The reason for such a shortage of actors is that later generations have come to five conclusions. Pen % fun % Pavilion www.biquge.info

First, the local cultural films of Xiangjiang are gradually disappearing, and outstanding filmmakers are collectively going north!

After the mainland film market became active, the main reason was that after the establishment of the co-production system, Hong Kong directors abandoned Hong Kong's films in order to accommodate the huge mainland market, especially the northern market. The mainland market is divided into the south and the north, with the south being close to Hong Kong and having a similar cultural background; In the north, Mandarin is the main language, and they don't know much about Xiangjiang culture.

Many people in Xiangjiang are not popular in the north, and the northern and southern markets are not connected, so the authentic Xiangjiang culture and slang will confuse the northern audience. For the sake of the entire mainland market, Hong Kong's directors had no choice but to kill their trump cards, and as a result, in the early stage of co-production, their works became nondescript, and the word-of-mouth box office was poor, which made people question the production standards of Hong Kong.

Film production in the mainland has matured again, with a box office of hundreds of millions of dollars, and the status of Hong Kong production has been shaken. In addition, in the early days of Hong Kong stars taking over the filming of mainland films, due to the lack of Mandarin, the production time and cost were increased, and mainland stars rose to the top one after another, compressing the living space of Hong Kong stars.

The Hong Kong market has shrunk, and entertainment companies are reluctant to invest in newcomers, and they have shifted their development positions to the mainland, half abandoning the local market.

Second, in order to sell and win eyeballs, the local media in Hong Kong maliciously hype, smear and suppress, create something out of nothing, etc., are simply doing everything!

The house leaks in the night rain, and the local media in Xiangjiang have "poisonous hands", smearing, hyping, and writing about stinky artists, concealing good and promoting fake and evil as selling points, which newcomer will immediately use a "poisonous pen" to beat him, so that the newcomer has not stood firm and has been ruined image, and he is afraid of foreign entertainment businessmen and does not dare to use Xiangjiang artists.

If there are more conscientious media, it may not be able to reverse the endgame, but at least it is a strong support.

Third, the lack of talents in the Xiangjiang TV industry directly cut off the blood of the movie!

Now Xiangjiang movie stars basically come out of TV stations, especially the artists of Jade Channel, after filming a certain TV series to accumulate popularity, they will be transferred to the big screen, which has become the basic routine of actor Cheng Ming, and the last one to come out of Jade Channel is Gu Tianle, but he is a post-70s generation.

The average filmmaker male number one is in his 30s or 40s, the peak age of this kind of man, but now many Xiangjiang filmmakers and stars are around 50 years old, all of them are the age of being other people's fathers, and they have to fall in love with girls in their 20s with thick fans.

Among the actors of Jade Channel in later generations, none of them can really be found to be the male number one, although Lin Feng has also acted in some movies, but they are all supporting roles, and he has no box office appeal.

Fourth, young filmmakers in Hong Kong pay more attention to winning awards than box office!

Wang Jing said: "The development of Hong Kong actors in the north to the mainland is not the main reason for this problem, not only actors, but even young and middle-aged directors also have this problem. Nowadays, some young directors attach too much importance to winning awards, so they avoid shooting commercial films, which also has drawbacks. ”

The Hong Kong International Film Festival has announced the most box office value of Hong Kong actors and actresses voted by exhibitors and buyers, among the actors, Liu Qingyun, Zhang Jiahui, and Gu Tianle are among the best. Regarding such a situation, Feng Delun, who has turned from an actor to a director, said that the "casting routine" of Hong Kong films has the most direct relationship with the market, "If the audience is willing to pay to watch the dramas starring these stars, there is no way." "And actors who don't have box office appeal can't guarantee that the movie will be a hit, and they won't be able to recover the cost, which also means that no one is willing to invest, as a link in the film industrialization chain, the value of actors is irreplaceable.

Fifth, big-name actors and big-name directors form a specific combination, all of which are "old and old combinations"!

Some directors believe that the "talent fault" is an unviolable law in the entertainment industry, and there are such situations in any era and region. Under the dual role of the fixed team of big-name directors and market orientation, many actors cannot take the lead role, which has become a dilemma in front of them.

In recent years, the "actor pattern" of Hong Kong-made films has been "all actors" if they are big productions, such as the "Infernal Affairs" series.

In Wang Jiawei's movie, the actor is basically Liang Chaowei. Zhou Xingchi's movies now mostly use mainland actors. Du Qifeng prefers to use Liu Dehao, Liu Qingyun, Gu Tianle, and Ren Dahao. Director Er Dongsheng said: "My personal favorite actors are Wu Yanzu and Chen Yixun, but the generation like Yu Wenle and Edison Cheng has not fully grown up, and the roles are also very limited." ”

Liu Qingyun, Zhang Jiahui, and Gu Tianle take turns to sit in the village, and the two starring roles are called "two-hero movies", and the three of them are called "three-core era", and now Liang Jiahui and Guo Fucheng's "cold war" faction has been added.

Regarding the "old face" complained by the audience, Zhang Jiahui in the "Iron Triangle" explained it this way, "If you don't ask us to act, the investor will lose money!" Director Wang Jing, who has always cultivated the habit of cultivating newcomers, also explained that there is a fixed number of popular people in each era, "There are also actors who are divided into A, B, C, and D, and in order to ensure the box office, the producer will only use the most popular actors, which will not change." And the growth of actors takes time to verify. ”

However, as newcomers in the Hong Kong film industry continue to improve their acting skills, investors and producers are also willing to give newcomers more opportunities, and the problem of "talent fault" will be resolved one by one over time.

In addition to the use of new actors by big-name directors, young Xiangjiang directors with obvious personal styles in the film have also risen rapidly in recent years, and they have also used newcomers, Peng Haoxiang once used Zeng Zhiwei's son in the film. Liu Dehao, who has been committed to funding young Chinese directors, once said, "While the circle needs new actors, it also needs new directors." Supporting new directors is equivalent to indirectly supporting new actors. ”

Therefore, if Lu De now holds Wu Yanzu and Yu Wenle in both hands, it can almost be said that he has monopolized half of the future young actors in Xiangjiang.

"Uncle, the doorman called and said that someone claimed to be your friend."

"Friends?"

Lu Deshuang was stunned, you must know that although he also invited a lot of people to this birthday party, he sent out invitations, and also clearly stated the time of the birthday banquet, and now the villa has not been arranged, why did his friends come over, it seems that there is no invitation, and he was stopped by the doorman.

"Uncle, then I'll trouble you here, I'll go see who it is!"

Walking to the big iron gate of the villa, Lu Deshuang recognized the person standing outside the iron gate at once, waved his hand to the other party with a smile, trotted over, hurriedly asked the doorman to open the door, and asked: "Sister Fei, when did you come to Xiangjiang, don't make a call, please come!" The person who was stopped at the door was Wang Fei, and the person next to her was naturally Xie Tingfeng. (To be continued.) )