girl Revolution" and "Mobile Battleship", it is known as the three major Otaku works in the 90s of the 20th century. For fans, it not only leaves countless puzzles to solve, but also achieves a myth of money fraud that seems to never be filled.

Regardless of the significance of this milestone blowing to the sky, the most important thing is that this is a work that cheats money and makes fans willing to pay for it, and its influence and commercial value are immeasurable......

However, it must be admitted that "Neon Genesis Evangelion" can be so popular and high in Japan, and it has an inseparable relationship with the social environment and background at that time.

When An Yi decided to adapt it into a comic, she was mentally prepared that it would not become popular and no one cared about it.

But it's also an attempt anyway, and trying won't necessarily succeed, but if you don't try, you won't succeed!

Her requirements are not high, I just hope that the three-free Ling Boli and the arrogant Asuka can be remembered forever......

There are such two "mountain monsters", slowly paving and accumulating, getting the attention of more cartoonists and illustrators, attracting more people who can draw and write to join the queue of expanding Meng culture, and over time, Meng culture can completely explode!

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